"Reisman has a couple of big themes in mind — the transition from an artisan economy to a capitalist one, the role of women in war. But the Marxist analytics are pretty limited. And the depredations of war (embodied in the arrival of a young soldier, played by Seth Clayton) are never staged with enough realism to fully register."
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"'Spindle Shuttle Needle' uses modern language, modern character sensibilities, and a modern, nonliteral approach to casting to great effect; Reisman and Woodard operate deftly in the gap between one period and the other. ... And the control of tone is very tight—it would be easy for the sharp irony to turn into cheap jokes, but it never does."
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