Closed 2h 30m
Beardo
Brooklyn
80

Beardo NYC Reviews and Tickets

80%
(100 Reviews)
Positive
85%
Mixed
13%
Negative
2%
Members say
Ambitious, Quirky, Entertaining, Great singing, Clever

About the Show

Pipeline Theatre Company presents the NYC premiere of this rock musical about Rasputin, the infamous mystic who helped topple the Russian royal family. Featuring music by Dave Malloy of 'The Great Comet' fame. 

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Member Reviews (100)

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85
Funny, Raunchy, Quirky, Clever, Entertaining

See it if Biographical farce based on Rasputin. Wonderful music and clever verse. Lots of sexual humor. Original and different.

Don't see it if You don't like raunchy silly comedy. You are looking for something more serious or dramatic. Read more

84
Quirky, Ambitious, Clever, Great singing, Entertaining

See it if for the wonderful innovative score and the hilarious 2nd act. Arrive early to get a seat with a clear view of the stage.

Don't see it if the G train is terra incognito, 3 hours on church pew offends your delicate posterior or historical inconsistencies disturb you.

Critic Reviews (10)

February 12th, 2017

"A louche, lewd and assertively weird fantasia on the life of Rasputin...Those lacking familiarity with pre-revolutionary Russian history may find themselves befuddled...This ought to be dark, ribald, rambling entertainment. And it is. But it also isn’t...Heyman approaches the material with gusto, conjuring some visual and sonic surprises, playing down the politics. But art alters as times change, and this show now seems less bouncy, more hollow and more queasy than intended."
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February 12th, 2017

"Scruffy and messy, which is fun for a bit—before you start yearning for dramaturgical focus and stronger direction to bring out a decent musical...Director Ellie Heyman has fine individual ingredients to work with: Craig’s goofy-eerie dialogue and lyrics, Malloy’s folksy pop and a cast bursting with talent. It’s the integration of those elements and themes that doesn’t work...A novelty-song cycle grafted onto an absurdist historical fable, 'Beardo' needs trimming."
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February 12th, 2017

"A wonderfully strange new musical...Overflowing with mystery and mirth, this tragicomic riff on a familiar tale is an unforgettable theatrical experience...Malloy employs an eclectic mix of styles for a score that is both tuneful and daring...Surprises abound in Heyman's earthy production...'Beardo' thrillingly leaves us to ponder what we just saw and to distrust any immediate conclusions we might make about it."
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February 21st, 2017

"The entire enterprise suffers from a deficit of wit and the absence of a point of view...That 'Beardo' doesn't become entirely tiresome until late in the second act is largely due to Malloy's music...There isn't much that the director, Ellie Heyman, can do to impose any order on such often chaotic proceedings...Neither a comic romp, a pointed satire, nor a gripping historic episode, 'Beardo,' the musical, is little more than a superficial display of look-at-me cleverness."
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February 21st, 2017

"The production is sometimes adventurous, sometimes euphoric, and sometimes downright ludicrous...Craig can be surprisingly clever and sometimes the songs are oddly touching. The cast is terrific in its commitment to the eccentricity of the work...Damon Daunno shines as the protagonist...Even when the book provides no context for the action leaving the audience bewildered, Daunno keeps us grounded. Director Ellie Heyman creates a wonderful atmosphere for the actors to play in."
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February 12th, 2017

"Some of the elements familiar from 'Great Comet' are present, most notably Malloy’s classically tinged, eclectic score offering everything from rock ballads to hearty drinking songs, as well as a game and talented cast. But 'Beardo' feels in comparison like a work in progress. The book and lyrics are playful, sometimes clever, silly, ribald, deliberately anachronistic, joyfully shocking and in-your-face weird. They are too accomplished to be labeled juvenile but 'adolescent' might fit."
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February 20th, 2017

"'Beardo' is a dangerously evocative musical that is breaking the mold...There are some flaws. A bunch. Some whiffs in the script. Is there room for trimming? Absolutely...This company certainly had a blast...'Beardo' is a beautiful mess of a musical that knows exactly what it is. And that’s what makes it, well, charming. If you take the show at face value, you’ll likely not get it. If you do a tad bit of research and allow yourself to embrace it for what it is, you’re bound to appreciate it."
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February 14th, 2017

"Adventurous but unfocused...Two and a half hours of a horny mansplainer who seemed to feel zero compassion for anyone and viewed himself as flawless...Most of the jokes in 'Beardo' go on for far too long...Rasputin has long been the subject of cultural fascination...but modernizing him through adolescent humor and cheap jokes, and making him nothing more than an entitled man-child, is not an effective or creative way to explore this subject."
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February 12th, 2017

"An entertaining and fascinating evening of theatre...So much about this production works well...The cast is exemplary...What didn't work for me was nit-picky. The repetition employed throughout the score and book is cute the first time, but I suspect would fall flat with repeated viewings...I'll always seek out a Malloy show from now on. It's a guaranteed unique, high value and immensely original experience."
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February 13th, 2017

"'Beardo' is near brilliant, played with pitch-perfect timing by the cast, particularly Damon Daunno, in a star-making turn...If this is kept from falling into juvenilia, or just pure silliness, it is largely a credit to the tight direction from Ellie Heyman. Comedic stunts like those pulled here can grow tiresome, but they never do...It is pure pleasure, and doesn’t leave the audience with much to argue over on the way out the door."
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