Muswell Hill NYC Reviews and Tickets

78%
(74 Reviews)
Positive
81%
Mixed
19%
Negative
0%
Members say
Great acting, Funny, Entertaining, Absorbing, Great staging

About the Show

The Barrow Group and The Pond Theatre Company present this black comedy about friends discussing their day-to-day worries while a natural disaster is occurring halfway around the world.

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Member Reviews (74)

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86
Edgy, Great acting

See it if If you want to see a great play about really really bad people

Don't see it if If you need to have a good person to win in the end Read more

89
Great acting, Intelligent, Must see, Cliched, Great writing

See it if for its fantastic acting ensemble and intelligent writing and direction.

Don't see it if you're looking for a play with dramatic narrative.

Critic Reviews (12)

Theatermania
November 20th, 2017

“An old-fashioned drinking-and-fighting play…Playwright Betts interprets this tried-and-true genre better than most, while a top-notch production sends it over the top. The result is a night of laughter through clenched jaws, the kind that could only come from the recognition of something that hits a little too close to home…You may wince in recognition of the inhabitants of Muswell Hill — perhaps one of them even looks like you. You'll definitely laugh, if only out of uncanny discomfort.”
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Lighting & Sound America
November 22nd, 2017

"If ‘Muswell Hill’ tends to lecture rather than entertain, there is pleasure to be had in the crack ensemble, who mine every bit of the script's humor…Betts is clearly a talented writer. But this effort isn't sufficiently satirical or mordant to indict a way of life. It's just a really bad night out for six people, most of whom you'd cross the street to avoid. Chances are, you'll occasionally find them very funny, but my guess is you won't give a hoot about them.”
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Talkin' Broadway
November 21st, 2017

“The play's central purpose is to expose the hypocrisy of the presumably charitable liberal upper-middle class...Patterson does a generally good job balancing the play's twists and turns with the larger social themes. The cast is overall quite strong, and the actors push the characters to the brink of caricature without going over even when the play becomes a bit too farcical in Act Two...The space, however, poses some difficulty for both the audience and performers."
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CurtainUp
November 24th, 2017

“A play with interesting, well-played characters and a well-structured plot that holds your attention throughout but still doesn't seem to have or make its point with clarity...There is never a dull moment...All the actors have carved out distinct images of very real, if conflicted, people under the fine direction of Patterson. I hope we get to see more from this provocative playwright.”
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Front Row Center
November 21st, 2017

"The dinner party from hell is a tried and true theatrical device. Playwright Torben Betts takes full advantage of its potential...And while he does it most entertainingly, with a rapier sharp wit, there’s much food for thought...Director Patterson does a wonderful job of keeping the pace going...She keeps the audience eagerly waiting for the next shoe to drop without ever letting our interest wander for a moment. And the cast rides the line nicely between comedy and drama.”
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Stage Buddy
November 20th, 2017

“Often-trenchant…Betts has written some effective scenes (staged deftly by director Shannon Peterson), exposing the narrowness of these people’s lives…But I left the play not entirely sure about what all it was meant to add up to. Part of the problem is that the characters are almost uniformly unlikeable…On the plus side, the production boasts a talented cast, delivering performances that are well worth catching.”
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Theatre's Leiter Side
November 23rd, 2017

"Much of this should zing us sharply but Shannon Patterson's unexceptional production-on a wide, shallow thrust placed along one of the long walls in the small, rectangular venue-muffles the zingers. The audience laughed often but little of the humor landed where I was sitting… Insufficiently dynamic acting and interplay, often inaudible dialogue, and staging that favors two of the three sides surrounding the stage are of no help in hiding weaknesses.”
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W
November 21st, 2017

“Betts is a splendid observer. Every character feels authentic, every conversation true to its sources...Caveats are few. I found the piece one disposable scene too long and object to musically accompanied blackouts after every scene which impedes innate flow. We’re AT that party and should feel as trapped as its diners. I assume this was a decision made by Patterson who otherwise does a simply marvelous job...The entire cast is terrific.”
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Off Off Online
November 21st, 2017

“A very funny comedy that has also become a sad commentary on human foibles...The whole eventual sextet, under Patterson’s deft direction, demonstrate individual nervous tics that feel integral, not pasted on...The laughs aren’t always laugh-out-loud, but they’re always deeply character-driven...While ‘Muswell Hill’ is surely a comedy, it ends with a man alone onstage, weeping, and none of the manifold conflicts resolved. But hey, isn’t life like that?”
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Epoch Times
November 25th, 2017

"'Muswell Hill' strikes many a chord in American viewers, particularly those of a sophisticated, or, perhaps, a neurotic, bent...They’re entertaining to watch from afar. Not many of us would want to be guests at this party...Excellent performances by all six performers, under Patterson’s taut direction, with the standout performances by three very attractive and skilled actresses at full pitch…‘Muswell Hill’ gets my vote as a sleeper hit."
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Z
November 21st, 2017

“It’s an engrossing tale of parallel staccato conversations, pretentious blather, ill-timed exits, and protagonists ignoring one other while seeking solace in the warm distracting glow of their electronic gizmos...Setting the action almost a decade ago does somewhat date the performance...Still, this is a minor quibble. The overall cast is excellent...‘Muswell Hill’ is a worthy addition to the pantheon.”
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StageBiz.com
November 20th, 2017

"It is utterly absorbing and knocks you off your axis for a bit. You’re also laughing out loud as the dialogue bounces you around...I loved every phrase, full stop and pregnant pause. The script is a total gift for the cast and director providing a perfect performance playground...The greatest kudos must be reserved for director Shannon Patterson. She has orchestrated a theatrical opus of staging, comic timing and characterization. You can feel an intelligent hand in every exquisite beat."
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