See it if You like smart well done shows that tackle a serious multi faceted subject and break it down into an entertaining easy to understand story.
Don't see it if You’re looking for fluff or mindless entertainment. You’re in serious danger of learning something if you see this.
See it if Part of history, the race to the moon. How we got there.
Don't see it if Some of the actors have an accent. Nazi/WWll. Read more
See it if Sullivan Jones' charisma carries the play; interesting use of the stage with minimal sets; interesting topic but poorly structured.
Don't see it if you are looking for depth rather than breath; the story is a good one though diluted with too much nonsense; writing could be better. Read more
See it if You appreciate a historical story well told.
Don't see it if You don’t like stories based on true WW II events.
See it if you like history and exploring the ethics behind some of the greatest accomplishments
Don't see it if you are in the mood for a fun show.
See it if You are interested in history of the 20th century.
Don't see it if You’re looking for amusemenr
See it if you like plays about moral dilemmas, biography, political expediency and WWII aftermath with very fine acting.
Don't see it if you are dislike aspects of WWII history, thinking about moral dilemmas that people and governments have to face & frequent time changes.
See it if See this long play if you are interested in the intricacies of the development of the V2 missile , atomic bomb and a love story in the mix.
Don't see it if Expect a well written and fast-moving play.
"The play never forces an opinion on the viewer, rather it presents moral arguments from both sides...Wallert's text would risk falling flat...without the excellent company of actors bringing it to life...Russell’s direction could perhaps be stronger but effectively gets the message across...There is room for growth and tightening - indeed it begins to feel long though nothing is out of place - but in the end it tells a fascinating story and provides an excellent, poignant evening of theatre.”
"The vast amount of historical exposition, the development of characters, and the moral judgment that are necessary to achieve such a play as this one successfully would challenge Tom Stoppard, let alone a first-time playwright. And Wallert tries to accomplish all of this with only four actors...Although some of the dialogue is cumbersome and that bogus romance at the play’s core is pretty risible, Wallert at least manages to present an interesting depiction of von Braun’s American times."
"Though the program notes indicate that the play 'is a work of dramatic fiction and liberties have been taken,' 'The Winning Side' does show us a genius at work who was also an opportunist and changed his stories depending on what suited the occasion. As such it has become relevant all over again in an era when truth counts for so little and men of morality are all the more valuable."
"A deeply interesting if occasionally stumbling dramatization of von Braun's complicated life and enormous achievements…The play…must cover a lot of historical ground...Wallert uses the clunky device of jumping back and forth between 1943 and 1969, using a projected time line to let us know the year…'The Winning Side' is on the winning side in questioning a scientist's moral responsibility for the results of his activity."
"Russell's high tech production is in keeping with the pivotal character's career and enables the script's structural logistics to work fluidly...The script calls for von Braun to be a persuasive charmer as well as a morally weak, arrogant opportunist; since Sullivan Jones plays up von Braun's charm side, it's not all that easy to relate to him...Simmons is excellent and often amusing as Colonel Taggart...That said, the scenes between the lovers are somewhat repetitious."
“Epic Theater Ensemble worked with a team of students, artists, and researchers at the Smithsonian National Air and Space Museum to develop this piece...What results is something thought-provoking, educational, and entertaining...The diverse cast...brought charm, humanity and turmoil to the characters’ conflicts and passions...This piece does an amazing job of posing the questions and encouraging the conversation and discourse that Epic Theater is hoping will accompany it.”
"Nothing can capture the essence of his story better than the immortal satirical lyrics of Tom Lehrer...By means of the acting and the writing, von Braun is given a demeanor that undercuts the level of condemnation that his critics have felt...Russell handles the different time elements smoothly, and stresses salient parts of the story."
"A fictionalized account of the complex von Braun story...It is an overstuffed story in a minimalist color-blind production, speeding along at a sensible pace by director Russell, with time playing forward...and backward...Portraying von Braun is Jones, an imposing militaristic man, poised and charming, yet Jones, with all his moods of pride and passion, comes off as rather chilly. Two other characters who are not given enough depth to be portrayed full.”