“’Bonnie's Last Flight’ is set on a plane, but the comedy doesn’t achieve liftoff. The production’s designers do their best, with middling success to replicate the signifiers of a standard airplane cabin...But the name of the airline, Smelta, is an early clue as to the sophistication level of this journey to nowhere...It’s kindest to assume that...generous dollops of sentimentalism are meant to read as sob-story camp. But it’s a thin line between tongue-in-cheek and just plain dumb.”
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“’Bonnie's Last Flight’ is a production design in search of a play...This is a pretty impressive achievement. If only such care and attention had been focused on the plot and characters. Bent's script is a rattletrap collection of sketch-comedy tropes, most of them founded on the belief that the most random idea is always the funniest...Loaded with air pockets of tedium paired with lame humor...Tippe, handles these shenanigans as best one can.”
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"A nice idea for a show that never gets off the ground both in terms of its writing and staging...Sadly, the show that opened Wednesday at the Fourth Street Theatre is poorly composed, falteringly performed, and woefully under-designed...Staged in an actual production, its facetious doings prove to be a pointless, humorless waste of 75 minutes."
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"'Bonnie's Last Flight' peppers its character moments with humorous sketches and air travel anecdotes. Some don't hit their mark, but most do. There's an especially amusing and thoughtful moment where the audience is handed landing cards on which they're invited to 'lighten their emotional luggage upon arrival.' All 'passengers' are asked to 'write down whatever's been weighing you down: a fear, a hurt, a grudge, anything you're ready to let go of.'"
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“The witty playwright and comedic actress Bent configures an interesting cast of authentic people behind the masks of robotic sky servers...Expertly directed by Annie Tippet in a fast-paced laugh riot...The production is a rollicking and immeasurably enjoyable ride...This is farce and reality in an admixture that never loses focus or extends beyond the bounds of humorous rationality...This is one you must not miss, especially if you fear flying.”
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“It’s silly. But ‘Bonnie’s Last Flight’ isn’t merely some hokey send-off of air travel...It’s more like an existential ‘Airplane!’—full of weird humor and surrealism as well as genuinely sympathetic characters questioning their place in the world...There’s plenty to enjoy...Much of the humor...is to be found in Bent’s singular idiosyncrasies of language, physicality and anecdote...A funny show. But throughout, there is a unique cocktail of melancholy and irreverence.”
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"The play borrows a lot from pop culture, with some bits landing better than others...'Bonnie’s Last Flight' grapples with some weighty issues – regret, honesty, fidelity, aspiration, the degradation of air travel etiquette – and it packs a real emotional punch into the short time it takes to fly from New York to Chicago. By the time we were wheels down, I was in tears, and rooting for every last one of the Smelta crew. I also belly-laughed loud enough to disturb my seat-mate."
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"Walsh delivers her part with an emotional veracity as she explores the meaning of her life's choices...Sargeant gracefully balances between gripping self-reflection and comedic reminiscences as he conveys the real possibilities of a final flight...Playwright Eliza Bent captures the absurdity of airline travel in its staccato attention to details and overarching commandment to relax...'Bonnie's Last Fight' is filled with humorous twists, and unexpected turns."
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