This paranoia and fear of what is presented to the outside world, and the reality of what is playing underneath, behind closed doors, makes for a prime target for the genius of Natasha and Xhloe.
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"Rice and Roland’s synchronized physical comedy and crackerjack timing give them an almost animatronic precision, transforming these 1950s housewives into puppet-like figures shaped—and warped"
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"...an exciting theatrical venture unlike anything else currently on offer in New York, and Roland and Rice are too talented to miss"
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"...unleashes the energies that its characters can't, and the result is a true theatrical feast"
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