The Great American Drama NYC Reviews and Tickets
About the Show
New York Neo-Futurists presents this ever-changing theatrical experiment inspired by what the audience says they want to see onstage. From the company behind the long-running hit 'Too Much Light Makes the Baby Go Blind.'
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See it if You want to laugh uproariously in one scene and be on the verge of tears in the next. You care about what's happening in the world.
Don't see it if You're not familiar with theatre, you don't appreciate "meta" commentary. You want to see something that's just silly without a message. Read more
See it if You like fun, interactive theater. This is a troup trying to make it big. See it
Don't see it if You want to see raw emotion in a production
See it if you like the neo's or just enjoy true theater that can be edgy at times.
Don't see it if you don't like non-linear, or continuos storylines, or are easily offended.
See it if You like interactive theatre that is creative and innovative. You like current topics and creativity!
Don't see it if If you like traditional linear shows and dislike being asked to be part of the theatre experience
See it if you enjoy productions that are experimental in nature, and if you appreciate theatrical experiences that are never the same thing twice
Don't see it if you don't have a "ready-for-anything" type of attitude.
See it if You're up for a fresh & different theatrical evening. Timely questions abound about the nature of time, life, ethics & the American Dream.
Don't see it if You don't want to engage, expect a storyline or traditional scripted play; or dislike having to think. Read more
See it if you enjoy theatre outside the box. Very tongue in cheek but in a sincere way.
Don't see it if You don't enjoy theatre that will make you think. But if that's the case then stop going to theatre.
See it if You want to take a unique journey w/the actors & audience for a moving & funny experience that's part theatre & social experiment.
Don't see it if You don't like experimental theatre. You don't like shows that were created through improv. You want a show w/a story.
Critic Reviews (11)
"Based on the results of an online survey asking people to rank what they like best at the theater...So what do people want from a play? Turns out, many pollsters now equate theater with a certain blockbuster musical...The team struggled even more with requests like 'to be transported,' as skits floundered in the twilight zone between comedy and earnestness. If 'The Great American Drama' established one thing, it’s that theater is more than the sum of its parts."
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"The cast is ever game and always personable...But this is a largely shapeless, hit-or-miss evening of comic and/or dramatic bits, and around the two-thirds point my patience ran out. It doesn't help that the piece seems to end several times...If you visit 'The Great American Drama' not expecting anything great or dramatic, you may have a passable time...To my eyes, it's a collection of talent in search of a viable format."
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"There are instances of audience interaction both direct and indirect, and it's at these moments that 'The Great American Drama' feels most alive and the performers closest to connecting. Too much of the rest of the time, there's a crisply pressed artificial quality to the proceedings...The actors are dynamic, resourceful, and apparently tireless, equally adept with the comedy and tragedy that emerge...But they can't quite make it add up to anything."
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“A jagged series of meta-theatrical vignettes with the broad theme of The American Dream…It’s an uneven experience. Essentially it’s a glorified and arch 90-minute, scripted, sketch-comedy show…The staging of the scenes is swift and achieves the suitable tones of humor and occasional seriousness…Some of the sequences ramble and are not so accomplished, but then it’s on to the next one as they are uniformly short…The result is sporadically entertaining and modestly provocative.”
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"Sampson and co-director Greg Taubman wisely take on the challenge by using broad comedy as a starting point and daring to be uncomfortable and even pleasantly boring at times, allowing an actively participating audience to take an occasional breather. When the show goes for maximum discomfort, it’s astonishing...In being daring, however, it is never crass, and in being honest, it is thankfully never saccharine."
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"Each of the performers is friendly, approachable, and personable. They may even have acting chops that would prove satisfactory in a more conventional theatrical framework. But they're not especially strong as improvisers or satirists, nor, as an extensive solo called 'Soulbird'...demonstrates, would you ever see them on 'The Voice.' Nothing here comes close to the kind of wit and panache we associate with even the weakest routines on 'SNL' and other comedy showcases."
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"The cast is talented, inventive and energetic, however the best moment is when Connor is left alone and gets real with the audience. In that moment he exposes his truth, his fears and his hopes...I would like to see this piece developed, but with a broader scope of all ages and opinions. This needs to come from people other than artists, like the people who really buy tickets."
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"On the surface, 'The Great American Drama' looks messy but the inherently thrown-together feel is overcome with passion and heart...Co-directors Sampson and Greg Taubman needed to figure out a way to tighten each moment so any flaw or flub that arose felt deliberate...'The Great American Drama' is unlike anything you’ve seen before. And yet it’s exactly like everything you’ve seen before. It’s an ambitious undertaking that I’m certain will find its footing."
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