Ars Nova presents a return engagement of this taboo-smashing comedy that ravages American tropes about race, sex, and power politics. Winner of the 2017 Obie for Best New American Play. More…
Good morning, America! Welcome to Hanover Middle School, where two teachers are getting down and dirty with today’s lesson. The nimble duo goes round after round on the mat of our nation’s history, tackling race, sex, and power in this R-rated, kaleidoscopic, and fearless comedy.
for a previous production "In-all-ways sensational...This production lures you into its seemingly sunny classroom with the snarky cheer of a hip comedy sketch. But as its title promises, this play winds up taking you into subterranean territory...The play conjures searing theatrical visuals to match its wayward words, the sort of images that used to send people to Freudian analysts when they cropped up in nightmares...Manages to be...shocking in ways that 'Dutchman' must have been 50-some years ago." Full Review
for a previous production "It is indeed a feast of various styles of storytelling, keeping audience members on the edge of their seats as the play snaps between its different aspects like a well-conducted orchestra, all the while challenging you to look into the depth of our nation’s history...It takes courage to create a play like 'Underground Railroad Game.' The 'Inception'-like layers of the plot do not sacrifice clarity, as the message of the play is relevant to all." Full Review
for a previous production "This riveting, whip-smart performance piece is as daringly unexpurgated as anything you’ll encounter onstage today. It’s an effort to reset the table for the complicated conversation about race that America eternally attempts to start, and always ends up recoiling from in guilt and insecurity and anger…Kidwell and Sheppard are equally magnetic here and yes, truly brave. Along with their savvy director and designers, they play enthrallingly with dynamite." Full Review
for a previous production "A brilliant theatrical commentary on contemporary race relations…’Underground Railroad Game’ is both wildly entertaining and profoundly troubling…Under Taibi Magar’s direction, the two brave actors play with and mock their own and each other’s physical presences...All the while they craft characters within characters. We watch layers piled on and then layers peeled away." Full Review
for a previous production "Kidwell and Sheppard have devised an effective vehicle for their talents, one that confidently rides the audience's nerves for 90 minutes, daring us not to be offended and forcing us to think hard about what we're feeling...They play together with unusual finesse, even as they follow the play's argument down some distinctly dark corridors. Taibi Magar's direction keeps us on pins and needles, ricocheting from easy laughter to high tension and back again." Full Review
for a previous production "They are really sifting through the speech we use, black and white, to talk about ourselves and each other. And they are using all the languages we humans have at our disposal: physical, intellectual, rational, emotional...The writing is consistently, searingly funny, especially when it reveals exactly what the characters most want to hide...A+ for ideas, effort and for making us laugh, cathartically, all the better to reflect and learn." Full Review
for a previous production "There’s something in it to offend almost everyone. And I wouldn’t have missed it for the world…’Underground Railroad Game’ is an outrageous and hilarious show, a play that explores race relations…Sarah Sanford’s dynamic direction moves the audience fluidly from reality to fantasy and from century to century…’Underground Railroad Game’ is often uncomfortable to watch, but that’s the point. There’s no resolution to these contradictory viewpoints, no easy answers." Full Review
for a previous production "Kidwell and Sheppard’s skillfully devised work slowly bends and breaks the separation between historical Americana and contemporary experience…The dialogue in this work, particularly in a scene where Stuart and Caroline walk home from a movie, was honest and well thought out…The audience was at times in fits of laughter or prayer-like silence…The deftness of this work in its ability to use humor and emotion honestly produced a complex performance from two gifted co-creators." Full Review
for a previous production "The delightfully awkward metafiction ‘Underground Railroad Game’ is a twisted melange of some of our fiercest taboos...This two-person play (masterfully helmed by Jenn Kidwell and Scott Sheppard) revels gleefully in seditious satire…As scenes and timelines shift, so does the comedic intensity and so do the stakes …’Underground Railroad Game’ doesn’t so much provide answers, but instead maniacally guides us towards the questions we never thought we should be asking." Full Review
for a previous production "'Underground Railroad Game' addresses all the awkward peculiarities of interracial interaction without sounding cheap or even full of itself. Despite the play’s reputation for being raunchy and offensive, I found myself feeling exposed more than uncomfortable, and in an inexplicably good way; with so many relatable, valid observations being manifested before my eyes, I felt as if the play was written specifically for me...But the truth is that it was written for everyone." Full Review
for a previous production “‘Underground Railroad Game’ is Neo-Burlesque at its most outrageous – a balancing act of satire, irony and comedic bedlam concerning race and romance. Underground Railroad Game is a ‘R-rated, kaleidoscopic, fearless comedy,’ where the playwrights, Jennifer Kidwell and Scott Sheppard, cross their own Mason-Dixon line with their provocative approach to what a contemporary Underground Railroad ‘game’ might offer.” Full Review
for a previous production "There's a hint of race war in the color war–style kids’ game for which Jennifer Kidwell and Scott Sheppard’s outrageously funny and discomfiting show is named...The taboo-flouting script is matched by bold, smart performances from both actors...At the performance I attended, the laughter and shock of the almost exclusively white audience had a tinge of self-flagellation, which felt gratifying—if not, as the play makes clear, necessarily liberating." Full Review
for a previous production "They have used the theater to do exactly what it is best suited to do: Take a thorny topic and explore, question, reflect, and reveal the human condition with intelligence, compassion, humor, bravery, no bias and no easy answers...This R-rated play tackles the very topical subjects of race, power and sex...There is an incredible level of trust between the two performers and creators of this piece...There are no neat answers, just raw, honest questions." Full Review
for a previous production "'Underground Railroad Game,' a bold and imaginative theatrical piece, is a bawdy satire in which the audience is made to look head-on at the serious issues of race, sexuality, and how we deal with them in the aftermath of slavery...Kidwell as Caroline gives a raw, bold, yet vulnerable interpretation...Sheppard’s comical yet painfully exposed performance as Stuart breaks through serious barriers that society doesn’t often discuss." Full Review
for a previous production "A funny, poignant take on racial politics...Director Sarah Sanford teases out this devised production's humor with exaggerated movements and dialect…Kidwell and Sheppard show us the social construct of American racial difference. It's learned behavior...But it's historical legacy, and an indelible aspect of our collective psyche, and now we're stuck with it. At least Kidwell and Sheppard help us laugh at the mess we've made, even as we try to clean it up." Full Review
for a previous production "I don’t especially favor some of the methods Kidwell and Sheppard employ...but it can’t be denied that they’ve found a provocatively original way to bring their subject to the table...‘Underground Railroad Game’ is filled with artistic and intellectual conundrums; you may even leave the theatre asking, “Now what was that all about?” But, while watching, its preoccupations, even if not easy to articulate, are likely to seep into your consciousness and stay with you after you get home." Full Review
for a previous production "The actors play sexual attraction with a light touch, but the script is uncompromising in its depiction of fantasies and prejudices...Magar keeps the actors moving at high velocity through the script's vibrant absurdism...The writer/performers are hardpressed to achieve a dramatically satisfying conclusion. But with issues as thorny and urgent as those addressed, it's hardly reasonable to ask for a denouement that's satisfying in any traditional sense of the word." Full Review
for a previous production "It took a while for the cynical part of me to warm to this show. It is a little too earnest in places and tries too hard to be edgy. But halfway through the fast-paced show I was hooked...Kidwell and Sheppard are excellent in the roles, but even more than that, they are fearless. They walk right up to the edge of what people are comfortable with and then jump across, believing we have the guts to follow...By the end, I wasn’t positive what I saw, but I knew I would remember it for a long time." Full Review
for a previous production "Kidwell and Sheppard make their overall engagé point. They make it with such vigor and conviction that it occurred to me some audience members might be thinking how brilliant the folderol was...I believe there's a thin line between commenting on vulgarity and being straightforwardly vulgar. In the instance of 'Underground Railroad Game,' I'm convinced the line has been crossed from comment-on to example-of." Full Review
for a previous production "It is crass and tasteless for the purpose of shock. I wasn’t shocked just sickened that this is now theatre...It's hard to talk about the direction by Taibi Magar and the acting by Jennifer Kidwell and Scott Sheppard because I honestly do not understand what I was truly supposed to be seeing...I honestly cannot believe how anyone gave this a rave review, but they did. Maybe I still believe that you can catch more flies with honey and the Emperor has NO clothes!" Full Review
See it if you expect theater to take you some place new because this show does on every level.
Don't see it if raw language and/or nudity offends you
See it if you are fan of groundbreaking theater with unpredictability or politically active and want to spark an engaging dialogue about race relation
Don't see it if you are prude to explicit nudity, expect predictable formulaic plays, or want to interact with cast.
See it if complicated, unsettling, empathetic, provoking - best storytelling about racial issue which's beyond the issue itself: it's gender, sexual,
Don't see it if can't think of a reason not to see this play, unless you are too broke to afford a ticket.
See it if To think, be challenged, even have uncomfortable moments, see phenom talent, and laugh at the same time. Smart, painfully honest, brilliant
Don't see it if experimental theater, racial issues, sexual content and nudity aren't your thing.
See it if you are prepared to be confronted with hard realities about our relationship to race, history, and education in America.
Don't see it if you are uncomfortable with nudity, sexual situations, or confrontational art.
See it if incendiary, graceful, bracing and wild. A virtuosic collaboration exemplifying the best in devised work, full of big laughs and rich ideas.
Don't see it if not a tame evening. It moves from delightful to sickening in a blink.
See it if you want your buttons pushed by a play that examines race relations in our country. Thought-provoking play that leads to conversations.
Don't see it if you do not want to feel uncomfortable by the material. Also, if you don't like nudity and sex that are graphically presented.
See it if you are open to having actors use theater and performance art to explore racism and stereotyping in both a deeply comical and serious way
Don't see it if You need a strict narrative play to be entertained, cannot laugh at biases, or cannot handle female or male frontal nudity
See it if you're not afraid to look at yourself and others honestly and laugh at yourself.
Don't see it if you're entrenched in your views on race, sex and power!
See it if You want to be wowed by an utterly original play with insights into racism, sexuality and human nature.
Don't see it if You are unprepared for stunning sex infused scenes that build to a climax in more ways than one.
See it if you like engaging, funny, stunning, moving, innovative, original theater dealing with race issues in America.
Don't see it if you like a completely linear plot. Though there is plenty of cohesive story, it veers off in several wild directions several times.
See it if You like challenging theater. You are interested in the politics of identity. You want to see a show that tackles racism.
Don't see it if You are uncomfortable with nudity/sexuality. You are easily offended. You don't like experimental theater.
See it if You're interested in an abstract take on race relations that's as funny as it is jaw dropping
Don't see it if You're offended by profanity, sexual content, nudity, or if you're looking for something not so heavy
See it if You like edgy dialogue, political theatre, smart staging, absorbing story telling and insightful thought provoking reflections on race
Don't see it if You are easily offended, want simple theatre or don't want to deal with the issues of race.
See it if you're looking for an original production that takes you out of your comfort zone & challenges the way we view race and look back at history
Don't see it if you can't handle 5 minutes of exposed breasts, another 10 min of full frontal male nudity, aggressive confrontations, and offensive language
See it if you enjoy boundary-pushing humor, being pushed outside your comfort zone, and thought-provoking plays. A fresh and smart take on race.
Don't see it if you're easily offended, or if you're uncomfortable with edgy humor, nudity, and remembering what it was like to be in middle school.
See it if you're the kind of person who keeps banging his head against the wall trying to figure out race relations
Don't see it if you're squeamish about language, nudity, sexual situations, uncomfortable audience situations -- all, I would argu, in service of the piece.
See it if you want to be made to feel uncomfortable and to confront unconscious racism today or if you want.
Don't see it if you want a light and fluffy theatre experience.
See it if You're interested in a discussion of race in relationships and modern day society. You playing with various levels of fantasy vs reality
Don't see it if You're uncomfortable with nudity or staging of sexual acts.
See it if you dare to talk about hot button issues and aren't afraid of graphic discussions of them
Don't see it if you cannot sit still for 90 mins, you're racist or you can't stand nudity.
See it if Raucous, violent & raunchy. An educational school game about slavery goes too far. This play has both a heart and real teeth.
Don't see it if I'm not sure the script fully buys into itself until quite far in the game, when sex and humiliation meet.
See it if Bold and provocative discussions about race relations. First-rate and dedicated performances. Intimate venue and conversation platform.
Don't see it if There were intense and shocking moments that *appear* gratuitous, but if you let them sink in, you might appreciate the thoughtful execution
See it if you'd like an intense, funny, stinging look at race relations, civil war legacies, & male/female relations in a brilliant, audacious setting
Don't see it if you don't like nudity, strong language, situations taking racial issues to an extreme, male/female violence & minimal audience participation
See it if You enjoy smart writing and acting on controversial subjects & find appropriate (and inappropriate) button-pushing uncomfortably beautiful
Don't see it if Nudity, vulgar language and racially charged conversations make you uncomfortably uncomfortable
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