“the proceedings land as aimless as the sailors themselves, dissolving from the memory like sea foam.”
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"Beautifully observed and idiosyncratic, they let Cramer speak in dialogue rather than monologue. They kept the show outward-gazing"
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"This piece would be timeless under normal circumstances, but with American boots on the ground in conflicts all over the world, now it’s downright chilling"
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"School Pictures, Cramer's previous piece for Playwrights Horizons, had its ups and downs, but it had a point of view...and a penetrating eye for detail. By contrast, No Singing in the Navy is vacuous, an inside joke shared mainly by the author and himself."
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"This is so scattershot it's practically formless, and I didn't laugh out loud once; as the absurdities piled up, the returns diminished."
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a satirical musical that’s really a scattershot revue that’s really a contemplation in serviceable tunes and idiosyncratic lyrics of identity, unrequited love, dementia, war and death.
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There’s plenty of talent on display here, and an appealing let’s-put-on-a-show quality, but it’s hard to sustain this much twee over an entire show.
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