See it if modern opera, with astonishing Camille A. Brown staging and choreography, raw emotional experience, appeals.
Don't see it if you don't want your gut wrenched, however artfully.
See it if Outstanding & powerful production with exceptional voices. Bravo!
Don't see it if No negative comments.
See it if you lean toward less traditional opera pieces
Don't see it if you're a purist or triggered by trauma Read more
See it if A modern opera about recovering from childhood trauma appeals. This isn't a light one, but there's a lot of joy in it.
Don't see it if It deals with sexual abuse of a child; probably best to know that going in. It's a modern opera in English, which isn't everyone's cuppa.
See it if you enjoy new opera - here there is varied music, great choreography and an ever-changing set that keeps the action flowing in a good story.
Don't see it if you would not like gunshots in your opera, or listening to some frank language. A bit repetitive and slow in parts.
See it if Act 3 was engaging and powerful. Great standout stepping scene. Latonia Moore was terrific.
Don't see it if Slow, and repetitive at times. Subject matter of childhood sexual abuse can be triggering for some. Course language.
See it if Blanchard's melancholic, jazz-infused opera deals w/such loaded topics as sexual molestation & Christianity Exquisitely sung by its 3 leads
Don't see it if Lemmons' libretto flags somewhat in the later stages of the piece as we await Charles' much hoped for / needed redemption & reconciliation
See it if inspiring tale how young blk La boy transcends childhood trauma; marvelous fusion classicl/gospel/jazz; GreatSet; SoaringVocals esp LMoore
Don't see it if you're expecting Puccini; story does not take off till end of 1st Act; not all scenes work; few memorable arias