Grief Is The Thing With Feathers
Closed 1h 25m
Grief Is The Thing With Feathers
79

Grief Is The Thing With Feathers NYC Reviews and Tickets

79%
(35 Ratings)
Positive
91%
Mixed
9%
Negative
0%
Members say
Great acting, Intense, Ambitious, Great staging, Dizzying

About the Show

In a London flat, two young boys face the unbearable sadness of their mother’s sudden death. Adapted from the novel by Max Porter, Enda Walsh's latest stars Cillian Murphy as the bereaved widower.

Read more Show less

Show-Score Member Reviews (35)

Sort by:
  • Default
  • Standing in our community
  • Highest first
  • Lowest first
  • Newest first
  • Oldest first
  • Only positive
  • Only negative
  • Only mixed
69 Reviews | 11 Followers
97
Great writing, Edgy, Dizzying, Delightful, Clever

See it if You want to see a genuinely interesting take on grief and mourning.

Don't see it if You don't like being aggravated emotionally in a theater. Read more

454 Reviews | 83 Followers
93
Punishing, Sensorial, Bleak, Cathartic, Impressionistic

See it if you are willing to derive catharsis from aesthetics, not narrative.

Don't see it if you are brainwashed into American theatrical conventions.

78 Reviews | 10 Followers
90
Resonant, Thought-provoking, Intense, Great acting, Ambitious

See it if Open to visceral, immersive theater. And if you are a Cillian Murphy fan! Performance of a lifetime

Don't see it if Looking for linear plot and more deliberate pacing. Very loud and a bit overproduced

197 Reviews | 74 Followers
87
Profound, Thought-provoking, Edgy, Dizzying, Great acting

See it if you'll be blown right out of the audience by Murphy's performance, the lighting, the sound, the grief.. then reeled back in

Don't see it if you are triggered by death, lost someone recently (unless you want to sob uncontrollably); can't bear loud, repeated noises

80 Reviews | 30 Followers
85
Dizzying, Thought-provoking, Confusing, Great staging, Great acting

See it if You are a Cillian Murphy fan. His performance is fabulous. It’s a very thought-provoking play on how humans deal with devastating loss. Go!

Don't see it if play is very bizarre.confusing:Very hard to follow.VERYLOUD.Disturbing.Strobes.Heart-wrenching:I cried.Don’t go if themes of loss r trigger

MJK
677 Reviews | 193 Followers
85
Ambitious, Weighty, Unconventional, Great acting, Riveting

See it if you appreciate Walsh's moody, evocative, idiosyncratic style; u want to see Murphy soar in a powerful, physical, intense performance.

Don't see it if you can't abide highly stylized theatrics, symbolic imagery & postmodernism; you are triggered by grief & bereavement of a lost wife/mother. Read more

522 Reviews | 83 Followers
85
Intense, Great writing, Great acting, Ambitious, Absorbing

See it if you like great performances and theater that explores feelings that are difficult to articulate accurately - in this case grief.

Don't see it if you prefer linear plays grounded in reality rather than symbolism.

483 Reviews | 194 Followers
85
Disturbingly-dark, Poetic performance-piece (untraditional drama), Inventive, Powerful, Cyclonic

See it if a fan of boundary-pushing new works, Max Porter’s novel, or the uber-talented Cillian Murphy; invested in works about coping with trauma.

Don't see it if an image of a giant trickster crow, played by Murphy, helping a dad (also Murphy) and two sons cope with loss is unappealing; unimaginative. Read more

Critic Reviews (13)

The New York Times
April 28th, 2019

"Walsh specializes in what might be called the theater of the elusive...Walsh has anchored the book’s abstractions in a recognizably mundane world...The muffled sounds of television and radio reports on the storms — and of sirens from the streets — beautifully evoke the way in which the whole world seems apocalyptic after a personal tragedy. And Mr. Murphy forges such a visceral bond with us that we do feel we hear and see through Dad’s ears and eyes."
Read more

Time Out New York
April 29th, 2019

"Walsh has adapted Porter’s heartbreaking little book into a handsome if frequently self-defeating stage version...When 'Grief' is at its best, though, Walsh finds a way to fully exploit the staggering talents of his frequent collaborator, actor Cillian Murphy...It’s not clear how sound designer Helen Atkinson does it, but she’s working some true ventriloquist magic. This is technically impressive but emotionally alienating."
Read more

New York Magazine / Vulture
April 28th, 2019

"Murphy’s volcanic performance anchors 'Grief,' which takes the tone and structure of its source material so much to heart that it can sometimes feel writerly and more than effectively fragmentary...Walsh’s play moves into that transcendent space where montage also becomes irresistible motion...'Grief' wouldn’t work without its returns to quiet, to the hard, hesitant lull of Dad and the boys’ daily life. Some of the show’s best moments are its smaller ones."
Read more

Lighting & Sound America
April 29th, 2019

"Murphy is giving an extraordinarily accomplished performance, putting himself through a punishing physical and emotional regimen while switching between the dejected, defeated Dad and the demonic Crow...The production is a fine display of stagecraft, and, as such, will be of interest to anyone currently working in video and/or sound design. Murphy's work provides many pleasures, too, but there's no denying that, during the highly theatrical middle section, a disconnect takes place."
Read more

New York Stage Review
April 29th, 2019

"Indisputably this mad, murky, melancholy drama is a fine showcase for Cillian Murphy, who delivers a tour-de-force performance as a deeply grieving man...The challenging 'Grief is the Thing' may well prove to be a mystifying, at times even bewildering, event...If 'Grief is the Thing' proves to be a demanding, nearly exhausting experience, it also can be a rewarding one for theatergoers willing and able to hang on through such a stormy ride."
Read more

Front Row Center
April 29th, 2019

“Riveting, unsettling, uplifting – this play sears the heart...It brought a stunned audience to its feet...without a moment’s hesitation...I could not help but appreciate the directorial decisions that made it come crashing to the stage. Never again, I’m sure, will I see typography so violently displayed...Murphy embodies the character so completely that we cannot imagine anyone else owning the part...You cannot help but be moved by this play, especially if you’ve lost someone.”
Read more

Exeunt Magazine
April 28th, 2019

“Walsh pulls it off, he pulls it way off...Walsh has taken Porter’s gorgeous postmodern text and deftly conjured something wonderful...Walsh’s direction is stunning...Murphy is a master at work...‘Grief Is the Thing with Feathers’ hit so many raw nerves with such precision in its translation from page to stage that I can’t help but feel it will remain one of the most important nights I’ve spent in a theatre for a long, long time.”
Read more

The Wrap
April 28th, 2019

"In a tour de force performance, Murphy is at one moment dealing with his grief like a normal person and the next he’s wearing a big black hoodie and speaking into a small mic attached to the sleeve that miraculously turns his mild tenor into a booming, menacing bass...'Grief' is one of those that can’t sustain beyond 90 minutes because it exhausts...This isn’t a criticism of the play and its amazing production; it’s purely intentional on the part of Porter, Walsh, and Murphy."
Read more