"Tweak the story to fit the stage if you must, but don’t lose its spirit."
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"It's not that The Count of Monte Cristo is a sacred text that must be protected from vulgarians; in fact, it's a potboiler, if an exceptionally entertaining one. The trouble is, it is entirely unsuited to the jolly, old-fashioned approach favored by Kellogg and Weiner."
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An adaptation of the Dumas novel, one of the most accomplished musical productions to be seen currently in NYC.
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In this leaden and stubbornly old-fashioned adaptation, Adam Jacobs proves a stolid and somewhat wooden Edmond, flashing more determination to get through the intricacies of the plot than to convey any individual emotions.
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"Monte Cristo could rightfully be accused of being recherché; its refined characters swanning about the streets of Paris and Marseilles may look passé and, to use another out-of-fashion word, corny to some contemporary audiences."
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This modest musical version turns out to have many charms and emotional highs.
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This adaptation of The Count of Monte Cristo hits familiar beats. However, it hits them with such confidence and charm that the result is irresistible.
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