"Not only does it provide an opportunity to watch the New York City Ballet star Sara Mearns perform the choreography of her husband, Joshua Bergasse, and to hear a Richard Rodgers score suavely reincarnated, but it also makes you think about the role musical theater has often played in maintaining odious social norms...Mr. Bergasse has neither the troops for spectacle nor the directing chops to keep the evening from separating like mayonnaise."
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"The plot is flimsy and meandering, and the score is not exactly on par with the best of Rodgers and Hart. Nevertheless, the production is an elegant affair...One hopes the production will receive a cast recording, which will at least preserve the score (which contains some lovely ballads and a lush overture) in its entirety for future generations of musical theater geeks."
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"Even with a newly adapted script by writers Sandy Rustin and Sarah Saltzberg, this dated, mind-boggling musical is far too outmoded in its attitudes toward women...On one hand, it's interesting to see something like this, where the dialogue and topical references are so of a different era, to examine how far we've come socially over the past eight decades. On the other, producing a show that passes such extreme judgment on female behavior isn't a good idea now."
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"The trouble with opening a jeweled candy box that has been collecting shelf-dust for 80 years is—well, the contents can prove to be beyond dusty. And that, alas, is today’s report on 'I Married an Angel.' What can they—songwriters and librettists Richard Rodgers and Lorenz Hart, at the absolute pinnacle of their talents—have been thinking?..Everything is fine at the Encores! 'I Married an Angel,' actually. It’s just Rodgers and Hart who, most surprisingly, let us down."
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"Capturing again the lightning in a bottle that was a vintage Broadway musical is challenging, especially when a work, for all of its period charms, appears flimsy by modern-day standards. Such is the case with 'I Married an Angel'...The most entirely satisfying component of this concert is the visuals...The performances tend to be spotty...Although the visual and musical sides of 'I Married an Angel' are fairly blissful, the unsubstantial book needs sharper staging."
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"As the title angel, who comes down to heaven to satisfy the marital urge of upstanding Hungarian banker Count Palaffi (a fine Evans), Mearns looks heavenly in a series of white costumes (by Viletti, whose work throughout is gorgeous). But more importantly, she graces the stage beautifully, and proves herself a winning actress with a gentle comic flair. Her angel may have come from way above, but Mearns grounds these featherweight proceedings."
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"Has that ebullient, slightly fairy tale charm that characterizes Depression-era musicals...Tap always lifts your spirits, and the show-stopper in 'I Married an Angel' is no exception...The performances vary...It is Sara Mearns, as the show’s angelic star, who has to carry the show, which she does admirably. Some line readings drop, but she lands most of her jokes. She has clearly been well directed by Joshua Bergasse."
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"Encores! is devoted to reviving forgotten pieces of musical theatre, but in the case of 'I Married an Angel,' it’s best to let sleeping musicals lie. The show is so blatant in its sexism that many of the actors on stage looked uncomfortable when delivering their lines...So tone-deaf to our current social climate that it’s actually shocking that Encores! would think it’s okay to produce...The bulk of Rodgers and Hart’s score is bland and forgettable."
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