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"A short and wondrous play that plumbs the depths of 21st-century terrors, large and small...Has the effect of a restorative tonic, and you may find a new bounce in your step as you leave it...No one in theater these days is better at exploding and reassembling traditional modes of language and storytelling...This magnificent writer’s latest variation on that form reaffirms such tales’ power to warm us even as they warn of the unspeakable dangers in the wide, dark world beyond." Full Review
"Under James MacDonald's direction, the ensemble members are initially delightful, with their characters' complexities gradually seeping out though finely nuanced performances...Clocking in at less than an hour, Churchill proposes ideas and leaves audience members with sufficient post-theatre time to devise conclusions." Full Review
"Interruption and suspension are the texture of Caryl Churchill's latest play; the themes, appropriately enough, are loneliness and the end of the world. But 'Escaped Alone' still manages to be a floating, bewitching experience. It is gravely intended, but somehow nothing in it registers as weight...The atmosphere manages to stay light as a soap bubble, but Churchill's implications are devastating." Full Review
"The life Churchill depicts is as bleak as the form she employs is brilliant. In both, her economy is breathtaking; pretty much all that happens over the course of an hour is that four late-middle-aged English women sit yakking away a summer afternoon, or several afternoons, in a fenced-in backyard. It’s more than enough to gut you...Though some of this is quite funny, Churchill never condescends to her characters, nor does the superb cast." Full Review
“A captivating exploration of friendship, isolation and catastrophe and even with its short running time, it is indeed satisfying…The piece holds us tightly. In the lighter moments we join in their backyard reverie, but it is in the darker moments where the richness in their vulnerability, defenselessness, and ruination are the most thrilling to witness...When Mrs. Jarrett finally bids adieu, we also must say our goodbyes. It’s joyous in that moment, and we owe that to the delicious work of a... Full Review
"Playwright Caryl Churchill excels in the unexpected. She experiments with format, regularly addressing issues of both feminism and out-of-hand power. Imagination conjures both worlds with articulate skill. The four actresses couldn’t be better. Each imbues her character with subtle attributes. Timing is impeccable, naturalistic focus complete. Director James MacDonald helms a splendid example of a symbiotic company." Full Review
"The outstanding play 'Escaped Alone' is a great compliment to the feeling that seems to be gripping society right now...The tragic mythology and facts of life that define their existences are the centerpiece of Ms. Churchill’s excellent play, calling upon the audience to investigate their own issues of aloneness...Their fabulous rendition of 'Da Do Ron Ron' is a moment not to be missed because it reminds us that there is always music." Full Review
"‘Escaped Alone’ is elliptical, even cryptic, on the page. Macdonald and the four actors find rich meaning and vast emotion in the interstices of the playwright's lines....The play, at least as performed by the extraordinary Royal Court cast, is a Rorschach image ready to reflect any horrors or injustices festering in a spectator's imagination on a particular day as he or she contemplates this stunning production." Full Review
“There's a sense that there's a darkness underlying everything. This sense is only heightened as each woman, in monologue, describes a secret that darkens her life. The secrets are expressed so vividly that we are right there with them, feeling their internal claustrophobia as they wrestle with themselves. Churchill perfectly captures the roiling anxiety of our current strange days. Yet it's not a dismal play. The women are wry and funny and smart and tough.” Full Review
"While the writing in 'Escaped Alone' is certainly gut-wrenching in its simplicity and precision, it is also deeply funny...It’s her skill with language that allows for so many interpretations...What makes the production so powerful is that director James Macdonald, along with his singular cast of four incredible actors, manages to bring Churchill's script to life in the clearest way possible." Full Review
"The remarkable Caryl Churchill is offering her most devastating prophesy yet on the future of our planet. Called 'Escaped Alone,' it’s her latest, deadliest play...It’s one that creeps up on you, grabs you by the throat, and chokes you...A stellar quartet of veteran British stage and screen actresses lend both disarming comfort and frightening credibility to Churchill’s vision." Full Review
"The shuttle between light conversation and glimpses of the end of days, and between the surface conversations and darker interior monologues, could be jarring, but instead they balance and offset each other. And while all four performers are strong, Bassett in particular grounds the wilder stretches of this play, bringing pragmatism and dark humor even to the most grotesque of her own imaginings, coupled with a cheery obtuseness in the 'real world' sections of the play." Full Review
"Caryl Churchill's brilliant, bizarre, puzzling, horrifying, and strangely sweet 'Escaped Alone' packs the punch of a major dystopia into its lean 55 minutes...The production couldn't be better. All four actresses are wonderful, and Linda Bassett's chummy approach to stories of complete disaster is perfect. Director James Macdonald makes an ideal partner for Churchill in terms of economy, clarity, humorous horror, and brilliance...A concentrated marvel. See it if you can." Full Review
"At 78, Churchill’s inarguably one of Britain’s greatest living playwrights, and this particular work, her newest, is funny, charming, and alarming, encapsulating an impossible amount into its brisk 55-minute running time...Exquisitely acted...It’s worth noting that simply writing a play featuring four women in their seventies without making it about their age is a reasonably subversive political act." Full Review
for a previous production “'Escaped Alone’ covers a lot of ground, but its juxtaposition of afternoon tea and environmental catastrophe proves particularly potent, not to mention wryly funny…As idle conversation, it’s keenly observed — Churchill’s take on talk for talk’s sake…Churchill being Churchill, however, it’s slyer than that…As ever, Churchill writes with power-steering control. Each line earns its keep and each word goes to work…Director James MacDonald matches it for levity and potency." Full Review
for a previous production “It packs an amazing amount into a modest frame…I find Mrs Jarrett’s speeches less effective as they go along...Although they are excellently delivered by Bassett without any coloring of hysteria, the law of diminishing returns sets in. The overwhelming strength of the play lies in its portrait of the women in the garden…This is Churchill at her best, observing with wry compassion how people actually talk. Macdonald’s production also brings pitch-perfect performances from all the women.” Full Review
for a previous production "A compact one-act affair that adds little to Churchill's reputation for stylistic innovation...All the same, this elegant ensemble piece is a charming blend of brevity and levity…Even within its concise running time, ‘Escaped Alone’ drifts a little…‘Escaped Alone’ is a minor late work from a major dramatist, but it still stands out as one of Churchill's funniest plays to date...Its message may be vague and insubstantial, but the all-female cast shares a warm, easy, engaging chemistry." Full Review
for a previous production "I wasn't as enraged watching this as I was ‘Here We Go,’ but I wasn't engaged, either…Even though James Macdonald's precisely orchestrated production is played beautifully by a fine quartet of senior actresses who in addition to Bassett also include the estimable Deborah Findlay, Kiki Markham and June Watson, it's not a full or satisfying theatrical evening. At up to £35 a ticket, I suspect audiences are going to feel short-changed." Full Review
for a previous production “James Macdonald's superb cast beautifully negotiates the shifts between intimate small talk, moments of comically awkward failure to avoid the unmentionable and the bleakly intense passages of private reverie…Churchill's treatment of these women is infused with humor, warmth and precise observation…Churchill jumbles up our fears, fads and the lines we fake between man-made and natural calamity and pushes the result to a point of grotesque absurdity.” Full Review
for a previous production "A menacing, joyous, brilliant return from the enigmatic Caryl Churchill…Whatever you think of it as a complete piece, line by line it’s hard to imagine you’ll come across a more brilliant play this year…The acting is wonderful, as are the characters...What makes ‘Escaped Alone’ a great play is that it is strangely euphoric: spiked with terrible, apocalyptic foreboding, yes, but Churchill’s funniest since ‘Serious Money’, and with an incredible gift for spinning light out of the dark." Full Review
for a previous production "Caryl Churchill certainly keeps you guessing. You never know what's next. She follows her short triptych on mortality, ‘Here We Go,’ with a 55-minute dark black comedy – probably her funniest play to date…It's a joy to watch these actresses at work, and director James Macdonald applies the lightest of touches, so the lines seem to float on the air before crunching you in the stomach." Full Review
for a previous production “The interludes are disquieting but also more than a little absurd, funnier than they have any right to be. They’re delivered by the incomparable Linda Bassett, excellent as ever, a magnetic presence…She’s accompanied by Deborah Findlay, Kika Markham and June Watson, all also superb…The play as a whole is hard to get a grip on, it wriggles, it eels around the stage. But it’s also hypnotic. And kind of comfy. And distinctly odd. And sharp. Like an M&S cardigan with nails embedded in it.” Full Review
for a previous production “This is fantasy intricately wired into current politics. It is intimate and vast. Domestic and wild. And it is a consequence of the marvelous, long-standing collaboration between Churchill and director James Macdonald...It is magnificent Bassett, one of our greatest and least anointed actors, who is the queenpin of the action…And she is bringing us the truth. This is a play that remakes the idea of authority." Full Review
for a previous production "It’s the join between the play’s two halves that is more troubling – both interestingly and frustratingly so...Macdonald’s taut production at once maintains this ambiguity and gestures towards possible links…It’s hard sometimes to fight the suspicion that these are simply two interesting scenarios to riff on, and that the whole is given less attention than its (admittedly intriguing) parts. Nonetheless, 'Escaped Alone' is never less than watchable, thanks in huge part to its fantastic cast." Full Review
See it if After the "absurdist" non-connected dialogue starting off, I found the play very rewarding, if dark, perhaps even bleak. 4 superb perfs.
Don't see it if The joyful surprise was seeing Linda Bassett (Nurse Crane on CALL THE MIDWIFE) in person. I must get the script to read & recall.
See it if you follow Caryl Churchill, enjoy quirky yet serious comedy mixed with dystopian points of view,
Don't see it if you don't enjoy talk of the end of the world or funny but banal talk of four women in a backyard
See it if You're ready for a challenge. It's a super short play that is elliptical and confusing but also funny, moving, and daring.
Don't see it if You have no patience for this sort of thing. If you hate Samuel Beckett's work or want a clean and clear storyline.
See it if You love Caryl Churchill, and don't mind very talky plays with no action that are absurdist
Don't see it if You like plays with a strong narrative and compelling characters
See it if you are a fan of the absurd. This post apocalyptic piece is smooth and polished but can be confusing. Churchill at her best.
Don't see it if stream of conciousness, absurdism is not your cup of tea
See it if you are willing to listen attentively to a beautiful, strange and complex text. You enjoy dark humor and non traditional plays.
Don't see it if you need to make sense of everything in a show; you expect a story-line.
See it if divinely creative, challenging playwriting is important to you; insightful, clever, demanding, subtle, superb actors.
Don't see it if you are looking for an easy well-made play that doesn't ask you to think.
See it if You like Caryl Churchill's suburban/dystopian sensibility, edgy structure, and want to leave the theater trying to figure out what it meant
Don't see it if Want a robust plot with story arc and character development. The depths are shallow. At times the actors' rhythm seemed off.
See it if You love Caryl, obviously. You're willing to grasp joyfully for the text, hope to get as much as possible. It is very dark, and funny too.
Don't see it if You are not willing to work. It is hard to catch the meaning in an hour of sentence fragments in heavy British accent.
See it if u are fan of Caryl Churchill this is up there with her best; u like her mix of puzzling and profound; like theater that takes u 2 new places
Don't see it if you don't like theater that is sometimes confusing, plotless, surreal or if you feel all's right with the world - this playwright does not.
See it if You are looking for a play that mixes visions of an apocalyptic world with more ordinary but still unsettling issues.
Don't see it if You are not ready for a very intense 50 minutes play in which every word counts. Even in its " lighter " moments total attention is required
See it if you like post-apocalyptic looks at humanity; it's really entertaining and thought provoking; excellent acting; but it is only an hour long
Don't see it if you want alot of action and plot; and want more than an hour show.
See it if you want to leave trying to figure out what exactly the author was trying to provoke you to think, think about
Don't see it if If you want a longer play. It's a quick hour or so.
See it if you enjoy dark humor and excellent writing.
Don't see it if you're looking for a show with a large cast, get lost in overlapping dialogue, or prefer feel-good shows.
See it if You like or enjoy explorations in internal dynamics rather than straightforward plot.
Don't see it if You want a play that leads you through the normal developments and dramatic curves. This is out there and thought provoking in the abstract
See it if you like talky, experimental plays; hidden pasts; character breakdowns; Huis Clos; or dire dystopian sketches.
Don't see it if you want a clean narrative or plot; a traditional play structure.
See it if What is this world and the place it may become - a future that we cause or that we deserve? No one is completely honest or sane. Anxiety...
Don't see it if ...rules in this sunny nightmare. But the production is overly stagy, the actors spin out stale roles that do not carry to the balcony. Meh.
See it if You want to see Caryl Churchill's signature dialogue being applied to a confusing and thought-provoking setting.
Don't see it if You want "regular" dialogue. That's not what Caryl Churchill gives you as a playwright.
See it if You are a Caryl fan, like me. A 50min full experience that stays with you well after the end of the show. So much heart in this show.
Don't see it if you have a mindset of having to understand everything. I had to really let this play just wash over me, even when I didn't understand it all
See it if you want to see an outstanding production of a great play. The set is superb and the acting is uniformly excellent.
Don't see it if you like more classical narrative driven plays. There is actually plenty of narrative here but it's all in characters' side remarks rather
See it if You will like a play that is part realist reflection on women's lives lived & part absurdist dystopian exploration. Well acted/well-staged.
Don't see it if You will be put off by strong Brit accents, a 50 minute long performance, or a play that is not easily "understandable" in a literal sense.
See it if You are a diehard Caryl Churchill fan and must see all of her plays.
Don't see it if I didn't understand the play whatsoever, so I can't really say much about it. I just didn't get it.