"A phenomenal script by Pete McElligott was brought to life by the talented acting trio of Jeb Kreager, Luis-Daniel Morales, and David Triacca. The play was funny, deep, and disturbing. Charlie lost his wife and Manning lost his daughter. One died instantly. The other died after a long illness. Coffee is spilled and then the hospital catches fire and starts to burn down. Basically, a comedy. A dark one you should not miss." Full Review
"It is a testament both to the writing and direction that the transitions are seamless, switching back and forth so much that at times I wasn't sure whether to laugh, or cry, or both. The progression of events is clever and fast-paced so there is never a dull moment...Morales and Kreager are both incredibly endearing, and their substantial chemistry kept me totally rapt...'In a Little Room' is dark, funny, witty, and most importantly, sincere. I can't recommend it enough." Full Review
“This one's a find…McElligott...has a sharp, original voice, and a way of teasing surprising but believable humor out of tragedy...McElligott is particularly graceful at introducing notes of sadness among the joke-telling...Some salient details go missing...McElligott, though, is a smart, engaging voice we'll want to hear more from, and 'In a Little Room' adds up to 80 of the better minutes you can spend in the East Village right now.” Full Review
"Its hilarious take on what can only be described as one of life’s hardest experiences is not to be missed...The play itself is both clever and witty, serving up laughs from the audience throughout its run. But be warned, 'In a Little Room' will certainly pull at your heartstrings as well...Overall, the play is captivating and presents a truly entertaining piece of theatre...Was I thoroughly entertained? Yes. Have I been thinking about the show since seeing it? Definitely." Full Review
"A delightful new black comedy...McElligott has a knack for turning from tragedy to comedy with just the smallest twist, and director Vassel keeps the overall action seamless...During the morbid one-upmanship, the play turns more surreal by barely perceptible degrees...There’s a bit of straining near the end, but it’s a pleasure to be in the company of a talented dramatist who has embraced comedy as the genre to deal with serious subjects and is so remarkably in control of his talent." Full Review
"The play is well written and finely performed, but perhaps would have been more effective as a one-act rather than a short full-length work...The dialogue is rich, one-liners abound and there are plenty of acute observations that are sidetracked by the high jinks. The characters are dramatically delineated, yielding strong roles for the actors...Though laden with extraneous material that diminishes its impact, 'In a Little Room' is at its core insightful and entertaining." Full Review
“Regrettably, the attention to detail apparent in ‘In a Little Room's’ set extends to few other aspects of this black-as-soot comedy…It's a shame that McElligott goes for cheap laughs instead of digging deeper, because there are grains of wisdom in his script…Thrust between profundity and crassness, the actors try to cope…Also struggling for coherence is Patrick Vassel, the director…‘In a Little Room’ leaves the audience, literally and figuratively, in the dark.” Full Review
See it if You would enjoy an intelligent dialogue-driven performance by a small talented cast in an intimate setting.
Don't see it if You prefer an action driven performance. You dislike plays dealing with subject of death.
Also Great theater! Intimate yet comfortable.
See it if you're ready for a burst of off Broadway brilliance: fresh, insightful, real take on life, death, bonding, wide mood swing, reaction to all
Don't see it if you don't grasp or like rapid dialog, ironically funny sexual and film references, death theme with comic relief, plot twist, Far E. Village
See it if You love dark comedies that are very clever with storytelling. The production is first rate in design, direction and acting! Quickly paced.
Don't see it if You don't like hospital waiting rooms or existential conversations about life and death.
See it if You like dialogue-driven performances by a small group of talented artists. A great meditation on grief with a healthy dose of humor.
Don't see it if You prefer action-driven pieces or don't want to see a show that tackles the subject of death.
See it if you want to see a brilliant, darkly comic show about mortality, grief and regret. Explores the existential with quirky, masterful ease.
Don't see it if you want to believe that life is hunky dory and you don't like shows that deal with death, or the meaning of life.
See it if Small cast, existential plays appeal. Great cast, acting A+, writing A+
Don't see it if Geriatric corpse meteors are upsetting. You're looking for something light - the play is very funny but hardly light fare.
See it if JUST SEE IT ! A great show with the two main characters dealing with recent deaths of a loved one. Thoughtful and humorous, it is a must see
Don't see it if NO REASON NOT TO ! If the subject of death annoys you and making fun of the way people choose to deal with it offends you, then skip this.
See it if you like funny, meditative character pieces that are brilliantly written and masterfully performed.
Don't see it if you want to be uplifted. You may leave the theatre depressed.
See it if you're up for the challenge of seeing death and unspeakable tragedy dealt with in scandalously funny terms. Wonderful performances.
Don't see it if I think it successfully walks the tightrope between glib & poignant on death, grief, and catastrophe, but some won't tolerate the glibness.
See it if You want to see a brilliantly acted and utterly riveting show.
Don't see it if You tend to shy away from theatre in the East Village. (Perhaps you should change that mindset?)
See it if You like well written and acted play that is both funny and thought provoking.
Don't see it if You don't like heavy subjects including death or aren't comfortable with provanity.
See it if want an entertaining and catchy play about life and death. I was caught up in it a few minutes in.
Don't see it if you don't like discussions about things that happen in hospitals.
See it if You want to laugh. You want to cry. You have to want to do both those things, though the crying didn't hit me until the very end.
Don't see it if You don't want to hear about death and meaning (or lack thereof) in life and in grief in a comedy. It's 90 minutes of mostly 2 guys talking.
See it if You're looking to see a play with modern themes in a fresh yet familiar setting.
Don't see it if You can't deal with any discussion of death. It is dealt with in a funny and refreshing fashion, however.
See it if You want your funny bone tickled while you think about the meaning of life and death.
Don't see it if You'll do anything to avoid facing the big existential questions.
See it if the commonplace raised to the profound interests you, humor derived from absurdity of most situations we find ourselves and others in
Don't see it if confrontation with mortality and the thought process itself are against your belief system, you can't recognize humor in the mundane
See it if You want to see a play about two men in a waiting room of a hospital and how they each deal with their grief.
Don't see it if You are not interested in a performance with minimal actors and one actor playing several parts.
See it if you want a fun time thinking about life and death issues. It grabs you by the heart and head and drags you into places you need to go.
Don't see it if you don't like to mix humor with philosophical thoughts on living/dying and all the life that's between these two opposite yet same places.
See it if Two men in a waiting room strike up an amusing conversation. Layers of plot and meaning unfold as the play becomes more serious.
Don't see it if You don't enjoy questions about coping with life and death, mixed with absurdist humor.
Also The Star Wars improv afterward at 10 pm was great too!
Get alerts about your favorite artists and theater companies