"It’s perfectly enjoyable as a whimsy-splashed showcase for fresh-faced talent. But the distinctive perversity of the author it riffs upon ultimately eludes the talented creators...Under the direction of Jessica Lazar, the rendering of his stories...brings out their most accessibly theatrical elements...Ms. Rundell has made a few adjustments...Saki’s figures of speech are occasionally tweaked for contemporary ears, not necessarily for the better."
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"The stories resist being dramatized. Many of them are remarkably brief...Under the direction of Jessica Lazar, the company is adept at popping in and out of various characters. There are a few felicitous staging moments...But in general, 'Life According to Saki' works its framing device rather too relentlessly...You may find yourself leaving the theatre further strengthened in the conviction that Saki's humor is best enjoyed on the page."
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"While 'Life According to Saki' is laden with too many riches for one evening, it is a very diverting show with its eccentric and unconventional stories which retain their relevance after all these years. Saki's off-beat humor still seems extremely modern."
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"Playwright Katherine Rundell has a deft touch for coalescing the stories of Saki with the life of Saki...Rundell is aided by the brilliant director Lazar, whose guidance has helped to create a seamlessly connected ensemble with choreographer Addison. Evoking aspects of children’s theater, the cast effortlessly embodies different characters by switching use of a wardrobe piece or prop...Those that love independent theater will be regretful indeed to miss out on this fine production."
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"There’s plenty to admire: imaginative directing, spirited acting, a mesmerizing Bunraku puppet, an anachronistic dig at our new president and moments of wit and pathos...'Saki' is an evening of moments, unable to sustain itself...'Saki' simply overestimates both the framing device and the power these short stories have when translated to the stage...The stories about life back home in England are meant to contrast with the life in the trenches but that is never fully developed."
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"The production’s success sits squarely on the backs of the hard-working performers, who transfer between roles with ease and keep the production consistently delightful to watch...Make no mistake–this is an entertaining show, with constant humor and a lightheartedness that puts a cheery face on horrifying events...If we must be exposed to the darkness in the world–and we must–'Life According to Saki' reminds us to find the light."
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"It's the show's overall inventiveness rather than its contents that make a visit most worth one's while...'Life According to Saki,' which runs only little more than an hour, is best appreciated as a brief introduction to Saki's writings. Still, the stories seem now only of passing interest, they're far from hilarious, and they possess little dramatic weight; in short, there simply isn't enough here worthy of rediscovery."
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"Directed with energetic precision by Jessica Lazar...The talented members of the Atticist troupe (this is its impressive debut production) artfully operate furry and feathered puppets...When not puppeteering, the actors easily take on and cast off gender-swapping roles as they dart from story to story...The whole thing is so very English in both content and style that it may not be every American’s cup of Darjeeling. But this American enjoyed it quite a lot."
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