"'Squeamish' is ultimately, too shaggy and in need of greater restraint. But Fraser, slipping smoothly in and out of a half-dozen smaller characters besides Sharon, never loses command. Though we see the play’s considerable gore — and its hard-core-niche sexual situations — only through the mind’s eye, 'Squeamish' is probably not for the squeamish. But to grown-ups who like to celebrate the season with frightful tales, happy Halloween. Mark has a fresh horror for you."
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"There’s something unsettling about watching a solo show that’s been expressly written for its star and yet thinking she may be miscast, or at least under-rehearsed...Fraser doesn’t land most of the laughs as our neurotic narrator in the play’s first half, which is all setup. But once Sharon starts to lose herself in addiction, Fraser delivers real chills. As we watch this sophisticated and stylish New Yorker gleefully transform into a monster, her gory self-discovery is utterly horrifying."
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“A voyeuristic experience…Fraser gives a deceptively charming portrait of a clever woman who would be the hit of any penthouse cocktail party, slowly revealing her seductive darker side. Her ability to remain engaging while being seated for the entire length of the play is a credit to the details of her acting skills and the fine pacing of the playwright/director's surprising story…Mark once again displays a sharp skill for descriptive and entertaining storytelling.”
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“It's easy to feel one step ahead of the narrative—and impatient to get on with it...If Mark hasn't provided a sufficiently gripping narrative, he has found the right woman for the job...In contrast to the rather contrived and mechanical shocks that mark the plot, Fraser's performance conveys an animal-like terror that cannot be dismissed...Her unswerving commitment and intensity in the face of a difficult script once again proves that she is a class act, no matter the circumstances.”
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"This play, as commendably directed by its author, delves into the dark and repressed areas of human behavior, but with enough funny moments to keep you both off guard and on board…Her complicated and purposely circuitous narrative is delivered glibly by Fraser and with more than enough mysterious detours to keep us wondering where we are being led...With her quirky, scarily quixotic performance, Fraser makes seamless transitions...The payoff will be a stunner."
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“Fraser's terribly nervous and jittery as she starts to relay Sharon's somewhat convoluted story, gripping the arms of the chair with her hands or clenching her knees together--even as she says, ‘I really am calm now.’ She's been directed by the playwright with what might be aptly termed an exhilarating reserve. ‘Squeamish’ is definitely a ‘horror’ play that takes the genre to new and higher heights. It's hard not to recoil as the details of her story become more and more vivid.”
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"Aaron Mark, the playwright and director, has quite a ghoulish imagination...It’s a constant output of free flow chatter...Unfortunately, with Alison’s unique speech pattern, she’s sometimes difficult to understand and the results sound like mumbling. Don’t get me wrong, Alison Fraser is a top notch actress as she tackles the several characters with subtle voice changes, all the while remaining in the chair...This is all very nightmare-ish and, as my show buddy described, it’s Hitchcock-ian!"
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"The one woman horror show, directed cleanly and precisely by Mark, is very well served by the two-time Tony nominated actress, Alison Fraser. From the moment of her entrance, her presence and her performance draws us into her reality completely...Even though the ending is pretty predictable and there are moments when the story drags a bit, together, Fraser and Mark still manage to thrill us...Not a horror show in the traditional sense, but it is a bloody good time."
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