17 Border Crossings
Closed 1h 30m
17 Border Crossings
81%
81%
(22 Ratings)
Positive
82%
Mixed
14%
Negative
4%
Members say
Absorbing, Clever, Great staging, Entertaining, Ambitious

About the Show

Part of the 2015 Next Wave Festival, this solo show features director, designer and raconteur Thaddeus Phillips as he takes a trip around the world through story, armed with a chair, a table, and a bar of lights.

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Critic Reviews (5)

The New York Times
October 2nd, 2015

"The set is deceptively simple: just a table, a chair, a lamp. But the director, Tatiana Mallarino, has an agreeably inventive approach to staging. Those items are repurposed in a dozen different ways. If the staging compels, as do several of the tales, the text itself doesn’t. The storytelling is efficient, but prosaic. And while Mr. Phillips, who has an air of both seriousness and mischief, is a likable performer, he isn’t so scintillating as to enliven the prose fully."
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P
November 17th, 2013
For a previous production

"We armchair travelers participate in the discoveries that virtual travel affords. Even as Phillips’s fancy footwork throughout his rich space-and-time travel extravaganza entertains, we may learn something too, beyond the abuses of officialdom and the acquisition of some foreign words."
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Westword
July 18th, 2013
For a previous production

"Thaddeus Phillips's brilliant piece, '17 Border Crossings,' is a series of monologues based on his own extensive travels. Some of these stories last only a few seconds and some are longer; some are funny, others frightening or sad. They carry implications that go to the heart of what it means to be a human being living among other humans."
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Denver Post
July 25th, 2013
For a previous production

"There are plenty of poetic moments...Phillips is a compassionate, gifted storyteller with a very fine ear for how people speak their truths. A riff by a Mexican immigrant on why he likes the world 'alien' is a thing of simple beauty."
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Broad Street Review
April 5th, 2011
For a previous production

"This multi-talented theater wizard renders his own international travel as the subject of this work. By framing his monologues on border crossings, he assembles a mix of experiences from which he can draw humor and as well as make his political critiques. Although his humor and political critique don't always sustain interest, many segments do."
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