Measure for Measure (The Public Theater)
Closed 2h 10m
Measure for Measure (The Public Theater)

Measure for Measure (The Public Theater) NYC Reviews and Tickets

(88 Ratings)
Members say
Ambitious, Confusing, Disappointing, Quirky, Clever

About the Show

Elevator Repair Service, the Obie-winning company behind 'Gatz,' returns to The Public to celebrate their 25th season with a new production of Shakespeare’s dark comedy about vice and hypocrisy.

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Show-Score Member Reviews (88)

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92 Reviews | 14 Followers
Clever, Delightful, Entertaining, Funny, Must see

See it if Shakespeare at it's best- funny, inventive, clever and wonderfully staged and acted. Made very accesssible. Timely, too!

Don't see it if you don't like broad, witty comedy

96 Reviews | 10 Followers
Clever, Great acting, Quirky

See it if you can keep up with quickly paced Shakespeare

Don't see it if you hate modernized Shakespeare

156 Reviews | 31 Followers
Clever, Delightful, Funny, Dizzying

See it if Enjoy a fun, intelligent interpretation of a rarely seen Shakespeare play.

Don't see it if You want a traditional 'reading' of Shakespeare. Read more

464 Reviews | 156 Followers
One scene justifies the entire experiment

See it if you're ok w/ a single, brilliant, 5-10 min. scene that could forever change your reading of MfM even if the other 120 min. are a slog

Don't see it if you’re new to the play and want to understand Measure for Measure; you want a show that’s entertaining the whole time Read more

55 Reviews | 20 Followers
Clever, Riveting, Dizzying

See it if You appreciate experimental theatre and the fascinating approaches of the Elevator Repair Service

Don't see it if You can’t sit for 2 hours and 15 minutes with no intermission, you need the delivery straightforward, or if you’re a purist.

624 Reviews | 108 Followers
Ambitious, Dizzying, Funny, Confusing, Indulgent

See it if you'd like Measure for Measure performed with zany hijinx, rapid-fire delivery, and alternately too-fast and too-slow pacing.

Don't see it if the no-holds barred comic performances of the cast aren't enough to sway you to try out this slapstick version of the play.

58 Reviews | 13 Followers
Entertaining, Clever, Great acting, Funny, Intelligent

See it if you like modern adaptations of Shakespeare with the original text. Great touch to have the show on one set with actorsplaying multiple parts

Don't see it if you don't like shows with lengthy monologues or where the actors speak very quickly.

231 Reviews | 36 Followers
Hard to get into the rhythm, Know the story before you see this play

See it if you want to see Mr. Shepherd do a bang up job as the Duke. See it if you want a condensed version of the play.

Don't see it if you have trouble hearing when actors are speaking at a rapid pace. Don't see it if you are expecting true Shakespeare. Read more

Critic Reviews (30)

The New York Times
October 10th, 2017

"I usually lower my expectations for 'Measure'...But even in over-conceptualized versions, there’s usually at least one, thought-provoking portrayal that illuminates. Mr. Collins’s production does feature one such performance, from Mr. Shepherd. Mostly, though, it translates the challenges of a notorious problem play into ‘oh, why not?’ parlor tricks and slapstick. Much of the intermissionless, two-hours-plus show is conducted at a rushing tempo that defies comprehension."
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Time Out New York
October 10th, 2017

"As far as language goes, the production is often unintelligible...That doesn’t matter in the clown bits, but one misses important information and poetry in other scenes...Yet the show has many compensatory assets...Several performances are delightful...And the production is funny in unexpected ways...Audiences who don’t know 'Measure for Measure' may well find this version confusing. Those who know the text well, however, will find much to enjoy in ERS’s pointed run-through."
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New York Magazine / Vulture
October 10th, 2017

"It’s thrilling to see a group of artists throw themselves into a project where there’s the actual risk that the whole thing might go terribly wrong...In this case, some things have gone pretty seriously wrong...There’s so much potential resonance here that it’s maddening to watch the ERS production skate across the play’s surface...Collins is more interested in the game he’s playing with Shakespeare’s text than in its content...Some of the ERS ensemble do manage to rise above the gimmickry."
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October 10th, 2017

“A mess that lands primarily as a showcase for the amazing Scott Shepherd…The effect of John Collins’ gimmicky production is breathless, as if to say let’s race through this and just get to the good parts. But the good parts are nearly as incomprehensible (except when Shepherd is commanding a scene). With the language – especially the good parts – spun into a word smoothie, I couldn’t really tell what the point is.”
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The Washington Post
October 13th, 2017

"Some virtually unrecognizable version of itself, like an operating room full of inept plastic surgeons botching a facelift...Elevator Repair Service proves here to be wholly out of its element with Shakespeare...The modern-dress actors spit out much of Shakespeare’s language as if they’re in an Olympic speed-reading contest...With this production’s silly affectations, Elevator Repair Service turns a problem play into a merely ridiculous one."
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October 10th, 2017

"There's much to recommend 'Measure for Measure' as a play for our times...But there's somewhat less to recommend Elevator Repair Service's new production. John Collins directs the play at a frenetic pace. Though this does make for some high-octane performances, the play's language is sometimes rendered incomprehensible by the rapid-fire delivery...While Elevator Repair Service deserves kudos for pushing the play to its limits, we wish it were a little more measured in pushing us to ours."
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October 14th, 2017

"The lack of clarity seems intentional...The absence of understandable wit makes the evening seem a frenetic blur...But then everything slows down for an emotional scene...If at this point a viewer can moved by the story and characters, it is most likely from previous familiarity with the play...This 'Measure for Measure' appears to be a case of concept over content....If you're not satisfied with the results, you may still find the effort quite admirable."
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Lighting & Sound America
October 16th, 2017

"It's more like 'Highlights from Measure'...Sargeant and Groff are giving what are by far the production's standout performances...Otherwise, under Collins' direction, it's anything goes. Admittedly, 'Measure' is a confounding work...While most productions try to find some rationale for these events, Collins and company throw up their hands, dispensing with psychology altogether...This production has everything but a baseline interest in the text."
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