See it if You want to be surprised, even shocked at the accuracy and drama that depictis how people change with their circumstances—survival triumphs
Don't see it if You want to live inside your stereotypes and are afraid of change
See it if You want to experience a masterful production by one of America’s award winning playwrights. Great acting by lead actress and entire cast.
Don't see it if You are sensitive to profanity and turned off by contemporary music. Read more
See it if you enjoy witty plays about strong women in modern settings with some dark edges. You want to see a bravura performance by Cherise Boothe
Don't see it if you prefer either stark drama or frothy musicals. This falls somewhere in between.
See it if You like funny and thought provoking theater. Excellent acting. Brilliant writing
Don't see it if You don't like getting into the minds of others.
See it if You enjoy smart, hilarious plays exploring social issues with piercing insights into the Black experience in New York City.
Don't see it if You avoid satirical plays that examine the absurdities of social issues and laugh all the way.
See it if The Black experiences in NYC.
Don't see it if You do not like comedies!
See it if You enjoy a play focused on social commentary. Sarcastic humor.
Don't see it if You want a light take me away experience.
See it if You love Lynn Nottage’s writing and stories that center POC.
Don't see it if You don’t like it when characters break the 4th wall.
"Brantley called it a ‘busy, robustly entertaining comedy’. It still is, but the world around it has changed so much that the comedy feels...less robust...Only as Undine’s enamel shell dissolves — Boothe is especially good at rendering the change — do we begin to enjoy her and the surrounding characters fully...'Fabulation,' and thus Blain-Cruz’s production, feel most accomplished the farther away they get from spoof and closer to reality. But reality invites uncomfortable questions."
Read more
"On the surface, at least, Nottage’s 2004 satire of NYC's black bourgeoisie is a delectable treat. But it leaves a serious aftertaste...Lileana Blain-Cruz's whirlwind staging of 'Fabulation' puts humor first, helped by a versatile cast of seven with a knack for sketching broad new identities at the drop of a wig...You may be cackling too loudly to take it all in as it unfolds but, like a good fable, the play has a message that lingers past its scrappily-ever-after finale."
Read more
"The play earns big laughs with its cheeky, audacious humor...Telling its picaresque fable via short, snappy episodic scenes, 'Fabulation' occasionally feels too sitcom-like in its approach. It's also overly reliant on narration. But the play is often very funny indeed, delivering sharp observations about social and racial identity that feel even more relevant today than when it was written...Most of all, it's the performers who truly sell the material."
Read more
"It's fun and games for us, but at each punctuated point along this entertaining learning curve, Nottage tucks in glimpses of the generations-old baggage...While acknowledging the tragedy beneath the comedy, Nottage and director Blain-Cruz have plenty of fun...Might feel unsettlingly sloppy for those accustomed to Nottage's efficiently assembled dramatic work. And yet, there's something liberating about the play's blatant disregard for organization."
Read more
“Nottage hasn't delivered a fully realized play, she at least provides a hair-raising title character to keep us amused...The best part of ‘Fabulation’ is how Nottage turns Undine's multiple tribulations into a series of sharp-edged comic sketches...This is also the play's limitation...when the play is unable to transcend its cartoonish structure...None of this really matters that much, thanks to Blain-Cruz's fast-moving direction and the cast of eight's incredible versatility."
Read more
"Seems like a minor work compared with later Nottage plays...The play moves swiftly, and there are...funny bits. Because, however, most of the characters are broadly drawn and the sketch-like scenes circle around a gag or punchline, the play does not pack the wallop one might expect. The play's poignancy and fable-like morals come through in narration rather than in the actions of and interactions among individual characters...The performances are top-notch."
Read more
"The episodic and escapadish manner of Undine’s un-fabulation is well handled by director Lileana Blain-Cruz...Yes, this return visit of Nottage’s early 'Fabulation' is worthy and highly enjoyable. The playwright’s unrestrained humor sparks the play with flashes of lightning; but by the time of 'Vera Stark,' she had developed the skill to display wild humor in a more sustained and controlled manner."
Read more
"Undine happens to be quite an astringent character, but in Cherise Boothe’s wry, spirited performance, she seems as deliciously dry as a martini. Seven other capable actors neatly portray an array of different people...Lileana Blain-Cruz confidently spins out Undine’s tribulations with a quick and easy hand. Living up to its mission, Signature Theatre nicely educates audiences about the lesser-known light side of Lynn Nottage’s artistry through this fine production."
Read more