These Paper Bullets!

"This 'play with music' was made for anyone who loves the Beatles and Shakespeare, and who secretly wondered what could have been if they made something together...Simply, 'These Paper Bullets' is fun. It is a great musical that is worth watching, especially because I truly believe it is bound and deserving of Broadway. Trust me, you will love this show." Full Review

"'These Paper Bullets' delightfully and successfully brings together the unlikely mix of Liverpoolian and Shakespearean dialogue. Given a cast that besides being comfortable in classic as modern roles can sing and dance, this play with music has been a hit in its previous stops...The Atlantic Theater run is again a sure-fire crowd pleaser. What would keep this from being a 10 is the failure to edit out some of over-the-top comic shtick." Full Review

"Jones takes liberties with story; there are also wacky diversions into Benny Hill silliness...Snappily directed, with tremendous costumes, 'These Paper Bullets!' fizzes with the comedy of sexual liberation...Parker’s bravura physical comedy made me laugh harder than anything I’ve seen in the theater all year....The show is well acted all around, but the women are particularly fab." Full Review

"This version of 'Much Ado About Nothing' features toe-tapping, carbonated songs by Green Day frontman Billie Joe Armstrong that convincingly channel the early Beatles, from super-sweet lyrics to hummable harmonies. The dialogue is a conflation of Sixties lingo and faux Elizabethan...It takes a minute to adjust to the funny, frequently raunchy banter...Occasional audience participation adds to the general hilarity...Great fun." Full Review

"The biggest kudos go to director Jackson Gay who uses everything she can think of—terrific video projections of the period, some mild audience participation and a drag Queen Elizabeth—to create the show's jovial mood. Some of the antics are sophomoric and the show goes on longer than need be. But the unabashed desire by everyone involved to give the audience a good time left me with a grin on my face." Full Review

"The director, might have made the Act One complications more comprehensible by slowing things down, but she has gotten brilliant work from the entire cast... 'These Paper Bullets!' is lots of fun for those with a bit of patience to wade through the modern gloss to get to the Shakespearean soul of the story. Patience is rewarded with a different take on the original and a stage-full of fine performers who deliver the story with unflagging energy and panache." Full Review

"What’s notable is the enthusiasm and freshness playwright, director and an ebulliently gifted cast have brought to the task...Director Gay adds to the jokes with a variety of sight gags. Nevertheless, there are times that the show could have used another song or two, times when the farce is extended almost to the point of running out of petrol...It hits its target with an abundance of sometimes snarky but often adorable frivolity." Full Review

"Jones has a gift for reconstituting Shakespearean dialogue with just enough sampling of the real thing to keep us feeling both amused and smart. Even more impressive, each of Armstrong’s songs mimics an identifiable number from the Lennon/McCartney canon while ingeniously turning the songs inside out...The whole may not be more than the sum of its parts, but the parts positively sparkle." Full Review

"When this mod show rocks, it really rocks, but the musical numbers are so strong that there should be more...Though Rolin Jones does an admirable job, nothing beats the original. The dialogue is so on the surface that Bea and Ben's courtship isn't as satisfying. Jackson Gay's direction works especially well, but all this running around sometimes drags. That could easily be fixed with more songs. One can't help but wonder why this play with music can't just be a musical." Full Review

"The parallels work and Jones' script has clever moments, but the overwritten text is full of soggy dialogue and extended bits that aren't especially funny...The frothy direction is built on fun splashes of the mod era and the capable cast dives right in, but the indisputable highlights of the piece come any time the boys dig into Armstrong's jaunty lyrics and bouncy melodies." Full Review

"It's a heady mixture of individually powerful elements (Shakespeare, the Beatles, Armstrong) that occasionally tastes like chocolate cake washed down with Riesling — it's just too much of a sugar rush. When it gets the balance right, however, 'These Paper Bullets!' is genuinely delightful and very funny...The play may be trying way too hard to please, but that doesn't ruin the charming and timeless comedy at its core." Full Review

"It takes a while for it to find its footing – it’s a little awkward and sluggish at first – but it gains confidence and humor as it progresses and ends on a high note. Surprisingly, the weakest link is the music…Luckily, 'These Paper Bullets' is more a play with music than an actual musical, so its melodic flaws are not fatal. The storyline, however, fueled by what is arguably Shakespeare’s most accessible comedy, exudes vivacity." Full Review

"All of it is piled on with dashes of cleverness, abetted by a cast giving its all, but the result is often way too much. Yet the effect is so zany that one can have a good time a good deal of the way and not care a hoot about what is being irreverently done to Shakespeare." Full Review

"The farcical elements are high points but the play is overstuffed. At two and a half hours, the novelty wears off and it becomes exhausting trying to keep up with the myriad references...Director Jackson Gay lets it all hang out for better and worse, though there clearly is method to the madness. If only there wasn’t so much of it." Full Review

"This reviewer will admit that matching 'Much Ado' with the particulars of 'Bullets!' was fun for a while. Sometime before act one ends, however, Jones's striving too hard to follow the 'Much Ado' ins-and-outs began to take a toll. Furthermore, a few of the sequences stopped being laugh-provoking and become merely messily strained.... Shout-out to Jackson Gay, and the success she's had with a cast that consistently makes the hot parts hotter. " Full Review

"A lively if labored update of “Much Ado'...The jangling rock tunes by Billie Joe Armstrong provide energizing interludes...Jolly though it remains throughout, 'These Paper Bullets!' becomes exhausting as Mr. Jones piles on the complications...What has most crucially gone missing, unfortunately, is any depth of feeling in the main characters, which becomes a liability as the show stretches to two and a half hours." Full Review

"Direction is playful and the musical numbers are a treat (though the sound mix still needs work as the vocals are often swallowed), but the evening isn’t as much fun as it ought to be...The first act in particular takes an awful long time to get going and the script hews too closely to the structure of the original when short cuts would be welcome." Full Review

"Under Jackson Gay’s uneven direction, 'These Paper Bullets' is the theatrical equivalent of the now popular 'piecaken': it puts together things that usually are served at separate sittings. And while this layer cake of Shakespeare’s 'Much Ado About Nothing,' Billy Joe Armstrong’s authentic-sounding faux-1960s tunes, and Monty Python silliness is often delicious, it can also be too much to eat at once and sometimes leave you feeling overstuffed rather than really satisfied." Full Review

"The production itself is a clownish mishmash of juvenilia, performed with all the subtlety of the Three Stooges...Gay encourages her actors to mug mercilessly as if this were a dramatization of “Twist and Shout,” the pratfalls pile up like pancakes, girls’ panties fly like snowflakes, people wear lampshades on their heads, and Bea...does a bit with a used condom she can’t dislodge from her finger." Full Review

"Too bad 'These Paper Bullets!' — a riff on 'Much Ado About Nothing' by Rolin Jones and Billie Joe Armstrong — misses the mark when it comes to being fully engaging. This play with music comes off labored and overlong, despite a fine ensemble and direction by Jackson Gay, whose staging packs energy and clever live video." Full Review

“'These Paper Bullets,' a mash up of the Bard’s 'Much Ado' with a spoof of the Fab Four, is great to look at, with songs that are fabulous to listen to. So why did I find so much of it excruciating to sit through? The answer is the tone. In what felt like an almost desperate effort to entertain us, playwright Rolin Jones and director Jackson Gay too often effect a Monty Python-like silliness...You either find all this goofiness funny or you don’t. I didn’t." Full Review

"There are lots of funny lines and the performers get fully into the mood of the zany occasion...The evening has no center, no involving bit of story to hang onto as it takes us on its roller-coaster ride. The result is that the stream of gags, goofiness, labored complications and bad poetry becomes tiresome." Full Review

"The main problem lies in Rolin Jones’ labored, overlong script, which uneasily combines lines from the original text with colloquial language. It would have been better to either perform 'Much Ado' as is or use all-new dialogue. Jackson Gay’s direction is not so great. The cast tries too hard to win laughs with broad, frantic antics, and visually the production is ugly and cluttered." Full Review

"There isn’t enough of Armstrong’s music and there’s way too much of Rolin Jones’ book, which achieves the uneasy feat of being both amateur and frenetic. Jackson Gay directs the actors to scream and gesticulate like crazy people. Only Justin Kirk as one of the Quartos manages to deliver a somewhat subdued performance despite wrestling with a stuffed bird, among other things." Full Review

"Unfortunately, 'These Paper Bullets!' is not a musical, but rather a laborious farce, uneasily combining satirical riffs on The Bard with tired spoofing of The Fab Four. Since both ideas have been done to death over the years, there's little that's fresh here...The chief pleasures of the show stem from the handful of Armstrong's songs, which ape the Beatles' music. The problem is that there aren't nearly enough of them, and there's too much of everything else. " Full Review