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“A highly stylized and thrilling interpretation...Theater Mitu's revival breathes new life into ‘Salesman'…Polendo and Theater Mitu's nontraditional approach to the material, despite being initially disorienting, suits Miller's memory play…Purists who prefer a straightforward 'Salesman' may balk at Theater Mitu's take. This production, however, performed at a time when our country is taking a hard look at its own delusions, gives Miller's words a modern resonance.” Full Review
"This revival eclipses the classic instead of illuminating it...Director Polendo’s unproductive, experimental staging is mostly just talking to itself, sidelining a larger conversation...The directorial flourishes jam the flow of emotion...By the time Willy is speak-singing sales advice, empathy has fled, and the show feels like the world’s saddest and weirdest production of 'How to Succeed in Business'...The gap between its aims and its peculiar ways of achieving them never gets bridged." Full Review
"Biff's farewell speech and the simplicity with which Sullivan performs it are all the more powerful for being set against Mitu's anti-realistic staging, with Polendo's fanciful direction, the stylized performances of his fellow actors, and the changing colors of Ashton's lighting. Nothing in this production is as effective or emotionally involving as Sullivan's confrontation...Mitu's production is for the most adventurous theatergoers." Full Review
"A wide range of theatrical conventions are used to approach the work...Cumulatively, this makes for a somewhat assaulting production that overshadows Miller’s searing dialogue, which works best when the actors are simply acting...This isn’t to say that all is lost in director Polendo’s experimentation. Repetitive movements that hark back to Chekhov’s psychological gestures add gravitas to moments...While I feel like the company has a visionary style, the substance is lost in translation." Full Review
"Theater Mitu manages to reinterpret this canonical work into something wholly unique and utterly fascinating by using techniques of experimental and absurdist theatre, combined with elements of Japanese puppetry...These avant-garde elements create a distinct and stylized universe, which would not be successful without the expert skill of director Polendo and his incredibly talented cast...This arresting production artfully brings the Loman family back to where they have always belonged." Full Review
"Polendo bestows this American classic with great depth due to his distinctive interpretation...The production is visually stunning, collaboratively conceived, and emotionally impactful...Nestor and Asbell are truly captivating as Willy and Linda Loman...The visual images are potent and riveting, and surprisingly evoke a strong emotional response. This is the genius of this production." Full Review
See it if you are into new wave theatre and you have a slight interest in seeing a new interpretation of this classic play. Interesting symbolism.
Don't see it if you might be disappointed if you are a huge fan of this play. There are a lot of elements in this production you might be disagreed with.
See it if You enjoy experimental takes on American classics. You want an exploration of family dynamics.
Don't see it if You want typical theatre, this is highly stylized, using maskwork and puppetry to reimagine the play.
See it if Hyper-stylized production of Miller's classic about dissolution of American dream The least studied performance -Sullivan's Biff takes focus
Don't see it if Polendo's abstract concept often puts us at odds with emotional appreciation. Has a 'peaks & valleys' feel as many effects miss their mark
See it if You like avant garde surreal theatre. New takes on an old classic. Colorful, inventive. Clever props as people manned by puppeteers. Angst.
Don't see it if you don't like surreal twists on classics. Minimalism. Puppets. Masks. You want a standard production in a classic setting.
See it if you haven't seen the classic play or want to see a diff't refreshing version. The minimalist staging make you focus on the effective acting.
Don't see it if you want a fancy staging with a big cast.. as there are only 4 actors and the rest are "talking props" that can be both fun & disturbing.
See it if you are open to listing and experiencing the themes of DOAS in a fascinating manner
Don't see it if you Love Arthur Miller's Pulitzer-winning drama and are expecting a Str8 forward interpretation of the script
See it if you're into experimental theatre, any/all "Deaths," or live music accompaniment (neat!); intrigued by use of puppets of a sort. Great venue!
Don't see it if you're not rested or focused (operating on zero sleep, I didn't last past intermission); jarred by sporadic song & music, by pseudo-puppetry
See it if You want to see a VERY experimental version of an American classic. You want unique & globally-inspired staging.
Don't see it if You want experimental staging that illuminates the play: some was successful, most of it didn't add anything.
See it if you want to see a new look at a great classic. The Fisher is a great place for a production. A bit of music and a bit of dance. too.
Don't see it if you are fixed at a certain concept of the play or can no longer tolerate the almost 3 hour plays of yore.
See it if you know this American Classic play well & allow your imagination to interpret the incongruous accouterments ( electric fans, punching bag)
Don't see it if you have no patience for experimental theater (The narrative is straightforward, the presentation is not.); hate awful singing.
See it if you love Arthur Miller plays and want to see a very unique theatrical rendition of it with some well done/interesting production values.
Don't see it if You don't want to see a classic play muddied with experimentation. It felt very long and with the singing and props, was very strange.
See it if you want to see how experimental theater sometimes just does NOT work. A total destruction of an American Classic.
Don't see it if you have any respect for Arthur Miller.
See it if u like long, distorted interpretations of classic Americnan tragedies. Very experimental staging distracts from powerful themes/great acting
Don't see it if you want classic staging of a linear play. It's confusing and jarring and sometimes works, sometimes doesn't but makes a strong impact
See it if You like experimenting, with a classic. They hold true to it, sort of. It took me a while to get it. By the end I bought in completely.
Don't see it if You don't like your classics messed around with or if you have memories of Phillip Seymour Hoffman from Broadway that you want to live on.
See it if you enjoy experimental theatre or a truly unique take on an American classic.
Don't see it if you're not into experimentation. I didn't know what I was watching (very strange), but the writing and performances kept me engaged.
See it if you enjoy seeing American classics reworked and reimagined in ways that may or may not serve the script, you think weird is good.
Don't see it if you prefer more straightforward treatment of the classics, you think directors should leave well enough alone
See it if ..You like classics in avant guard rendition. Puppetry, Japanese Bunraku theatre, one woman band, haunting visuals, heartfelt story.
Don't see it if ..You don't like things odd and prefer realism in the theatre.
See it if You are familiar with the play/ like a different way of portraying a classic play/ enjoy a relevant and moving story that depicts perception
Don't see it if You can't suspend your disbelief and commit to the abstract way of telling this story
See it if you like very, very experimental theatre and have no respect for Arthur Miller.
Don't see it if you like this play and enjoy more conservative staging. Ideas are not bad, they just didn't work with this play.
See it if You want an experimental take on a classic play. The abstract puppetry and background dance/movement was profound.
Don't see it if If you can only appreciate realism (like a movie); if you can't follow shows that use symbolisms and the abstract; if you can't concentrate.