"Harris, a skillful performer, offers a pretty fair version of that banana dance and capably handles a song list...Still, Baker was a far more complicated woman than the show presents...'Josephine' has definite audience-pleasing aspects, including a couple of sequences in which she enlists audience members as lovers or fans, but its elaborate title seems to hint at broader, as-yet-unrealized, ambitions...Currently, 'Josephine' works best as a brief introduction to its subject."
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"A story made for show business...It is the show's eye-catching star, Harris, who evokes Josephine's look and provocative spirit...Harris puts all she has into rounding out the sketchy portrait of Josephine, intensely emotional and farcically comical. With a husky, expressive voice, blithe nudity and a captivating demeanor, she reaches into the audience, flirting with both men and women...Much more can and has been written about Josephine Baker than this 75-minute piece."
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“Subtitled ‘a burlesque cabaret dream play,’ ‘Josephine’ is more. It is a full-fledged musical with grit, sex, color and ebullient dancing, all supplied by the remarkable Tymisha Harris who gushes with love and truth about her subject, the legendary Josephine Baker...The main event, however, is the performance of Harris who doesn't just imitate Baker but uses her own gifts to illuminate she returns the favor with her vivid singing, unabashed dancing and direct connection with the audience.”
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"They mostly succeed in telling the thrilling details of her life story...The only thing missing to this presentation is a more refined production, which could turn this fun play into something far more powerful and electric...Harris as Josephine is delicious and layered...I only wish in her edgy and energetic performance that she would slow down a bit...The script is also in need of some tightening in order to bring the greater umbrella of meaning to a sharper focus."
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"Harris brings Baker to life with an exhilarating energy that flies off the stage and into the audience. Part of that continuance from stage to audience, has to do with the Marinaccio’s direction and book writer/musical director Kimbro. All three of these multi-talented artists created the show 'Josephine Baker'...Through Ms. Harris’s emotionally stirring performance, we see the woman who captured countless lovers, 5 husbands, and adopted a tribe of 12 rainbow children."
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"Harris is attractive and full of personality. She’s beautifully dressed, moves well, and sings with feeling...You won’t gain any insight into the artist and omissions run in Baker’s favor, but presented facts are, at least, facts...Intermittent, Fanny Brice-like mugging does neither Baker nor the show any favors...The play is not without entertainment value if you lower your standards and know little or nothing about Baker. Its parts simply don’t make a polished whole."
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"With self-effacing good humor, Harris recounts the story behind Baker's numerous husbands and lovers...Harris becomes serious when the story turns to Baker's activism in the Civil Rights Movement. Her interpretation of...'The Times They Are A Changin' is breathtaking...Harris's rich and powerful voice is far superior to Baker's...She's also sexy in a way that's most probably far more effective for modern audiences. One likes to think Baker would have respected...and appreciated the tribute."
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"Harris meticulously crafted a performance that makes her voice, body, and overall person scream, 'Josephine!', which in others words means, 'Star!'...Harris is literally gold on stage. She is incredibly charming and sweet...Harris makes you laugh, cry, get angry, and get protective over Baker. She uses music and dance only to further the spiritual highness of Josephine, as a human being whom uncannily brought joy from her desire to absorb it."
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