"I usually lower my expectations for 'Measure'...But even in over-conceptualized versions, there’s usually at least one, thought-provoking portrayal that illuminates. Mr. Collins’s production does feature one such performance, from Mr. Shepherd. Mostly, though, it translates the challenges of a notorious problem play into ‘oh, why not?’ parlor tricks and slapstick. Much of the intermissionless, two-hours-plus show is conducted at a rushing tempo that defies comprehension."
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"As far as language goes, the production is often unintelligible...That doesn’t matter in the clown bits, but one misses important information and poetry in other scenes...Yet the show has many compensatory assets...Several performances are delightful...And the production is funny in unexpected ways...Audiences who don’t know 'Measure for Measure' may well find this version confusing. Those who know the text well, however, will find much to enjoy in ERS’s pointed run-through."
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"It’s thrilling to see a group of artists throw themselves into a project where there’s the actual risk that the whole thing might go terribly wrong...In this case, some things have gone pretty seriously wrong...There’s so much potential resonance here that it’s maddening to watch the ERS production skate across the play’s surface...Collins is more interested in the game he’s playing with Shakespeare’s text than in its content...Some of the ERS ensemble do manage to rise above the gimmickry."
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“A mess that lands primarily as a showcase for the amazing Scott Shepherd…The effect of John Collins’ gimmicky production is breathless, as if to say let’s race through this and just get to the good parts. But the good parts are nearly as incomprehensible (except when Shepherd is commanding a scene). With the language – especially the good parts – spun into a word smoothie, I couldn’t really tell what the point is.”
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"Some virtually unrecognizable version of itself, like an operating room full of inept plastic surgeons botching a facelift...Elevator Repair Service proves here to be wholly out of its element with Shakespeare...The modern-dress actors spit out much of Shakespeare’s language as if they’re in an Olympic speed-reading contest...With this production’s silly affectations, Elevator Repair Service turns a problem play into a merely ridiculous one."
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"There's much to recommend 'Measure for Measure' as a play for our times...But there's somewhat less to recommend Elevator Repair Service's new production. John Collins directs the play at a frenetic pace. Though this does make for some high-octane performances, the play's language is sometimes rendered incomprehensible by the rapid-fire delivery...While Elevator Repair Service deserves kudos for pushing the play to its limits, we wish it were a little more measured in pushing us to ours."
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"The lack of clarity seems intentional...The absence of understandable wit makes the evening seem a frenetic blur...But then everything slows down for an emotional scene...If at this point a viewer can moved by the story and characters, it is most likely from previous familiarity with the play...This 'Measure for Measure' appears to be a case of concept over content....If you're not satisfied with the results, you may still find the effort quite admirable."
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"It's more like 'Highlights from Measure'...Sargeant and Groff are giving what are by far the production's standout performances...Otherwise, under Collins' direction, it's anything goes. Admittedly, 'Measure' is a confounding work...While most productions try to find some rationale for these events, Collins and company throw up their hands, dispensing with psychology altogether...This production has everything but a baseline interest in the text."
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