Julius Caesar (The Public Theater) NYC Reviews and Tickets
Show-Score Member Reviews (171)
See it if you want to see an easier to digest version of a classic Shakespeare play. This production was bold and relevant for today's audience.
Don't see it if you don't want to see a different Caesar reflected from modern political influences. Especially if you don't want to be reminded of Trump.
See it if you have any interest in current events, certainly, or, better yet, you aren't much of a Shakespeare person but are open to seeing it fresh.
Don't see it if you can't see the forest for the trees or don't understand the concept of a parable. You want to stay as far from politics as possible.
See it if You want to see the hottest ticket in New York, and you watch the news each day with growing dread.
Don't see it if If you're a die-hard partisan of either side of the aisle. Read more
See it if you enjoy fresh takes on classic works; you want to think critically about our current world and how politics never seem to change
Don't see it if you do not want to mix politics and performance; you need a production that feels constantly active
See it if Well-done despite stunt/trump casting brouhaha and annoying hecklers at the production we saw on 6/16. Corey Stoll very good as Brutus.
Don't see it if Bring a seat cushion. Over two hours and no intermission.
See it if you enjoy making Shakespeare exceptionally relevant to today. Also if you like clever send-ups of Trump & Melania.
Don't see it if you like your Shakespeare to be thoroughly explored. And all the actors to understand what they are saying and not just playing "glib". Read more
See it if you want to see a modern take on the classic. It's unreal how accurate it is to current events without changing language.
Don't see it if you don't like interactive theater. Cast members act from the audience often and you might sometimes feel surrounded.
See it if would enjoy an updated to the times version of Julius Caesar
Don't see it if want to see something lighthearted or are trying to escape the every day realities of todays political issues.
Critic Reviews (38)
"The first half...is great, nasty fun, even if it’s preaching to the choir. To the extent there is a problem with the Trumpification of 'Julius Caesar'...it arises in the second half...It is then that we are faced with the ways that Trump and Caesar never properly scanned, and an aftermath in which that confusion breeds more confusion...To be fair, this is a problem built into the play...The fault is not in the stars, as good a group as the Public has assembled in the park in years."
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"The play is not an endorsement of violence; it’s a cautionary tale about its risks...Although the cast delivers Shakespeare’s verse with remarkable lucidity, the characters are secondary; the focus of this production is on political, not personal, tragedy, and it offers a dark vision of the rise of authoritarianism. Yes, the repeated allusions to Trump elicit giggles of recognition at first. But when the smoke clears two hours later, nobody is laughing."
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“In this production, the real tyrant is not Caesar, but its director, Oskar Eustis. He more clearly comes across as ambitious, inconsistent, with little regard for limits, manipulating his audience by playing to popular taste...But what about Shakespeare?…He was exploring the evolving tensions between populism and patrician heritage...Such themes don’t fit easily with Eustis’ grade-school notions. But they are far more intriguing than the tyrannical vision he crudely enforces in their place.”
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"Shakespeare scored contemporary political points by cloaking them in historical allegories. Eustis demands no such imaginative leap...The production is meant to provoke...A very good production whose singular drawback is that it makes no sense...Even given its rough satirical edge, the pleasures and the faults of this production lie not in the stars but in ourselves: It’s a staging for this age, if not the ages."
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"In most Shakespeare productions in the park, mob scenes have to be taken on faith, with the same handful of actors scurrying about trying to look like legions. But this surging Roman mob has real numbers, and its fickle allegiances to one demagogic political figure after another makes it genuinely frightening...The Trump analogy doesn’t hold up once Caesar is assassinated...The instigators of violence are exceptionally well cast and forcefully played."
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"We get the idea immediately, and since it doesn’t go anywhere particularly interesting after that we just as quickly lose interest. Its would-be provocative central conceit notwithstanding, this is a bland, unevenly acted production of Shakespeare’s play whose main virtues are its fast pace and vigorous energy...Further illustrating the production’s lack of subtlety is David Rockwell’s ugly-as-sin set design...A production whose aesthetic gears are grinding too noisily and predictably."
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"Without a doubt worth your time—and not because the allusions to contemporary politics, though compelling, are particularly seditious, or groundbreaking...What feels first-rate here is not so much these editorial-cartoon interludes as the potent handling of the drama’s tragic dimension...The outstanding Stoll and Thompson contribute mightily to the sense of this as one of the best-spoken and liveliest 'Julius Caesars' in recent memory...Best of all is Marvel who lives up to her surname."
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"This staging is far less interested in exploring the psychology of Caesar (or Trump) than it is in examining the inner workings of democracy...Bringing these complicated themes to the public for free is a worthwhile cause...Although the Public’s version isn’t perfect, it’s a worthy attempt to bring Shakespeare’s most deeply democratic work into the present, with a lively, contemplative production."
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