See it if You need to see the previous shows to be connected with these two plays .if not it will confusing and unenjoyable.
Don't see it if 3.5 hrs was long and boring. If you haven't seen the previous shows.
See it if Udofia's continues her 9-part Nigerian cycle w/ Parts 3 & 8 Powerful acting esp Chevannes as the series' matriarch Both emotionally draining
Don't see it if Although both one-acts are spiritually connected by deep sense of loss & recurring pain; there is a feeling of disengagement & confusion
See it if you’re a fan of playwright Mfoniso Udofia’s “Ufot Cycle” of plays.
Don't see it if the prospect of seeing 2 dense full-length plays in a single sitting seems daunting to you: It is! Read more
See it if 1st play: uses acute theme of exploded universe in need of healing; 2nd play: affecting perf by PJ Channes as wife extirpating husb's ghost
Don't see it if 1-idea plays; 1st play CLUMSY in juxtaposing events of traumatic 1968 Biafran war & crippling 2012 memories; 2nd play jokey & WAY TOO LONG
See it if you'd be interested in a serious drama featuring characters who are haunted by their pasts. The performances are excellent.
Don't see it if you prefer a straightforward narrative or have trouble sitting through a long show. Read more
See it if you want to see a fascinating exploration of what it means to be a woman through a very specific lens (that has universal resonance).
Don't see it if you can't handle a slow burn--each play (especially the first) takes a while to ramp up, but the payoff is high (especially in the second).
See it if you like ambitious playwriting & hard working actors, Chevannes is especially effecting; stories of childhood trauma on adulthood.
Don't see it if good acting is not enough to hold your interest; you didn't see 1st 2 plays; much too long & draggy especially In Old Age; uninspired set.
See it if If you're a fan of Udofia's first 2 plays in this 9-play cycle, you might forgive the flaws in these two.
Don't see it if The first 2 in this cycle were linear, with a real story to tell, these were blah. With nothing to say. Just an old man losing his mind.
"For These African Immigrants, Life Is a Haunted House: In ‘runboyrun’ and ‘In Old Age,’ the latest installments of Mfoniso Udofia’s nine-play cycle, America is no place to hide from the past."
Read more
3.5 Stars "Both plays dive deeply into the internal torments of their characters, whose painful journeys toward redemption are compelling if sometimes ponderous."
Read more
"Unmagical Realism in 'Runboyrun,' 'In Old Age,' and 'Sunday.'"
Read more
"A Nigerian-American Family Tells Its Story in 'Runboyrun and In Old Age': New York Theatre Workshop mounts two new installments of Mfoniso Udofia's 'Ufot Cycle.'"
Read more
"The current presentation...is cause for alarm: The quality of the writing is showing worrying signs of deterioration, even as the parts on display fail to suggest a coherent overall picture."
Read more
"'Plays shouldn't be hard to sit through, they should inspire us or thrill us or challenge us to think, but they shouldn't tax our physical endurance. The acting and production values of both runboyrun and In Old Age are excellent; there's just too much of both of them."
Read more
3/5 Stars "'Ghosts Haunt a Nigerian-American Family Saga': New York Theatre Workshop stages two installments of Mfoniso Udofia's nine-play cycle"
Read more
"Unfortunately, 'runboyrun' and 'In Old Age,' the two now on display at New York Theatre Workshop, do not stand alone apart from the earlier plays and would be better served by being paired with other parts of the cycle. Possibly they need to be seen in repertory with their companion plays."
Read more
Stephen Sondheim's classic musical that intertwines the plots of classic fairy tales.
Robert Icke condensed and modernized the Greek trilogy into a single performance.
A new musical based on the young adult novel by bestselling author Jodi Picoult and her daughter.