See it if You're a fan, or you've never seen an opera. This is a superlative production of an opera that is deservedly the world's most popular
Don't see it if You hate opera.
See it if You like spectacles. This opera is what the Met is all about--huge staging, amazing voices, a wonderful story. I go every year.
Don't see it if you hate opera (even if you never saw one)...Do not want two endless intermissions turning a 2 1/2 hour show into a 3 1/2 hour show.
See it if you enjoy updated classics
Don't see it if You do not like opera
See it if you like an opera where the characters are real to life, the lyrics are intelligent and witty and the production and staging are magnificant
Don't see it if you don't like opera of any kind even if the music is beautiful and the story is wonderful. Read more
See it if you want to experience opera at its best. I am not an opera fan and I loved every moment. Makes me want to see more opera. This was perfect
Don't see it if No reason not to see it. I am not an opera fan & I loved it. I deeply listed to the music as they sang & wow what a difference
See it if A classic opera. Don’t miss the great chorus scene in Art 2
Don't see it if Not into opera or serious entertainment
See it if The playbill says it's the world's most popular opera & it probably deserves to be; no part of this doesn't work. Great end to the season.
Don't see it if Look, if you like opera at all, this is a great one; by turns funny and tragic. And they have a horse AND a donkey onstage at the same time.
See it if you want to indulge in Puccini's excellent score with grand voices & costumes on Zeffirelli's superb staging-an experience from the 1st note
Don't see it if you do not like 3+ hour productions including two half hour intermissions.
"All in all, it was clear who the central figure of this “Bohème” was: the man waving the baton."
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"Critic's Pick!...Even in a good performance of this well-known staple, it’s hard for a conductor’s work to stand out against the singers’ voices, which usually claim our attention. But on Tuesday, when “Bohème” returned to the Metropolitan Opera — in Franco Zeffirelli’s enduringly popular production, and with an appealing cast in place — the star of the evening was the conductor, Eun Sun Kim, in her Met debut.
Last month, Kim made history at the San Francisco Opera as the first woman music director of a major American opera company. And at the Met this week, she did the job with musicianly care, assured technical command, subtlety and imagination. It’s been a long time since I’ve heard Puccini’s score so freshly played."
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"'La Bohéme' is for everyone. Its appeal is universal. Set in beautiful Paris, it is visceral, romantic, sad, lovestruck, fun, and more – all rolled into one."
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