Off Track (FringeNYC)
Closed 1h 30m
Off Track (FringeNYC)

Off Track (FringeNYC) NYC Reviews and Tickets

(22 Reviews)
Members say
Great acting, Absorbing, Entertaining, Edgy, Thought-provoking

About the Show

Part of FringeNYC: Ian, a Chicago reporter covering an impending transit strike, has a one-night stand who’s found murdered the next morning. So, Ian ventures out to find the killer just as the trains shut down and strand him in a hostile neighborhood.

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Member Reviews (22)

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Clever, Delightful, Edgy, Must see, Hilarious

See it if Enjoy off-Broadway, inexpensive shows, small theatre, talented cast, "Fringe", multi-raced plays, homosexuality, and some line flubs...

Don't see it if Dislike all the above

Ambitious, Entertaining, Funny

See it if you like who-done-its in Chicago

Don't see it if you are homophobic

Critic Reviews (3)

Time Out New York
August 19th, 2016

"There is much to admire in this fast-paced production. Trumbull delivers a nuanced performance full of humor and charm. Moody projections of the Chicago landscape fill the backdrop as recognizable film noir archetypes push the story along...One quibble: The production’s over-shadowy lighting makes it hard to connect with the characters on stage. Even a show that embraces the noir does not need to keep everyone so literally in the dark."
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Theatre is Easy
August 17th, 2016

"An absurd, heartfelt murder mystery that will draw you in and keep you guessing, even after you leave the theater…It plays off of a lot of noir tropes, and provides a few laughs along the way as characters subvert genre expectations…I walked out vaguely aware that there was something I was supposed to learn from this cautionary tale, but also baffled as to what it was…Definitely worth seeing if you're at all interested in a contemporary twist on one of the oldest kinds of stories."
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August 19th, 2016

"'Off Track' circumlocutes several important issues without raising one deep, rich, enduring question about any of them. This failure on the part of a playwright is unfortunate and unfair not only to an audience but to the show’s actors that have to struggle to make sense of a play...The playwright has chosen to introduce characters he abandons on page and on stage as underdeveloped stock characters without convincing or interesting conflicts."
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