"'Mlima’s Tale' is a shattering work...A tight, unsparing script...A director and four actors of immense talent...Everyone knows that there are things, moves, that a body cannot do. Cannot. Nope. Contortions and expansions that would turn a man into an elephant of physical, emotional and mental majesty. It is pretty much impossible. Lucky for us, Sahr Ngaujah did not get that memo, because the leap he takes into this impossible sphere is astonishing....'Mlima’s Tale' is a play not to be misse... Full Review
"An engrossing web that will likely grasp your conscience and stay with you...Nguajah is not 'playing' an elephant. Rather he is an everyman...this is a stunning performance, at some times almost painful to watch but at all times impossible to turn away from...Nottage has set Bonney to work on a deceptively-simple bare stage...The results are remarkable...It's hard to fathom how the Public production can be bettered...As for Nottage, this is yet another towering American drama." Full Review
"Lynn Nottage constantly astonishes. The author of 'Intimate Apparel' and the recent Pulitzer Prize-winning 'Sweat' is now represented by 'Mlima's Tale' at the Public Theater's Martinson Hall, a heartbreaking examination of the illegal trade in ivory and its toll on elephants and humans alike." Full Review
"A highly artistic exposé of a scandalous wildlife dilemma…that fills its…80 minutes with fascinating information contained in dramatically compelling scenes…Ngaujah, gifted with physical and vocal beauty, makes the pachyderm a hauntingly tragic presence; he need merely stand there…for you to feel how deeply he's invested. Aghayere, Gonzalez, and Mambo…play their multiple roles with exceptional versatility, altering their accents and attitudes with spot-on accuracy." Full Review
"A fascinating story of human greed...A terrific play. Ngaujah gives a mesmerizing performance as do the three other actors who nimbly play the many characters involved in the story...With Bonney at the helm, 'Milma's Tale' is given a visually and aurally powerful production...While Ngaujah is silent throughout, except for his moving opening and closing monologue his silent presence brilliantly exemplifies that you don't need words to convey alarm, pain and despair." Full Review
"Nottage has written a powerful play, creatively performed by a superb cast and spellbindingly directed...It succeeds by combining impressionism and reality to make for a unique theater experience...The show’s magic rests largely on the impressionistic portrayal of Mlima...The magisterial physicality of Ngaujah and his balletic artistry...This is one of the season’s most essential and meaningful productions, with an impact far beyond its 80-minute intermission-less length." Full Review
"A stunning new play...The glory of Mlima's story is how Nottage and her gifted director, Bonney, tell it in theatrical terms...Ngaujah is magnificent...He writhes his stately body in dance/theatre style...Three other actors play multiple roles with precision and virtuosity...Nottage's powerful parable extends beyond the specifics of illegal ivory trading. It reminds us that we are citizens of one planet, and that we are all exploiting our natural environment." Full Review
"Nottage’s beautiful, endlessly echoing portrait of a murder and its afterlife...Nottage and her director have shaped this story with such theatrical inventiveness and discipline that it never feels sensational, on the one hand, or pious, on the other...She packs a wealth of cultural, political, and economic detail into each scene...Yet the facts, figures, and folklore never feel jimmied in; the exchange of information among the characters is fluid and always appropriate to the circumstances." Full Review
"Nottage's unrelenting machine of a play...Audiences won't soon forget the anguished wail of its title character...In many ways, 'Mlima's Tale' is a sharper critique of capitalism than Nottage's last play, 'Sweat'...A model of efficiency. The three players portray every human, using subtle physicality and muted accents to distinguish roles without slipping into caricature...Eighty straight minutes of searing brilliance." Full Review
"There's nothing especially surprising about Nottage's tale, but her narrative method is so elegant and her character sketches so incisive that they keep us vitally interested ....Beginning with her adept handling of the well-chosen cast, Bonney's direction allows 'Mlima's Tale' to unfold in unusually seamless fashion...It is easy to marvel once again at Nottage's versatility. She is unmatched in her skill at immersing herself in factual material out of which she creates a compelling drama." Full Review
"A riveting haunting piece of theatre...Ngaujah portrays 'Mlima,' in a series of contorted movements...His striking visual presence is slightly diminished when he speaks. It is full of fury and loud, even when he is speaking of his beloved family...Aghayere, Gonzalez, Mambo are amazing as they cross racial and gender boundaries portraying multiple characters...Bonney's unusual staging is unsettling and I do not think I will ever be able to look at a piece of ivory without feeling the horror." Full Review
"It’s crafted with such empathy and wisdom...The overall effect is powerful and moving, guiding us through the web of human forces that make up the problematic and illegal industry of poaching. 'Mlima’s Tale' doesn’t try to solve the difficult issue, as it is far too complex to tackle within this presentation, but the white streaked imagery will leave us all stained as we take in the grandness of this animal and the profound emotional response to his death, feeling in someway complicit." Full Review
"With his lean, muscular physique suggesting the massive size and elegant curves of 'big tusker' elephant hesitantly surveying the evening landscape of his savannah terrain, Sahr Ngaujah gives a captivating performance, poetic in both movement and emotion...It's said that, without a proper burial, elephants will haunt their killers forever. Mlima indeed remains a presence throughout director Jo Bonney's graceful Public Theater production." Full Review
“Features innovative and spare staging...This incisive 80-minute explosive device of a play follows the spiritual voyage of Mlima, a beloved Kenyan National Park elephant murdered for his prodigious tusks...Based on an article by Damon Tabor, Nottage’s cynical roundelay of greed maps out the trial of corruption which makes such cruelty commonplace and lucrative...All of the human roles are played with dexterity and diversity...‘Mlima’s Tale’ is a harrowing trip, but well worth taking.” Full Review
"A haunting drama about avarice and ivory...The subject matter isn’t ground-breaking, but Nottage’s by turns lacerating and lyrical play leaves a mark. So does Mlima (Sahr Ngaujah, an actor with a mighty physical presence and voice) on the greedy murderers, middle-men, and millionaire collectors connected to his death. They’re deftly played by Ito Aghayere, Jojo Gonzalez and Kevin Mambo. Musician Justin Hicks adds sonic textures to Jo Bonney’s fluid and striking staging." Full Review
"This monstrous tale is relayed with exquisite detail and stirring magical realism...Ngaujah dominates the stage with an incomparable strength and persona. His Mlima is larger than life and transcends pain and death...Under Bonney's fluid direction, the scenes move seamlessly from one to the other...Counterpoints every 'tale' of greed, deceit, dishonesty, and equivocation extant in every transaction - economic or political - that threatens the spiritual core of the global community." Full Review
"Lynn Nottage’s new play still packs a revelatory punch that opens up a clandestine world of poaching, smuggling, hustling and master craftsmanship...Kevin Mambo, Jojo Gonzalez and Ito Aghayere juggle their countless parts with remarkable dexterity and macabre wit...Whereas 'Sweat' seemed too predictable and formally schematic, 'Mlima’s Tale' is well served by a looser dramatic structure adapted from 'La Ronde.'" Full Review
"Director Jo Bonney’s beautiful production traces the path of Mlima’s prized tusks through the international ivory market...'Mlima’s Tale' has an exceptional cast, whose four actors of color play multiple roles (sometimes transracially). The world Nottage has brought to the stage is rich with detail, its characters complex and engaging. The epic journey falls short only in its foreseeable and somewhat anticlimactic ending." Full Review
"Passionate, but the drama is less in speech than in movement...The play follows the death and desecration of a wild and iconic African elephant...whose plundered tusks we asked to imagine in the muscular, graceful shape of actor Ngaujah...His performance is a ghostly ballet as the other actors play a variety of characters...Bonney's taut direction brings to life both the grimly real, and lyrical and spiritual...It is Ngaujah's presence as 'Mlima' himself that is the most commanding on stage." Full Review
"The imaginative nature of Nottage’s latest play, and how beautifully her text has been realized by Jo Bonney’s fine production, makes for an especially resonant stage work...The subtle, sometimes sanctimonious double-talk in which these people bargain and extort and trade for the ivory between each other is chilling to hear...Although a certain inevitability creeps into the progression of the story, the drama’s brevity, fluency, and rueful content more than compensate." Full Review
"Ngaujah evokes Mlima with only the subtle, lumbering grace of his movements...A round, complex, and quite stunning portrait of this animal's pain and deep emotions...Through the inventive, sensitive performance of Ngaujah. Without tricks of theater or staging, the actor finds communion with the soul of an elephant, at once revealing unexpected emotions and signaling that more oceans of passion reside within Mlima than the stage could contain." Full Review
"The unusual new play is staged poetically by Jo Bonney, with a memorable performance by Sahr Ngaujah...The quick-change artistry of the three actors is impressive, although it’s not always clear who they’ve become. The corruption feels well researched, although it’s a sad comment on modern times that there is little surprising in the characters’ duplicity, and it starts to feel repetitive. What stays engaging is the beautiful stagecraft." Full Review
"Three versatile 'players' cross racial and gender boundaries to portray numerous figures, ranging from corrupt bureaucrats and traders to a cargo ship captain and sculptor...Nottage’s underlying notion (that people from all kinds of backgrounds can easily become engaged in unethical activities) is genuinely unsettling. It turns what is a highly unusual drama about an elephant into a tragedy with universal implications." Full Review
"All these people are played by three fine actors...Occasionally I became confused about who they were playing at any given moment...Nottage attempts with intermittent success to give the characters enough individuality to keep them from seeming just cogs in a machine. Her most stunning creation is Mlima, charismatically portrayed by Sahr Ngaujah...It’s all admirable, but a bit remote and didactic, unlike previous plays by Nottage that I have enjoyed." Full Review
"The subject of 'Mlima's Tale' is, quite literally, the elephant in the room. Mlima, embodied onstage with heart-rending roars and writhings by...Ngaujah...Three actors play all the human roles, sliding with ease among a string of ethnic and gender identities...A running irony is that Nottage makes every scene contain praise of the magnificent beast...Bonney's production enhances the stark and quiet ironies of Nottage's script." Full Review
See it if Watching Sahr Ngaijjah transform himself into an elephant, listening to Lynn Nottage's words leaves you breathless
Don't see it if I can't imagine why anyone wouldn't love this show. It's what theatre is all about.
See it if Lynn Nottage's tale of greed, animal cruelty, and an indictment of waste in our society. Great cast, amazing staging. Difficult to watch.
Don't see it if you are indifferent to global waste and animal cruelty.
See it if ILynn Nottage is brilliant, the killing of a renowned elephant is a tale on many different levels..It’s timely, emotiional,beautiful disturb
Don't see it if If you want a big in your face show,this is not for you
See it if you want amazing acting, staging and writing.This is the real deal.This is why there IS a Public Theatre.Riveting. Powerful. Relevant
Don't see it if you thought Jersey Boys and Mama Mia were the height of theatre.This will make you think, break your heart, and amaze you. Brilliant.
See it if you like to see theatre that evokes many different thoughts and feelings using dance, staging, and lighting plus amazing acting
Don't see it if you don't like focusing on themes relating to commerce and exploitation
See it if you want to see a human capture the thoughts, feelings, emotions, and movement of an elephant in a magnificent performance by Sahr Ngaujah.
Don't see it if you do not like plays that "teach" you something or make you think about an issue you do not think about often.
See it if You want to see excellent writing and staging carried by really excellent acting in a play that speaks to the universality of greed and love
Don't see it if You do not like edgy and serious drama or you do not like a play that commands your full attention from beginning to end
See it if you want to witness a powerful performance by Sahr Ngaujah as the elephant. His movements are extraordinary!
Don't see it if you don't like casts that play multiple roles and are looking for something light.
See it if Intense, creative terrific performances very original production & important subject. Lynn Nottage doesn't fail to excite.
Don't see it if For Light fluffy musical. Don't like Interesting theater in intimate settings with actors playing multiple roles.
See it if Nottage's play is engaging, wonderfully theatrical political theater;simply done yet conveys the horror and complexity of its subject
Don't see it if You prefer realistic to minimal, imaginative style, don't care to see small cast playing many roles or a thoughtful play on a serious topic
See it if You appreciate superb writing, acting and directing, and are interested in the serious issue of elephant poaching. Lynn Notage is a genius.
Don't see it if There is no reason not to see it!..unless you prefer musicals.
See it if you are interested in compelling storytelling, socio-political themes, amazing physicality. To the core it’s about being complicit.
Don't see it if you are a looking for overproduced razzle dazzle. It’s simple, clean, effective storytelling.
See it if you’re into humankind & art, art & the manufacture of exclusivity. Not only about elephants, but about how we respect items over life.
Don't see it if you prefer sanctimonious PETA campaigns; don’t think fuller, less shrill communication is better for addressing our perspective on nature.
See it if a well written, acted and imaginatively envisioned play is what makes you get up out of your home and come to the theater.
Don't see it if you think a interesting play about the ivory trade doesn’t affect your life in any way, shape, or form. You surprisingly would be wrong.
See it if You can admire beauty in despair, see a tragic problem from all sides including your own hand in it and enjoy it as theatre. Brilliant!
Don't see it if You have a hard time with metaphors, have a cold heart regarding animal rights or are easily disturbed.
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