"Smart, silly and often convulsively funny...Those who know their 'Hamilton' will especially savor the meticulously warped mirror images of specific numbers...'Spamilton' has an energizing, free-associating euphoria that follows one theater obsessive’s prismatic 'mind at work.' Given that 'Hamilton' is itself a master at mixing anachronistic sensibilities, it feels appropriate that the fever dreams of 'Spamilton' turn into surreal Broadway musical mash-ups."
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"The bulk of the show is carried by a jaw-dropping ensemble in multiple roles...They drive the hilarity all 75 minutes; the laughs are huge and nonstop, and let’s face it: 'Spamilton' may be the closest you get to 'Hamilton' without going broke or waiting for years. Beneath the jokes and bitchery, there is a genuine critique—and it goes beyond 'Hamiltonian' hegemony."
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"Alessandrini skillfully skewers 'Hamilton‘s' key numbers and dramatis personae, put across by a sensationally talented quintet. These actors are in the best tradition of sketch artists, capturing character with the perfectly timed arch of an eyebrow or shimmy of the hips. And they’re mad singer-dancers. Alessandrini’s script is frequently up to that calibre, launching an arsenal of belly-laughs from a quiver that also contains its share of dulled barbs."
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"Ingenious parody 'Spamilton' simultaneously salutes and sends up Miranda and his signature musical. Much is owed to the agile five-member cast of actor-singer-spoofers, but the big kudos go to 'Forbidden Broadway' creator Alessandrini...The overall tone of the satire turns out to be sweet, only slightly sour and never savage. But what else could be expected from Alessandrini, who has Miranda pegged as a fellow theater lover who worships at the same cathedral of Sondheim."
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"The resulting parody is so infectiously fun that it could easily run as long as its inspiration...The talented five-person ensemble exuberantly impersonate their Broadway counterparts...'Spamilton' is not quite up to the level of Alessandrini's best work. Clearly enamored of the show he's spoofing, he's pulled his punches here. Many of the barbs are far less pointed than usual, more often inducing smiles than guffaws...But it's nonetheless a fast-paced and funny 75 minutes."
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"Five young actors — who’d no doubt be contenders for roles in the real thing if they weren’t so busy sending it up at the Triad Theatre — do their very best to rain laughs down on their illustrious target. The results are decidedly hit-and-miss, with lame skits segueing into funnier material and back again. But that kind of unevenness is in the DNA of 'Forbidden Broadway.'
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"The stage is small and the production values are limited, but the wit is plentiful...For the most part, 'Spamilton' operates as an overstretched sketch, lacking the fast and furious style of 'Forbidden Broadway'...'Spamilton' also tends to be cute instead of funny, which may be due to Alessandrini’s obvious affection for 'Hamilton.' 'Forbidden Broadway,' at its best, could be downright merciless. But 'Spamilton' is fun, no doubt about it."
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"There's a bunch of material in 'Spamilton' that works, and just as much that doesn't. Alessandrini's writing is always best—and funniest—when the knives are sharp...The easier laughs are less impressive...Eighty minutes devoted to the mockery of a single piece of theater does get a little tiresome by the end...Still, the theater scene isn't the same without Alessandrini's brand of humor...While 'Spamilton' might not blow us all away consistently, it's impossible to say no to this production."
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