Rotterdam
Closed 2h 30m
Rotterdam
87

Rotterdam NYC Reviews and Tickets

87%
(62 Reviews)
Positive
98%
Mixed
2%
Negative
0%
Members say
Great acting, Absorbing, Relevant, Thought-provoking, Great writing

About the Show

Hartshorn - Hook Foundation Ltd presents this bittersweet, Olivier Award-winning comedy about gender, sexuality, and being a long way from home. Part of 59E59's annual Brits Off Broadway festival.

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Member Reviews (62)

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90
Great acting, Thought-provoking, Relevant, Intense, Riveting

See it if Deep, profound and moving. Fleshed out characters and motives. Relatable in so many human ways. Superb acting! Clear why it won the Olivier.

Don't see it if You don't care about LGBT themes. Read more

90
Entertaining, Great acting, Great writing, Riveting, Absorbing

See it if You want to see a realistic emotional story performed by INCREDIBLE actors. The journey of these characters is riveting start to finish.

Don't see it if You dislike shows with LGBT themes. Read more

Critic Reviews (25)

The New York Times
May 25th, 2017

"Josh, and even Adrian, are woefully underwritten, making us empathize more with Alice’s confusion after her relationship is drastically redefined. The director, Donnacadh O’Briain, moves things along swiftly...The course of love is not quite as smooth...Writing a complicated transgender role means accepting the possibility that the character may not be entirely likable, which may be Mr. Brittain’s finest achievement."
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Time Out New York
May 24th, 2017

"A sincere but overlong dramedy...The play feels very B.C.: Before Caitlyn...At times it seems positively quaint. Even so, 'Rotterdam' poses pertinent questions about what makes us who we are, with surprising humor and knockout performances...All of the characters are feeling growing pains of some kind. That helps 'Rotterdam' reach beyond its semi-topical trans hook. We are all perpetually on the way to who we want to be, and can only hope that those we love will join us on the path."
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Theatermania
May 24th, 2017

"What matters most about this show isn't the excellence of its constituent parts, though. It's what they create when combined. The punch of the script, together with the fierce acting and unifying direction, make for a living, aching portrait of a trans man and a transitioning relationship. And what relationship isn't always transitioning?...The triumph of 'Rotterdam' is the triumph of all great theater: It finds its way to the universal through the personal."
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BroadwayWorld
May 30th, 2017

“This is a show that will touch the hearts and minds of everyone, a topical play that must be seen…An insightful view of love and identity. It captures the intensity of four people's situations while conveying the humor of everyday life. You will be in awe of the talented cast that brings every moment of this stirring play to life. Each of their character portrayals is spot-on…They master the fast-paced dialogue along with the rapid scene changes…An affecting play, brilliantly presented.”
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Lighting & Sound America
June 1st, 2017

"Under Donnacadh O'Briain's fast-paced direction, we seem to catch the characters on the fly, breathlessly bopping from one crisis and/or revelation to the next; it's a measure of his work, and Brittain's writing, that we become attached to both Alice and Adrian...All four cast members are in sync with the script's sharp-elbowed wit as well as the deeper emotions underneath...Credit 'Rotterdam' for treating its complex subject with sensitivity and wit."
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Talkin' Broadway
May 24th, 2017

"These are important issues, more than worthy of being explored...Unfortunately, 'Rotterdam' does little to move things forward. Instead of probing deeply into the questions being raised, the play deals with everything at a surface level...It doesn't help move things along when the playwright brings in a pair of supporting characters who are even less developed than the two at the center...A missed opportunity to deal directly with the issues the play raises but fails to elucidate."
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TheaterScene.net
May 27th, 2017

“Though director Donnacadh O'Briain has a real challenge negotiating so many quick scene changes, and you may feel, at times, that there's too much shouting and anger about--making it a sort of ‘Who's Afraid of Virginia’ without the ‘Woolf’-- ‘Rotterdam’ is really a smart play that gets you thinking about transsexuals in new and vital ways.”
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Theatre is Easy
May 30th, 2017

"An emotionally complex, and deftly written play, directed beautifully by O’Briain...Wonderfully designed in such a way that enables the emotional moments of the production to soar beyond what is scripted...Its conversation on the subject of the trans community is handled in a way that feels genuine, and never heavy-handed...Freeman shows us an individual surpassing gender identity, giving us a performance altogether devastating, hopeful, and incredibly relatable."
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Front Mezz Junkies
May 24th, 2017

“A deeply affecting play…What a tremendous gift we have all been given. The play is rich and edgy, steeped in an authentic sound and fury…Beautifully crafted by the creative team of designers, the piece moves effortlessly forward with a well thought out ear for honesty and authenticity…It’s a delicate subject to grapple with, but this production nails it…Each moment is filled with perfectly exacting moments of dialogue that resonate and portray the dilemmas before them."
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Exeunt Magazine
May 31st, 2017

“One of Brittain’s greatest strengths as a playwright is his control of information delivery…‘Rotterdam’ also explores the ways in which relationships — romantic, platonic, and familial — connect us. This is done as much through Donnacadh O’Briain’s direction and Ellan Parry’s set design as it is through text…‘Rotterdam’ isn’t trying to show a universal experience, because there isn’t one. And that’s a key lesson as well: that by rejecting universality, 'Rotterdam' gets that much closer to it.”
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Theatre's Leiter Side
May 26th, 2017

“'Rotterdam' packs a strong emotional punch but it also includes a number of savvy laugh lines…Donnacadh O'Briain does a marvelous job of keeping the action lively and engrossing…The acting is gripping. Freeman and McCarthy partner perfectly, each offering performances of vulnerability and strength…'Rotterdam''s power is a bit dissipated by its overlong two and a half hours…But it's a better spent two and a half hours than you'll find at most other recent Off-Broadway offerings.”
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B
June 2nd, 2017

"Freeman is extremely moving in a second-act scene when Adrian is overwhelmed by events. My main problem with the play is that Alice is such an uptight sourpuss that it is hard to understand why anyone would want her. Also, there are plot developments near the end that seemed forced...The clever, attractive set by Ellan Parry makes maximum use of a small stage; the costumes, especially for Lelani, are vivid."
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BlogCritics.org
May 24th, 2017

"A remarkable fusion of classic scene-crafting and up-to-the-minute social concerns—gutsy, wrenching, and beautifully acted...Brittain’s script plays this game sharply throughout, holding onto its revelations then springing them like New Year’s Eve fireworks...Exquisitely toned performances make Alice and Fiona extraordinarily real...The play is full of powerful scenes...Meaty insight, sinewy dialogue and performances, and top-notch skill from beginning to end."
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W
May 25th, 2017

"A thing of surprising beauty...It’s generous with its open heart and wrenching in its honesty...'Rotterdam' is blessed with a perfectly on-point script by Jon Brittain and a quartet of actors who deliver universally outstanding performances. Brittain achieves a perfect balance of humor and heartbreak, proffering the opportunity to feel sharply contrasting emotions that somehow actually make the entire experience both realistic and bearable."
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ThisbroadSway
May 24th, 2017

"Writer Jon Brittain takes you on a deeply emotional journey that is not drawn in a straight line, but with many complex twists and turns that will have you completely immersed...The subject matter is perfect fuel for emotional outbursts that are convincingly portrayed by this stunning cast and neatly directed by Donnacadh O’Briain...Do not miss."
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Z
May 25th, 2017

"While the script approaches its subject matter with sensitivity, humor, and a certain amount of complexity, heavy-handed performances from several cast members dilute the play’s power...Brittain’s play has moments of didacticism, but is ultimately more of a relationship drama...McCarthy delivers a nuanced performance...Unfortunately, the other three actors frequently seem to be trying too hard...Some of the staging choices also seem ill-considered."
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What's On Stage (UK)
July 29th, 2016
For a previous production

"An amiable, if superficial, thing. Sitcoms thrive on identity crises and 'Rotterdam's' chock-full of them...Brittain takes a sitcom tone, one that makes a hefty issue immediately accessible, at the cost of complexity and credibility...The script can feel more like a public infomercial than decent drama. It's all superficial and over-simplification...Yet, a committed, sparky and engaging cast keep it watchable, carving out characters you care for, despite disbelieving."
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The Guardian (UK)
November 4th, 2015
For a previous production

"There is lots bubbling behind the sitcom exterior of a play that is often very funny, engaging and sharply observant about human nature, but Brittain’s facility for writing engaging dialogue means that he doesn’t always dig as deeply into the characters as the subject demands...O’Briain’s production has a pleasing, pop-like shininess but he does let things get a bit shouty...Even if you can’t quite believe the individuals or their relationships, there is plenty to enjoy in the journey."
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The Stage (UK)
November 2nd, 2015
For a previous production

"Brittain’s warm-hearted new play manages to speak eloquently about a complex issue while at the same time being properly laugh-out-loud funny. It’s an arresting combination...There’s also delicacy and truth to the writing–this is a very human play, one that never feels overtly issue-driven or forced. The central tangle of relationships in Donnacadh O’Briain’s production is shaded and emotionally engaging, and there are strong performances all round."
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The London Evening Standard
August 2nd, 2016
For a previous production

"Brittain’s lively, sensitive, hard-hitting piece about love, gender and sexuality. Brittain handles complex issues with great honesty and thoughtfulness, but also with a refreshing amount of wit...Donnacadh O’Briain’s confident production maintains an ideal equilibrium between all elements in the writing. There’s much admirable, agonized work from Martine as Fiona/Adrian, but even better is McCarthy...A compelling evening’s theatre."
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Time Out London
May 20th, 2016
For a previous production

"Brittain has written four wonderful characters, the central couple giving McCarthy and Martine the chance to put in two powerful performances...While the play sensitively probes the difficulties of being gay and of being transgender, Brittain never lets the seriousness drown out the humour...Brittain’s play is another reminder – warm, witty and wise – of the stupidity of thinking that there are only two genders. He has an eye for tenderness."
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The Times (UK)
July 29th, 2016
For a previous production

"It’s all a bit 'As You Like It,' set in Ikea. In the best possible sense...Donnacadh O’Briain’s production has plenty of the sitcom about it, pulsing with electro-pop and opening with a slow-start scene of predictable, domestic bickering. It gets subtler, which has a lot to do with two impressive central performances...A sequence of reveals in early scenes feels like an unsuccessful segue into melodrama. Yet there’s too much to enjoy here for any of this to matter much."
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Live Theatre UK
July 29th, 2016
For a previous production

"Sharply written, very funny and faultlessly acted...This is a heavy topic for a play, yet the laughter is never far away and no time does the audience feel hectored or preached at...The comedy perhaps works better in this play than the discussion of sexual politics and gender identity. But the comedy works very well indeed, and the exploration of the meaning of gender and how much or little that constrains and shapes wider identity is far from trivial."
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Here is the City
August 4th, 2016
For a previous production

"Martine really pulls the role off. She’s got the toughest part in the play where in the first half she's Fiona but in the second half she's the masculine-looking Adrian. It’s an excellent transformation. The rest of the cast are all almost as perfect...Writer Jon Brittain hits the nail on the head in dealing with this issue...Donnacadh O’Brian excellently directs the cast, with a clever set and great pulsating music by Robyn."
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Everything Theatre (UK)
July 31st, 2016
For a previous production

"A fascinating story takes us inside four surprisingly complex characters. The script is incisive and extremely funny, but never loses sight of its central theme...The cast brought the story to life with eye-catching performances throughout. Alice McCarthy is a pure delight...'Rotterdam' works like a dream because it presents the audience with brilliant characters and a flowing script that left us itching for the next line; always truthful but often humorous."
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