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"A wonderfully strange new musical...Overflowing with mystery and mirth, this tragicomic riff on a familiar tale is an unforgettable theatrical experience...Malloy employs an eclectic mix of styles for a score that is both tuneful and daring...Surprises abound in Heyman's earthy production...'Beardo' thrillingly leaves us to ponder what we just saw and to distrust any immediate conclusions we might make about it." Full Review
"Scruffy and messy, which is fun for a bit—before you start yearning for dramaturgical focus and stronger direction to bring out a decent musical...Director Ellie Heyman has fine individual ingredients to work with: Craig’s goofy-eerie dialogue and lyrics, Malloy’s folksy pop and a cast bursting with talent. It’s the integration of those elements and themes that doesn’t work...A novelty-song cycle grafted onto an absurdist historical fable, 'Beardo' needs trimming." Full Review
"A louche, lewd and assertively weird fantasia on the life of Rasputin...Those lacking familiarity with pre-revolutionary Russian history may find themselves befuddled...This ought to be dark, ribald, rambling entertainment. And it is. But it also isn’t...Heyman approaches the material with gusto, conjuring some visual and sonic surprises, playing down the politics. But art alters as times change, and this show now seems less bouncy, more hollow and more queasy than intended." Full Review
"Some of the elements familiar from 'Great Comet' are present, most notably Malloy’s classically tinged, eclectic score offering everything from rock ballads to hearty drinking songs, as well as a game and talented cast. But 'Beardo' feels in comparison like a work in progress. The book and lyrics are playful, sometimes clever, silly, ribald, deliberately anachronistic, joyfully shocking and in-your-face weird. They are too accomplished to be labeled juvenile but 'adolescent' might fit." Full Review
"The entire enterprise suffers from a deficit of wit and the absence of a point of view...That 'Beardo' doesn't become entirely tiresome until late in the second act is largely due to Malloy's music...There isn't much that the director, Ellie Heyman, can do to impose any order on such often chaotic proceedings...Neither a comic romp, a pointed satire, nor a gripping historic episode, 'Beardo,' the musical, is little more than a superficial display of look-at-me cleverness." Full Review
"'Beardo' is a dangerously evocative musical that is breaking the mold...There are some flaws. A bunch. Some whiffs in the script. Is there room for trimming? Absolutely...This company certainly had a blast...'Beardo' is a beautiful mess of a musical that knows exactly what it is. And that’s what makes it, well, charming. If you take the show at face value, you’ll likely not get it. If you do a tad bit of research and allow yourself to embrace it for what it is, you’re bound to appreciate it." Full Review
"Adventurous but unfocused...Two and a half hours of a horny mansplainer who seemed to feel zero compassion for anyone and viewed himself as flawless...Most of the jokes in 'Beardo' go on for far too long...Rasputin has long been the subject of cultural fascination...but modernizing him through adolescent humor and cheap jokes, and making him nothing more than an entitled man-child, is not an effective or creative way to explore this subject." Full Review
"The production is sometimes adventurous, sometimes euphoric, and sometimes downright ludicrous...Craig can be surprisingly clever and sometimes the songs are oddly touching. The cast is terrific in its commitment to the eccentricity of the work...Damon Daunno shines as the protagonist...Even when the book provides no context for the action leaving the audience bewildered, Daunno keeps us grounded. Director Ellie Heyman creates a wonderful atmosphere for the actors to play in." Full Review
"An entertaining and fascinating evening of theatre...So much about this production works well...The cast is exemplary...What didn't work for me was nit-picky. The repetition employed throughout the score and book is cute the first time, but I suspect would fall flat with repeated viewings...I'll always seek out a Malloy show from now on. It's a guaranteed unique, high value and immensely original experience." Full Review
"'Beardo' is near brilliant, played with pitch-perfect timing by the cast, particularly Damon Daunno, in a star-making turn...If this is kept from falling into juvenilia, or just pure silliness, it is largely a credit to the tight direction from Ellie Heyman. Comedic stunts like those pulled here can grow tiresome, but they never do...It is pure pleasure, and doesn’t leave the audience with much to argue over on the way out the door." Full Review
"Dave Malloy's score is simply delicious. The book and lyrics, by Jason Craig, are hilariously relatable to life in 2017 and brilliantly anachronistic...You likely won't forget Damon Daunno's legendary performance as Beardo himself for a long time. His 2.5 hour tour-de-force portrayal of this tortured historical figure is sexy from beginning to end...This is ambitious theater that totally triumphs." Full Review
See it if you like Dave Malloy, great singing, wacky takes on history, unusual settings and themes, & don't mind a long, sometimes confusing storyline
Don't see it if you need traditional structure and story, can't sit in a pew for 2.5 hrs (1 interval), or if you expect a factual retelling of history
See it if You enjoy historical tales with quirky twists. Some excellent staging, narrative, bizarrely hilarious moments. Great music and atmosphere!
Don't see it if You prefer traditional historical tellings, or are offended by sexually explicit subject matter.
See it if a nontraditional site-specific show that approaches Russian history and religion in an irreverent, anarchic way sounds exciting.
Don't see it if a three hour production all the way out in Greenpoint that is vulgar, sacrilegious, crass, juvenile in humor, and meandering sounds hellish.
See it if you enjoy irreverent theatre in non-traditional spaces, murder-ballets and tales of insane monks doing dirty things to increasingly odd folk
Don't see it if you're stuffy and strictly believe in the traditional musical form.
Also A remarkably kickass night!
See it if if you are a huge fan of Dave Malloy and want to see something incredibly unique and fun
Don't see it if if you can't handle things that are raunchy and stories that don't completely make sense.
See it if you like Dave Malloy's music and want to hear it sung well by a talented cast in a beautiful space.
Don't see it if you're expecting deep/emotionally connected material, if poor staging bothers you, if a comfortable seat or clear view is important to you.
See it if for the wonderful innovative score and the hilarious 2nd act. Arrive early to get a seat with a clear view of the stage.
Don't see it if the G train is terra incognito, 3 hours on church pew offends your delicate posterior or historical inconsistencies disturb you.
See it if you're a fan of Dave Malloy and enjoy eccentric takes on historical figures.
Don't see it if you have little patience for long and awkward shows that contain moments of greatness in music, performance and staging.
See it if you like David Malloy music; dramatic rock/folk stuff. You like charismatic actors obviously having a good time.
Don't see it if half the show is dance sex; if you will be bored of dance sex, give this a pass.`
See it if you love absurdist theatre, playful interpretations of Russian history, delightfully lunatic characters, and unusual performance spaces.
Don't see it if you prefer your characters realistic, genuine, and deep. It's also performed in a slightly worn-down church; don't expect a standard theatre
See it if Biographical farce based on Rasputin. Wonderful music and clever verse. Lots of sexual humor. Original and different.
Don't see it if You don't like raunchy silly comedy. You are looking for something more serious or dramatic.
Also Wish I could buy a soundtrack.
See it if like intelligent musicals; it's the story of Rasputin, performed in an old church. It's a better Natasha, Pierre and Great Comet.
Don't see it if aren't interested in Russian history or a weird take on the Rasputin Story
See it if See it for the music; it's beautiful. Cast and direction are also really good.
Don't see it if Story's a mess and hard to follow at times. Also really long; almost 3 hours.
See it if want to be on Dave Malloy bandwagon, experience a super talented cast that lands near all possible comedic elements of the tale of Rasputin
Don't see it if drowning, poisoning, shooting, black swans, hemophiliacs, the Russian revolution, assassination, sex, nudity or men in tutus, give you pause
See it if you want a unique theatrical experience. The show, with it's strong cast, is being staged in a rundown church in Brooklyn
Don't see it if you have something better to see. While well intentioned, this show is a mess. The score, the dialogue, the pacing; it just doesn't work
See it if SEE THIS SHOW! Absolutely fantastic! The music (of course!) is incredible! The cast is completely amazing! The setting & staging perfection!
Don't see it if You may not enjoy the show because of subject matter: language, sex, violence. It is full of bold choices & lots of risk taking by the cast.
See it if you love theatre that's purely fun and unique and just a good time. This is such a FUN show
Don't see it if you don't like musicals about Rasputin?? You should see it anyway...
See it if You like Natasha Pierre & the great comet of 1982. It deals with Russian history in a very similar way ( but it is not as good as " comet ")
Don't see it if If you know totally nothing about Rasputin. You will miss most of the inside jokes and historic references. The music Is maybe too eclectic.
See it if For a weird old time with a game cast, especially the priceless Willy Appelman and Brian Bock, don't mind shenanigans w total lack of plot
Don't see it if Expecting something on par with The Great Comet, looking for insight on Rasputin etc, expect craft in lyrics or book