"Edith Wharton’s Old New York milieu is so accurately replicated in the absorbing and richly theatrical drama 'Leisure, Labor, Lust' that it often seems like an adaptation rather than an original work...Farrington realizes her vision with superior artistry...She has the cast of four positioned precisely yet fluidly throughout as they deliver majestic performances. Combined with the accomplished technical elements this all results in a visually and emotionally arresting experience."
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"Interesting subject matter...But unfortunately Farrington brings little new to the table...The gender-blind casting proves less a distraction...than the numerous flashbacks...Farrington's direction has the women often facing out to the audience to deliver their lines, and it's boring. With the men, the habit is less obtrusive, but nonetheless distancing. It's unfortunate she didn't trust someone else to look at the script and give it a better chance for success."
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"Farrington’s smartly crafted exploration of the mores and motives of Edith Wharton’s New York...The three parts of the show, each satisfying on its own, don't entirely feel like they add up to a whole. Each is different in its pacing and performance style...Despite these quirks, the play is a potent examination of how societal constraints and personal weaknesses lead to dishonesty, both with oneself and the people who are closest, and the ripple effect that can have."
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