Good Friday NYC Reviews and Tickets
Show-Score Member Reviews (30)
See it if You want to be bored and confused.
Don't see it if You want to see a well-constructed, focused piece of theater. If you care that The Flea does not compensate their actors. Read more
See it if You want to get into the mind of a school shooter and why they choose to pursue to shoot at random people
Don't see it if You do not like violence or trauma or an intense show. This was very deep and thought provoking
See it if you understand that there are many sides to the #metoo movement and enjoy any exploration of the issues.
Don't see it if no matter how interesting the issues, you can't watch a play with constantly hysterical characters you don't care about.
See it if you are a human being. But seriously, this is a definite must-see if you are looking to be moved, confronted and changed by a show
Don't see it if Just see it! Read more
See it if You want your theater to have a strong message and you want to support women!
Don't see it if You cannot handle intense situations, strong language and violence. You will be immersed in the content of the show.
See it if Today’s social and civil issues matter to you
Don't see it if You are looking for light hearted entertainment. There are moments of levity but the play will leave your mind and heart racing
See it if for the strong performances in this women produced & preformed play about women's issues. Truly stunning!
Don't see it if you have triggering issues with violence which is both discussed and preformed on stage.
See it if You're interested in participating in contemporary theater that challenges you to engage with a number of the most socially pressing matters
Don't see it if You're a Baby Boomer who can't hear actual dialogue when everyone speaking is female...then again this show is most important for you to see
Critic Reviews (7)
"If a drama is really going to get under your skin, it needs to pulse with life. Sherri Eden Barber’s production does that only fitfully...The performances, for the most part, don’t feel firmly rooted...The charged energy that might fill the room with tension simply isn’t there...But as 'Good Friday' edges closer to the case it wants to make — about sexual violence in a patriarchal, misogynistic society that many women are complicit in perpetuating — it teeters between sympathy and absurdity."
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“Colón, wants to say something honest and disturbing about the horrors of campus rape, but her preferred format--a wild-eyed, gun-waving melodrama--does the cause of seriousness no favors...Even these developments are lost in the general hysteria, as characters thrown into a terrifying life-or-death situation are tasked with acting in the most operatic and unbelievable ways...‘Good Friday’ wants to shock the audience; the result is closer to a Roger Corman exploitation film of the 1970s.”
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“A scorching and ingeniously plotted exploration of feminism versus rape culture in the contemporary United States...Playwright Kristiana Rae Colón’s audacious, fierce and gripping topical drama is ultimately a provocative vigilante yarn strewn with off and onstage violence that’s dynamically presented...Superbly performed...Colón boldly contributes to the genre by espousing an imagined militant counterculture solution for the issue of male sexual aggression.”
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"Bookending the experience with two deep breaths provides much needed strength to emotionally handle the harrowing tale that this excellent ensemble brings to life...The Bats serve the play an excellent and terrifying production...The experience is stressful and emotionally exhausting largely because of their exceptionally convincing distress and desperation...'Good Friday' is worthwhile, complex, and will undoubtedly spark necessary and urgent dialogue."
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"By the end of its ninety minutes, 'Good Friday' has presented an uneasy mix of manifesto and mayhem, its bell hooks-like intellectual feminist discourse overshadowed by an awkwardly staged Thelma and Louise violent revenge fantasy...The production is unmistakably a professional work of theater. The design elements work well in tandem. The characters are vividly drawn and well portrayed...Yet the tone of much of 'Good Friday' is fundamentally at odds with the circumstances."
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"The play succeeds constructing the intensity of this life or death event. However, a malady of bloody metaphors mar the credibility of the siege...Colon is an intelligent writer but the messaging gets tangled. The clever projection & sound design amplify shooting casualties, violence and rape on school campuses. I commend the proffered support the cast offers in the lobby for victims of assault."
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“Colón’s new play could not have come at a more imperative time in our culture...Much of the play’s power can be attributed to affecting moments, both big and small - amplified further by its energetic cast...Their performances are perfectly measured, particularly that of DeCrane’s Emme...’Good Friday’ does not claim to have all the answers but instead provokes even more questions than what one started with.”
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