Brooklyn | 1h 30m | Already closed


From 15 critic and 34 member reviews
Members say: Great acting, Edgy, Ambitious, Profound, Confusing

About the show

St. Ann's Warehouse presents the US premiere of Enda Walsh's ('Once') enigmatic, two-person drama about two men whose lives unravel quickly over the course of 90 minutes. More…

Where are these men? Who are they? What room is this, and what might be beyond the walls? Equal parts comic and achingly poignant, 'Ballyturk' scratches beneath the surface of rural Ireland and Walsh’s worlds of 'Misterman' and 'The Walworth Farce.'

1h 30m | Already closed | St Ann's Warehouse (Brooklyn)

Front Mezz Junkies

"'Ballyturk' isn’t easily explained, nor do we even need to in order to take in the pleasure of viewing such a wildly captivating creation. We just need to give ourselves over to the bleak oddness, and enjoy…This incredibly well staged production brings to mind the classic absurdism of the powerful and dark ‘Waiting For Godot.’ It tantalizes with its abstract creationism and vagueness…Walsh has found the best of both worlds, puzzling our head, while also engaging our hearts." Full Review

New York Magazine / Vulture

“Thrilling...A wild, devastating cry from a playwright who’s both celebrating the small miracle of humankind’s creative impulse and interrogating its ultimate usefulness...A play full of stunning monologues...Walsh turns theatrical examinations of stuckness into exegeses on the art of playmaking. Theater is uniquely good at talking about, eviscerating, celebrating itself — and in 'Ballyturk' you can sense Walsh’s fear that perhaps, in the face of real life’s chaos, that’s all it’s good for.” Full Review


“A dark comedy...An existential drama about friendship and all the personal sacrifices, large and small, that it can demand from an individual...It is amazing to see Murfi do his frenetic comedy routines on stage, while infusing a genuine humanity...Equally mesmerizing is Murphy, whose physical agility and sensitive acting as Character One terrifically complements Murfi's...Fouere delivers a commanding performance...‘Ballyturk’ at St. Ann's might just convert you into a Walsh fan.” Full Review

Time Out New York

"Walsh crams big themes into small spaces...After immersing us in this busily static space—Beckett on uppers—Walsh pulls it down with the dramatic arrival of 3 (the magnetic Fouéré)...What this deliberately mysterious play 'means' is left to the audience to imagine. To me, it feels like a theatrical metaphor about the attractions and limits of theater itself; your mileage may vary, but Walsh offers plenty to consider and enjoy along the road." Full Review


"As enigmatic, exhilarating, nonsensical, and frustrating as Samuel Beckett's masterpiece...Though Walsh isn't adding any particularly new insight into the theatrical conversation about life, death, and everything in between, once we see the direction in which he's going, we are able to focus more on what's important. The work, too, finds a nice little center, and there is an unexpected poignancy that follows as Murphy and Murfi confront all of the feelings they thought they'd forgotten." Full Review

Stage Buddy

"While there is an often frustrating incoherence, this does not diminish the emotional punch thrown by the performance’s climax...Murfi is fantastic...As goofy in 'Ballyturk' as he is devastating...‘Ballyturk’ elicits more questions than it answers in its 95 minutes running time...Be prepared to be thrown off your axis. It is a noteworthy experience, but you’ll land a bit disoriented when the house lights go up.” Full Review

The New York Times

"The dark and enigmatic cosmic farce...'Ballyturk' is so verbally dense that it’s possible to be hypnotized, if not numbed, by some of its lush spoken arias. Even at 90 minutes, it would be better shorter...As a director, Walsh knows how to weave a web of images that defy language. And he infuses them with a kinetic charge...But no matter your immediate response to 'Ballyturk,' it is likely to take up residence in your thoughts after you’ve seen it." Full Review

Theatre's Leiter Side

“'Ballyturk'…challenges audiences to break through its surrealistic shield to pick up whatever crumbs of meaning it may now and then deign to share…Walsh's dreamlike combination of slapstick farce, ritual, violence, dance, music, mime, intellectual abstraction, colloquially accessible and lyrically poetic dialogue, Beckettian overtones…, and narrative confusion is performed…with such exceptional conviction that the play's meaning becomes secondary to its physical and vocal expression.” Full Review

New York Daily News

"There are flashes when it’s funny and sad. But mostly it’s a mystery...What’s it all about? That’s never fully explained but intentionally left up in the air. But here’s the thing about a head-scratcher: It can also stimulate your brain. 'Ballyturk' does." Full Review

Village Voice

“Walsh churns out careening, logorrheic scripts that spurn narrative cohesion and embrace a gritty, athletic staging...We never quite grasp the specific relationship between the men...To lighten the mood, Walsh choreographs nutty dance sequences...Walsh explores the limitations of descriptive language and the perilous gap between imagination and reality...One can’t really grumble that Walsh shirks meaning when, in fact, he bashes it on the nose.” Full Review

The Wrap

"In the drama’s most heartbreaking moment, Murphy’s character recites the names of Ballyturk’s inhabitants, while Murfi’s character impersonates them in rapid succession...The most frightening moment is Fouere’s spectacular entrance...In other words, the best moments in 'Ballyturk' have more to do with Walsh’s direction of his play than what he’s given his characters to say...As a director, Walsh is visceral and vivid. As a writer, he enjoys being obscure." Full Review

Lighting & Sound America

"Seems to operate on the theory that if a bit of nonsense is amusing, a shipping container's worth is even better. This is not to denigrate the total commitment and skill of the two actors...As 'Ballyturk' begins to acquire a dramatic profile, it also comes to resemble a compendium of absurdist drama tropes…Shuttles between the inexplicable and the derivative, it may be worth seeing if only to catch Fouéré...She very nearly transforms this willfully strange piece into a meaningful experience." Full Review

Irish Times

for a previous production "The play is closer to a meditation on death; that undiscovered country...Fouéré’s is a fascinating performance...The manic energy of 'Ballyturk’s' routine, excellently delivered by Murfi and Murphy’s double act, stills with her arrival and a proposal: It’s time for one of them to leave. What they would be departing in 'Ballyturk' is a world of cartoonish exaggeration, tumbling with madcap fictions, avalanches of props and shrieking impersonations - in short, an Enda Walsh play." Full Review

The Arts Review

for a previous production "Wild, zany, dark, and hilarious, 'Ballyturk’s' march through the mayhem of Walsh’s imagination boldly goes where other scripts fear to go. And when it gets there it is very, very good indeed. But when it misses the mark, it can be something of a struggle...It’s still more potent than many other works out there...At its best, 'Ballyturk' is theatrical poetry steeped in sense, nonsense, image, and metaphor...A uniquely powerful theatrical experience." Full Review

Irish Examiner

for a previous production "The play is essentially a piece of meta-Walsh, a comment on his own writing practice, one that cannibalizes his earlier themes, characters and motifs. At times, it’s a riot. But the strongest sense of the piece now, three years on, is as a staging post: the work of a writer coming to the end of one approach, and about to begin another...Where Rea was sardonic and innately funny, Fouere plays it straight and humorless. Again, it’s simply not as effective this time round." Full Review

Clever, Great acting, Hilarious, Riveting

See it if you like Enda Walsh, delicious spoken word, masterful acting & movement, dynamic duos, existential mystery

Don't see it if you are confused by abstraction, don't want to read between the lines, need an intermission

Also I rushed to see Ballyturk at St Ann's after seeing Disco Pigs at Irish... Read more Read less

Refreshing, Riveting, Clever

See it if you like to see new cutting-edge exciting work. Huge Enda Walsh fan.

Don't see it if you like more traditional linear plays

Also this was a blast...I was spellbound. The 3 performances were just exce... Read more Read less

Ambitious, Profound, Resonant, Intense, Hilarious

See it if You're a fan of Enda Walsh, big themes, absurdist theatre, black humor and have patience for theatre that's not immediately comprehensible..

Don't see it if you need to understand everything that's going on immediately, you hate Beckett or you can't laugh and think at once...

Great acting, Great writing, Great staging, Profound

See it if you love Walsh's unique and deeply poetic imagination. Fantastic acting by all three, moments of pure lyricism and masterful direction.

Don't see it if you are not a fan of Walsh's hermetic vision or need a play that explains everything. I am a fan, but I know he can be obtuse at points.

Enchanting, Great acting, Great writing, Masterful, Profound

See it if you like challenging, unconventional theater. If you want to see actors put their all into very physical roles.

Don't see it if you want to sit back and be told a pleasant story. If you don't like to have to think about theater.

Also I saw this a week after I saw Disco Pigs at Irish Rep. If you're a End... Read more Read less

Ambitious, Confusing, Dizzying, Edgy, Intense

See it if You want to see a contemporary, very contemorary, writer following in the footsteps of Beckett and Sartre.

Don't see it if You need everything spoon fed to you.

Ambitious, Absorbing, Funny, Great acting, Profound

See it if If you want to be challlenged

Don't see it if You hate the word Beckettian

Absorbing, Edgy, Great acting, Exquisite, Thought-provoking

See it if you like Enda Walsh

Don't see it if you need to understand what was going on the whole time

Ambitious, Edgy, Great acting, Profound, Refreshing

See it if You lov phisicalcomedy, if you want to be surprised and if you want to think about deep stuff after the play!

Don't see it if If you are not in the mood for great action!

Great acting, Great staging, Profound, Intense

See it if you are a fan of Enda Walsh, plays with abstract settings, or plays that make you think

Don't see it if you are looking for something straight forward or with a happy ending, or if you can’t understand Irish accents.

Also I was so surprised at how funny it was. Ballyturk took me on an emotio... Read more Read less

Ambitious, Enchanting, Great acting, Great staging, Intense

See it if you are a fan of existential theater that makes you think, particularly about life and death.

Don't see it if you are looking for a typical narrative play with a straightforward plot.

Absorbing, Thought-provoking, Quirky, Edgy, Great acting

See it if you like Beckett, Pinter; absurd, challenging, thought-provoking plays, Enda Walsh & his poetic writing combined with manic action

Don't see it if you want a traditional easy-to-follow story that you don't analyze long after you leave

Also Loved this but many won't.... Read more Read less

Frantic, Wrenching, Funny, Dizzying, Edgy

See it if u want modern, hyper, hectic, confusing but passionate and heartfelt ultra-contemporary theater about dystopian living, community & kinship

Don't see it if u don't like Enda Walsh. Nightmarish violent confusing challenging rapid-fire & ultimately tragic & eloquently beautiful. Not for everyone

Absorbing, Clever, Edgy, Great acting, Thought-provoking

See it if you enjoy the expressionist, dystopian fables of Enda Walsh, sometimes disarming, often challenging, but always riveting, artful & touching.

Don't see it if you don't think you'll dig an abstract mashup of Beckett's Waiting for Godot, Sartre's No Exit, Emma Donoghue's "Room" & Morecambe and Wise.

Ambitious, Confusing, Often very confusing.

See it if You like your theater difficult and thought-provoking to the point of confusion. Also maniacally funny. Or if you are a child of Beckett.

Don't see it if If you favor plots, coherency, logical progression and realism in acting and drama stay away from St. Anne's.

Also At first viewing I was befuddled. Scenes of near incoherence juxtapose... Read more Read less

Ambitious, Great acting, Funny, Dizzying, Indulgent

See it if You're a fan of Enda Walsh & contemporary Irish theater, enjoy Beckett-like plots, like visceral, physical acting and awe-inspiring endings

Don't see it if You don't like frantic, bizarrely verbal plays, don't like plots that despite insane activity seem to be static, spiritual or focus on death

Quirky, Great sound design, Great acting, Edgy, Funny

See it if you enjoy abstract plays which veer more towards the absurd. A challenging play w/different layers of meaning. Great acting, staging & sound

Don't see it if you're looking for a play that is easy to interpret. This is an unusual piece of work and will certainly not be for everyone.

Entertaining, Edgy, Quirky, Great staging, Surrealistic

See it if for its wild, absurd and nonsensical approach to themes of life and death

Don't see it if you prefer something straightforward rather than abstract and surreal

Dizzying, Edgy, Great acting, Excruciating, Masterful

See it if you like theatre that isn't about logic, but viscerally and kinaesthetic response. you won't understand it but you'll feel it.

Don't see it if you like standard narrative structure and don't like experimental work brinking on near-performance art.

Clever, Great acting, Funny, Ambitious, Indulgent

See it if you like quirky re-interpretations of Waiting for Godot. The actors are excellent. Good staging!

Don't see it if you're tired of Beckett-esque things...

Confusing, Great acting, Quirky, Dizzying

See it if you appreciate theater at the edges, astonishing acting by actors at the top of their craft, or know and already love Enda Walsh's work

Don't see it if You think it'll be like Once. It is not. Or you need linear and clear narratives.

Great acting, Great staging, Profound, Quirky, Slow

See it if You like experimental Theater; you like poetic.

Don't see it if You only prosaic Theater, with a clear story; if you don't like enigmatic shows.

Also The acting, staging, sound, and special effects, were all amazing. The... Read more Read less

Entertaining, Great acting, Relevant, Edgy, Confusing

See it if you enjoy avant garde theater, where everything is unclear but somehow resonates with you. I don't quite know how to describe this show.

Don't see it if you want a straight forward play with plot and structure, dislike loud music and silliness, nothing is what it seems.

Also A very odd play. Not my favorite genre, but done well for what it is. ... Read more Read less

Confusing, Great staging, Quirky, Thought-provoking, Ambitious

See it if you're a fan of the Beckett-style

Don't see it if you need concrete plot and concept.

Ambitious, Confusing, Indulgent, Slow

See it if You enjoy Walsh and understand his oeuvre.

Don't see it if You expect to understand what you are watching.

Also Set was quite creative and I was amused by some of the jokes and the m... Read more Read less

Cast & Creatives (12)