See it if You are a human being and now have or once had a parent, sister or brother, and you all aged together.
Don't see it if You have no heart and only care about yourself.
See it if How can we ever know the stories of others lives, the pain, baggage, joys they know. This show unfolds and takes us into a world of secrets
Don't see it if You are not interested in foreign culture, do not feel positive about Americas proud immigrant past and future.
See it if you like theater to take you new places, and make you think/laugh along the way. You like well-constructed plays. You're in awe of Gurira.
Don't see it if you can't abide a living-room-play family comedy no matter how well-made it is.
See it if you look for smart stories about people that don't appear in American plays very often.
Don't see it if you only like musicals.
See it if You like a living room drama
Don't see it if You don't like shows about families
See it if you want rich stew of characters in side-splitting confrontations; sitcom with serious core: dilemma of immigrant connection to home country
Don't see it if you don't enjoy stock sitcom characters (dominant wife, meek husband, stoner brother-in-law), ending too heavy on surprise revelations
See it if You enjoy seeing a family dealing with successfully assimilating into American culture yet longing for home.
Don't see it if Can't think of anyone who wouldn't like it. Go see it!
See it if You like to laugh and be moved at the same time
Don't see it if you don't like plays about familys
"There’s a lot going on in Danai Gurira’s new play, 'Familiar'. So much so that it’s initially very hard to figure out where this thing might be going...Her power lies in her ability to elucidate the complexities and intricacies of culture clashes with strong dialog and complex characters...It will very likely bring new audiences to the theater for these very important plays, and offer them an uncommon, novel and re-animating experience."
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"'Familiar' is not a perfect play. It is uneven and rangy. The position of a central character appears to change from moment to moment. There are more plots than you can shake a stick at. Still, through all of that there comes a clarion call. These people are us and we are them...Gurira’s specificity is so refined that ultimately this story reaches across barriers of race and clutches us…We are more familiar to one another than we know. It is this vantage point from which Gurira writes."
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"It’s a smart, oft-profound work that leaves one with more questions than answers, but it’s a welcome breath of fresh air as well...For as much as its premise might touch on genre conventions that make it sound like 'My Big Fat Zimbabwean Wedding', there’s much more to 'Familiar' than that; from its elaborate tableaux depicting upper middle class, to its sensitive, but transgressive takes on race and immigration, it’s a play that serves food for the soul and thought alike."
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"There’s a lot stuffed into the play, perhaps too much...This kind of very conventional, very realist play doesn’t generally appeal to me...At the same time, it’s often extremely funny, with the sharp humor that comes from keen character observation. It’s genuinely emotionally affecting. And, it adds something new to a familiar conversation by the simple act of repurposing the formula to showcase the stories of an African immigrant family."
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"Laughter, tears, anger, and misunderstandings are the components...So are the ultimate revelations of long-kept secrets...These latter, in fact, turn the play too sharply in the direction of melodrama, and, while appealing in the way hidden facts about characters we care about always are, nonetheless smack too strongly of dramatic contrivance...Also familiar is the thematic issue of assimilation..But Ms. Gurira deploys these elements with...masterful skill."
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"Funny, insightful play about a Zimbabwe family living in Minnesota...Gurira’s perceptions go far deeper. Her unfolding of the family dynamics feels like genuine insight, and it is not limited to the issues facing immigrants...Not every moment works in 'Familiar'...But on the whole, as directed by Rebecca Taichman with a uniformly able cast, 'Familiar' presents the story of these specific immigrants as a familiar stew flavored with some sharp and special spices."
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"Danai Gurira’s often absorbing, uneven 'Familiar' is a story about Americans, about immigrants, about assimilation and its discontents...Gurira clearly shares some of Tendi’s emotions and under Rebecca Taichman’s direction, these elements of the play are finely wrought and personal. Elsewhere the tone is patchier, as is the acting, which shifts between naturalism and comic caricature...Even in its inconsistencies, it suggests that she is a playwright to honor and cherish."
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"The cast lead by Ms. Tunie, is excellent. Each shines in their own way...The direction by Rebecca Taichman, is flawless...'Familiar' is one of the best plays of the year. It is touching, heartfelt, deals with displacement, cultural identity, loss, the struggle between a mother and her daughter, the feeling of not being good enough, longing for what is past, war, poverty and human connection. In the end we connect with these very human characters and relate...A must see."
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