Cry Havoc! NYC Reviews and Tickets
Show-Score Member Reviews (85)
See it if You want to be moves and challenged. Th play was an amazing combination of the surhors life experiences and speeches from Shakespeare plays
Don't see it if You prefer lighthearted fare.
See it if You like heartfelt storytelling, vital acting, and care about mental health, veterans, and heroism.
Don't see it if Just see it.
See it if you think you won't like a solo play about a veteran dealing with his experience and are just the smallest bit open-because you will love it
Don't see it if you can't be even the "smallest bit open"
See it if You're looking to better understand the plight of veterans and aid in the healing process.
Don't see it if You're a pretentious New York Times reviewer obsessed with your narrow definition of "aesthetics" and "narrative." Read more
See it if you want to see one of the best one-man shows of the season. Wolfert takes us on a captivating journey based on his own experience.
Don't see it if you do not like one-man plays.
See it if You want a powerful one-man act about a Veteran's view on re-entry into society, and the crucial need to un-wire back into society.
Don't see it if You don't like one man acts/Shakespeare or war stories-- but I think you should see it anyway. :) Stephen was nothing short of brilliant.
See it if You like Shakespeare and how his language and plays can change lives
Don't see it if You want light entertainment, don't like Shakespeare or want fancy special effects
See it if A must see for a veteran and anyone else to learn the hell returning from combat wreaks on returning vets and how little society cares
Don't see it if If Stream of Consciousness is not your style is the best comparison i can make to style, like a story with no punctuation or capital letters
Critic Reviews (11)
"A full-bore autobiographical solo with a meddling co-writer named Shakespeare...Wolfert is a puckish performer with a lithe build...Throughout, he peppers this material with lines from Shakespeare, a lot of them. And that’s a problem...Mostly the iambs gum up his own story...After Wolfert concludes his monologue...stagehands create a ring of chairs and the audience circles up for a combination of talk-back and group therapy...This coda is affecting, also protracted and self-congratulatory."
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"'Cry Havoc!' is a piece with theatrical roots, and Shakespeare aficionados will certainly appreciate the angle of interpretation that Wolfert presents. But he and his director, Eric Tucker, have created a play whose purpose distinctly veers from the artistic and toward the edifying...While this is a valid use of theater, patrons should know going in that they're more likely to receive a masterful TED Talk about the psychological ramifications of war than a crafted work of art."
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“It begins with the actor Stephan Wolfert presenting his improbable and thoroughly gripping life story…But in the switchover between acts, he surrenders the power of his narrative to create a kind of ad hoc group therapy session, which undercuts the power of his own best work…Anyway, the first act, under Tucker's direction, is consistently gripping, although there are a few passages in which Wolfert could dial down the energy level; at times his intensity threatens to become exhausting.”
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“'Cry Havoc!' cries out to be seen because of the wrenching immediacy brought to its issues via the remarkable performance of Wolfert, a 50-year-old Iraq combat vet...Standing in a totally unadorned black space,...his sleek, dancer's body dressed only in a black T-shirt and dark gray slacks, Wolfert...is the embodiment of ‘the complete actor’...After you leave 'Cry Havoc!,' you'll never look at a homeless man with an ‘I'm a vet. Please help’ sign the same way again.”
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"One of the most compelling one-man shows you’ll see in quite some time...Peppering his story with beautifully performed soliloquies and speeches from Shakespeare’s most powerful plays, Wolfert recounts his discovery of the power of the Bard...It’s also his tremendous command and love of Shakespeare that most certainly furthers his program. One cannot help but be brought in by his infectious passion for the work.."
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"Powerful theater can ensue when an artist simply, or not so simply, decides to bear witness...Stephan Wolfert commits himself body and soul to that mission in 'Cry Havoc!’, and the result is riveting...Wolfert delivers a dynamic and physically expressive performance...He emphasizes the timeless universality of the soldier’s experience...Wolfert also makes demands on the audience. In particular, he forces us to think about our responsibility to and for the vets."
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"At once intensely personal while, at the same time, it reaches out not only to veterans in need but to a broader community that, Wolfert insists, needs to understand the plight of veterans and come to their aid...Wolfert meaningfully and seamlessly weaves various soliloquies from Shakespeare into his narrative, a technique that, in less skillful hands, would be little more than pretentious gimmickry. Wolfert is a galvanic, at times frenzied, performer with a captivating personality."
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"It is harrowing, hilarious and uplifting. On a bare stage, different worlds come alive by Wolfert’s storytelling and sound effects that he orally mimics...Wolfert’s performance is a high-powered and tender portrayal of a man who has escaped from a dysfunctional, alcoholic family that tried to stifle his creative fires. As his story unfolds he grabs our emotions and challenges our intellect. It is a performance not to be missed."
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