Premieres presents its biannual series of new solo musicals. This batch touches on fear, friendship, and fantasy. More…
In 'Just One Q,' bitter enemies Bertha and Julynne duke it out at the Broadbend Nursing Home over a game of Scrabble. Benny (T. Oliver Reid), an orderly, narrates the history of their acrimonious relationship.
In 'The Pen,' an everyday morning becomes anything but when a seemingly innocuous obstacle shatters Laura's (Nancy Anderson) routine and threatens her prompt arrival to work. Ghosts of the past collide with present-day demons as she struggles to rise above her compulsion and leave her apartment.
In 'The Booty Call,' a young man (Michael Thurber) receives a booty call while creating a demo of his recent compositions. The call sends him off on an existential musing of his past experiences with love and intimacy, shedding an honest light on the reflections of a late-20s male living the single life in New York City.
“Paulette Haupt, producing artistic director of Premieres, should be very proud of herself. Her ‘Inner Voices’ program at the TBG Theatre managed to shock, move and entertain. The three short one-act musical monologues, each with a distinctive voice and each performed by an expert singer/actor were sweetly bizarre ('Just One Q’), shattering (‘The Pen’) and heartwarming (‘The Booty Call’).” Full Review
"Featuring three tour-de-force performers and some superb writers and musicians...The evening shows off a combination of great musical craftsmanship and wonderful originality....How fortunate New York audiences are to have another chance to experience the excellence, breadth and depth that musical theater can deliver with 'Inner Voices.' Don’t miss this intimate evening of musical storytelling!" Full Review
"This trio of solo musicals brings together new and veteran talents to tackle conventional material, resulting in three distinctive, innovative short works; they also provide a showcase for three first-rate performers...Seeing a program like 'Inner Voices' is enjoyable on its own terms, and it's also fun to experience so many new and underused talents. I'd say all of them are going places; checking them out now will give you bragging rights later on. You'll be able to say you knew them when." Full Review
“Of the three programs I’ve seen over the years, this was the best...The performance by Nancy Anderson in the middle piece, ‘The Pen,’ is an absolute must-see for every musical theatre aficionado...The convincing intensity of her acting is greatly heightened by the perfection of her soprano, demonstrating how powerful the elements of music and acting can be when perfectly balanced with one another. This is exceptional work, deserving of a wider audience.” Full Review
"'The Pen' is the stop-you-in-your-tracks reason to go to 'Inner Voices'...One of those rare shows that elicit wonder all the way through, not just at the material but also at the exquisite combination of assembled talent...'Just One Q:' Mr. Reid is appealing, but it’s a cliché-filled piece that doesn’t work as a solo...'The Booty Call:' Comes across as jejune and self-indulgent...It has to follow 'The Pen.' Against such incandescence, 'The Booty Call' pales even further." Full Review
"'Just One Q:' The direction by Rouse was easy to follow...A fun, engaging piece...'The Pen:' Davis’ portrayal of Laura was sympathetic...Kudos to the director, Margot Bordelon; the entire performance was eye opening and very well done...'The Booty Call:' Thurber is phenomenal...The entire monologue is very intimate and personal...I walked away unable to pick a favorite, as each performance shined in its own way." Full Review
"'Just One Q:' Though the main points of the plot feel contrived, Reid brings an amiable tone to Benny’s melodious narration, with a jazzy rhythm, down-home accent, amusing impersonations of the female antagonists...Collins’ penetrating characterization of obsessive-compulsive disorder comes to life in Anderson’s beautifully sung and acted tour-de-force performance in 'The Pen'...'The Booty Call:' Thurber’s style is thoroughly charming and his post-modern musical compositions impressive." Full Review
"Reid stars in 'Just One Q'...The life lessons here don’t reach the depths of profundity as other senior citizen tales. Still, Reid’s presence and pitch-perfect singing voice make for an enjoyable 40-minute tale...'The Pen' is perhaps the best piece of the three...Anderson is marvelous as the neurotic pixie...Tales of dating have been told and re-told, rarely with anything new or interesting to impart...'The Booty Call' proves otherwise...Three exceptional vignettes." Full Review
"Three performers explore the quiet thoughts that exist when almost no one is watching in 'Inner Voices'...While 'Just One Q' is not a riveting story, it is charming invitation to a drama in an old folk’s home...Anderson is in fine form in 'The Pen,' an astonishing character drama...The clean spaces in the first two pieces are muddied by the intentionally messy 'The Booty Call.' In this laid-back, funkadelic groove track, the space that is filled and inhabited is tranquil and refreshing." Full Review
"Each piece is about 30 minutes long–and that is roughly 10 minutes too long for each of them...'Just One Q:' Once the premise is established the story stays mushy and neutral. It is no match for Reid's exquisite voice...'The Pen:' This little jewel is smart and fast-paced and Anderson is exquisite–ethereal, actually...'The Booty Call:' Thurber is a pleasure to watch as he wanders the stage and seems to make things up as he goes along...A joyful noise all around. Even if they are too long." Full Review
"'Inner Voices' showcases new emerging musical theatre talent and it is good...'Just One Q:' Reid is wonderful, singing this role to perfection...I could see this being developed into a much longer piece with more than just one actor...'The Pen': Painfully and sensitively sung and portrayed by Nancy Anderson...This is a piece that could have an impact...The third piece belongs in Joe’s Pub and is not my style. 'The Booty Call' is so indie young...I don’t like sitting through people’s therapy." Full Review
"‘The Pen’ is a wonder…It becomes genuinely poignant, even harrowing…Nancy Anderson digs into the role with the fervor of an actor who knows that she couldn’t ask for a better part to show off her multitude of talents…'The Booty Call,' is an enjoyable look at a songwriter…It’s unfortunate that in order to reach these two shows one must endure the first musical of the evening…The good news is that it’s forgettable. 'The Pen’s' voice is the one that carries, and it carries the night." Full Review
"Any number of one-person shows create entire communities within the confines of a theater, but songs need to expand and deepen how we view people, not merely provide the same information with pretty underscoring. That's why 'The Pen' works so well. The medium elevates the message, and then Anderson elevates that. That's how musicals are supposed to work. But except for 'The Pen,' the other stories in this 'Inner Voices' are just too inner for their—or our—own good." Full Review
See it if An astounding three act one-person theatrical experience that is profoundly poignant, heartbreaking,!imaginative and brilliant
Don't see it if Anyone not interested in a one man show with three very diversified acts touching on a multitude of emotions
See it if You appreciate clever viniettes with novel, varied, resonant themes, brilliant book and excellent musical performances by solo actors.
Don't see it if You have a short attention span (show, including intermission, is over two hours long) or dislike musicals, solos or challenging themes.
See it if You enjoy life stories told via solo musical performance especially incorporated with live musical accompaniment.
Don't see it if You don't like solo theater performance, You desire greater exploration of issues rather than a more concise pointed story.
See it if You're interested in hearing new music. You're interested in seeing musicals in the development phase. You like 1-performer pieces.
Don't see it if You want to hear more established music. You don't like one-performer pieces. You want more fully developed musicals.
See it if three great different monologues about love, deception, compulsion, emotional vulnerability, and human connections. Deep, insightful,witty
Don't see it if you are not ready for self-reflection, or if you don't like monologues.
See it if You want to really understand what it feels like to have obsessive-compulsive disorder. Nancy Anderson's monolog is a perfect description.
Don't see it if The other two monologs are not interesting.
See it if You like Nancy Anderson in a great performance that's exaggerated but hilarious
Don't see it if You are impatient to get to Nancy Anderson and must endure an unclear riff on seniors in rest home or to go before last part.
See it if you like the idea of seeing three stories that couldn't be more different, or if you like to see actors performing monologues.
Don't see it if you have a short attention span, because you will be with the same person and story for about 30-40 minutes at a time.
See it if You want to to see 3 quick stories that get increasingly better. Singing was good, the last one by far the best
Don't see it if You want the entire show to keep your attention without yawning
See it if you want to see two great actors bring some interesting new musical theatre work to life and you are very patient.
Don't see it if you can't stay focused for 2 hours and 10 minutes of three wildly different musical monologues.
See it if The first piece is the weakest. One actor sings 3 characters for a very long time. Tempo is too fast for clear definition of characters.
Don't see it if you don't like operatic pieces that are over-written.
See it if you like quality singing voices no matter the topic. You can wait out first 2 to get to the 3rd which is topical, current, fun.
Don't see it if if you can't sit through 2 dull performances and can't wait to bolt!
See it if you enjoy smart and nurtured works of collaborative theatre, you want to see three brilliant performers show off their well-honed skills
Don't see it if you don't like monologue performances, you want every nuance blatantly explained, you want to see something familiar
See it if You want to experience something different. You like scenes acted out via song. Simple yet effective staging. You want to smile.
Don't see it if You want a big production. You don't like singing. You don't want to feel good about what's happening on stage
See it if you enjoy exploring new works. Three amazing solo performances in three wonderful one-act musicals. An exciting evening at the theater.
Don't see it if you are looking for a traditional musical. No tap dancing here. A thought provoking evening.
See it if The idea of mini-operas is appealing, a complete story told in 45 minutes in intriguing, if you want to see compelling talent at its best.
Don't see it if you think worthwhile theatre cannot be found west of Eighth Avenue and south of 42nd Street, or if you are not willing to concentrate on it.
See it if You like Nancy Anderson. She's great in this. See it if you like seeing something a little different in musical theater that's excellent.
Don't see it if You want to see a big elaborate production.
See it if you are interested in a different format of musical storytelling
Don't see it if you think you would have a hard time sitting through a long 1 person musical monologue. It's worth it for the last one though!
See it if Like new works in progress. First act too flat. Second and third had momentum and laughs. Live music. Talented actors
Don't see it if Want formal production. Don't like monologues. You don't like to be introspective
See it if you'd like to try a somewhat different theatre experience. What are essentially 3 very different short stories are each sung by a narrator.
Don't see it if you don't like 1 person performances; all sung plays; Sondheim. (These aren't as good as Sondheim, but they are sort of like his work. )
Get alerts about your favorite artists and theater companies