Grand Hotel, The Musical NYC Reviews and Tickets
Member Reviews (145)
See it if you like dark musicals. 1928 Berlin looks glittery, but it's grimy underneath. Well-paced, GH engrossed me, but it did not fully delight me.
Don't see it if you want memorable songs or to be touched. But GH was beautifully presented (w/only 2 wks rehearsal). Strong ensemble cast; chic dancing.
See it if If you like a big musical. One of Encore's very best production. Rhodes does a great job with this show.
Don't see it if If you do not like a bigger musical, or do not like musicals.
Critic Reviews (16)
"One of the most sumptuous pieces of eye candy ever to glitter from the City Center stage. As for what churns beneath its opulent surface, it’s still a rather dreary slog...Rhodes’s production isn’t grim, but it’s oddly uninvolving, and only some of the cast members emanate the vivid magnetism that is a musical’s life blood...Rhodes is a skilled traffic cop, and his choreography is appropriately stylish throughout...Think of it as a glossy tabloid set to swelling violins."
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"A triumph...Rhodes delivers a smoothly polished production that blends near-constant choreographed movement and dazzling dance with seamless grace. Many of the visually arresting stage pictures are clearly indebted to Tune but not so slavishly that it feels like a mere carbon copy of the original...The cast may not be star-studded, but they are all first-rate...One of the finest Encores! productions in the organization's 25-year history."
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"A fully polished production with a showstopper at every turn...Josh Rhodes, who directs and choreographs this production, embraces the spectral forces to pay a loving homage to the original, while still creating his own stylish version...The direction doesn't always escape the trappings of the material...But what Rhodes managed to bring out of his cast sets a new high bar. They make up for any failings of material in spades, turning out highlight after highlight."
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"The visuals supplied by Tune acted as an additional method of authorship, enhancing material that might not be as effective without such a strong directorial hand. The score to 'Grand Hotel' is generally a good one...The book succeeds in the difficult task of presenting numerous characters in intertwining plots...The dramatic impact doesn't hit quite as hard as it might with more time. But nevertheless, this week's City Center mounting is a lovely showcase for some fine performances."
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"Not to be missed. The evening benefits from a number of main performances but the true star is most decidedly director-choreographer Josh Rhodes. This relative newcomer, has staged up a storm here; this 'Grand Hotel' is always afoot...The written material seems to play considerably better than it did back in 1989...What had been a disjointed score now sounds more of a piece...The cast is not star-filled, as these things go, but the performers impress."
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"Taking up Mr. Tune’s mantle is Josh Rhodes whose direction and choreography energizes the patchy material in his own distinctive and arresting fashion. With a lackluster score and a stilted book, to succeed the show requires and receives theatrical razzle-dazzle...Rhodes incorporates creates several riveting balletic sequences including a sensational Bolero...Overall, he offers an inventive reconception...A triumph of physical staging, performance, and design over its weak elements."
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"A sumptuous, haunted revival...The cast is quite good, and if a few of the performances here and there cannot outrun the memory of those who came before, for the most part the company is able to put their own indelible stamp on things...The director and choreographer Josh Rhodes has retained so many elements of Tommy Tune’s original staging that this is not so much a revival as un hommage."
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"As wonderfully and decrepitely good in that first unveiling...This surprisingly Broadway-ready production, thrown together in the shortest of time frames...looks as polished and ready for its close-up as any show that has graced this series...It’s a gloriously lush production, dark but life-affirming...It deserves a longer life, but I’m not so sure this story has a desperate need to be told."
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"This production is ready for a well-deserving Broadway transfer now. All one hour and 45 minutes of this thrilling, appropriately intermissionless impressionistic snapshot of 1928 Berlin society is perfectly calibrated...under the exquisite and smart hand of director/choreographer Josh Rhodes who tightly weaves the non-stop action together with remarkable clarity and in service of a unified vision, capturing the spirit of desperate decadence that characterized the age."
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"A reason for rejoicing...Nearly two hours of virtually non-stop, thrillingly dark musical theatre...Time has lent the score and book an endearing patina...The score can be appreciated for its echoes of and borrowings from the sounds of Weimar Germany and the soaring aspirations of its classic Broadway balladry...The invigorating staging...following much of the Tommy Tune template, and a vibrant cast afforded the musical another chance for evaluation."
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"This version in particular had a set which harked back to the original with polished staging, nice choreography and impressive costumes. A real opportunity to revisit and reassess this piece...The book is not good and quite scattered...The enjoyably oddball characters remain sketchily drawn but the pace doesn’t really slow down so the overall effect is akin to entertaining blah...Most of this cast sang the score beautifully but fully developed characters did not really emerge."
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"'Grand Hotel' may be just be best show in the series since Kander and Ebb’s 'Chicago' in 1996. Like that show, this is perfectly suited to the front-on, stripped back, single-set intimacy of Encores!...It’s a plot ripe with melodrama and amplified emotions, but composer/lyricists Wright, Forrest, and Yeston supply surging melodies that perfectly complement it. As rendered here...it is simply gorgeous...A cast of sublime Broadway performers give the show emotional and vocal heft."
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"The staging is sharp, the pace is swift, and the physical production is dazzling, but, as was true of Tune's efforts, they only serve to gloss over the inherent flaws in the piece. One major liability remains the show's spotty score...Despite Peter Stone's efforts, the book to 'Grand Hotel' remains diffuse, with far too many minor characters taking up valuable stage time...That said, there are still moments of great joy to be found."
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"The show has quite a few main characters which may make it hard for some to keep track of the story although the plot is engaging. The songs are nice, but none of them really stand out. City Center Encore's production of the show was very appealing. The acting was good. Brandon Uranowitz...was one of the standout performers in this production...The singing voices were all beautiful. The dancing...was exceptional. All in all, it was a top-notch production."
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"Lurid, overwrought...Nothing is said once if it can shouted several dozen times by a spasmodic chorus and motley crew of principals...Theme will be beaten into the ground several hundred times...'Grand Hotel' is short but relentless...Davis's book mainly reduces complicated action to song cues...Aside from a couple of effective numbers, it's undistinguished...The show itself proved a relic unworthy of resurrection...'Grand Hotel' is its own best parody."
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"An iridescent production...You knew by the end of the opening number...that Rhodes had mastered the challenging, multi-faceted material...From that point the musical moves with astonishing fluency from one plot to another, keeping the pumping heart of the lavish hotel, designed to provide a relentless exhibition of sensory pleasures...Breathless pace...The dancing was superlative, especially in the ensemble numbers...There wasn't a lame duck in the cast."
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