See it if A cast of fine actors keep this afloat. It's helpful if you know Long Island and the late '60's, but it's solid, funny, some parts great.
Don't see it if Don't want to work a little hard to have it make sense. You have to be willing to listen and forgive some stereotypes. One false ending.
See it if You don't mind side characters overshadowing leads since Graff and Halston were the standouts of the show. Or you're a Greenberg completist.
Don't see it if You're looking for interesting set design because everything is pretty stagnant and the story doesn't live up to the writing or acting.
See it if You're interested in the art of writing. If you have a fondness for Long Island and enjoy seeing entertaining characters from that milieu.
Don't see it if You want a cohesive play that cuts deeper. You're tired of depressed female characters who are not really that interesting. Read more
See it if It's entertaining enough, w/ some amusing and funny moments. Randy Graff is superb and steals every moment she has - a total joy to watch.
Don't see it if The pacing at times tends to drag. One of the actors was either miscast or poorly directed and unfortunately the show suffers because of it
See it if you enjoy story-telling theater, and like the process of telling stories more than necessarily being surprised or riveted by the content
Don't see it if you want edgy stories with a profound or lasting impact
See it if you're interested in the ideas of stories and how they're told, and/or if you're from Long Island (there are lots of fun references).
Don't see it if you prefer musicals, or are looking for a more innovative/fringe play.
See it if you enjoy thoughtful and amusing discussions of writing, and catty jokes from old ladies.
Don't see it if you'll be bored by extended prose monologues, or if you like things to happen in your plays.
See it if there's a place in your heart for 1960's Long Island. Some fun familiarity (remember Jan's). Graff/Holston and Wood doing good work..
Don't see it if You're easily bored by banal story telling. Not close to Greenberg's better work, Take Me Out or Assembled Parties. But better than his last