"Marin Ireland is armed only with Martín Zimmerman's text and her own formidable talent, but it's enough to leave us thoroughly shaken...I won't swear that, without an actress as fiercely committed as Ireland, 'On the Exhale' might not seem rather melodramatic, but Zimmerman has a poet's touch...The director, Leigh Silverman, keeps a firm hand on the proceedings, never letting the experience become exploitative...It is the most harrowing sixty minutes in New York at the moment." Full Review
“For the first few minutes of this extraordinary play, Marin Ireland rushes through the text and uses some old saws of expression that feel like leftovers from other productions. Luckily this does not last long, and soon Ms. Ireland is not only in full control, she has chosen a direction to take and is unhesitant about leading us to her destination...Where writer Martín Zimmerman and director by Leigh Silverman guide the story has a depth and stunning resonance.” Full Review
“The mother in ‘On the Exhale’ is played by the brilliant Marin Ireland, who, under Leigh Silverman's delicate direction, has never been better…Ireland so persuasively conveys the mother's grief that there were moments when I literally shook with the sorrow and the rage that having a beloved so savagely ripped away would arouse. It's not that I didn't know intellectually what the horror of such an experience might be but ‘On the Exhale’ made me feel it.” Full Review
"A remarkable one-hour, one-woman monologue by the enchanting actress Marin Ireland inspired by the heinous school shooting at the Sandy Hook Elementary School in Connecticut. The subject has been explored before, but never with this much emotional power. It’s a one-hour session in electroshock therapy without leaving your seat...'On the Exhale' is a shattering experience in the presence of a cogent, captivating actress who deserves a bigger audience." Full Review
"Zimmerman’s powerful show about a woman devastated by the most tragic gun violence hits every emotion of fear, tragedy, loss, and revenge. But it never becomes predictable and offers enough twists to keep you constantly riveted...Though the language tries to be detached, Ireland is deeply engaged in every word, motion, and emotion. Ireland is emerging as one of our great character actresses...Ireland is captivating and has all the power she needs—with or without a gun." Full Review
"Dealing with the issue of gun violence in America in compelling fashion, ‘On the Exhale’ never feels like it’s preaching to the choir...Maintaining a relentless tension without lapsing into histrionics or melodrama, ‘On the Exhale’ makes its points succinctly and intelligently. Ireland, one of New York theater's most invaluable performers, delivers superb work that is all the more affecting for its carefully calibrated restraint. Silverman’s direction of the piece is similarly understated.” Full Review
"Marin Ireland, one of our most talented stage actors, seems incapable of giving a less than compelling performance...While the acting is impeccable, the material seemed a bit formulaic. During the last 15 minutes, the play took what I felt was a wrong turn that undermined some of its force...Leigh Silverman’s unfussy direction is assured. It’s only an hour long, but it’s a very intense hour." Full Review
"This uncomfortable but important topic is made palatable by a wonderful team comprised of actor Marin Ireland, playwright Martín Zimmerman, and director Leigh Silverman, who brilliantly present the nuances of a woman going through something unimaginable...Directed with a light touch by Silverman, 'On The Exhale' has an intimacy that feels more like a therapy session than a play. The drama is there but Ireland doesn’t play it up." Full Review
"Composed in a lucid style by Martín Zimmerman and unobtrusively directed by Leigh Silverman, the material is sometimes too lumbering in convincing us of the professor’s 180-turn towards gun nuttery...But New York stage veteran Ireland gives a characteristically live-wire, throttling performance...There are a few moments during the final stretch of 'On the Exhale' where she turns so unnerving and unpredictable that we don’t know what to expect." Full Review
"As directed with characteristic sensitivity by the ever-busy Leigh Silverman, ‘On the Exhale’ provides a welcome opportunity to see an artist of Ms. Ireland’s caliber take a character through the stages of grief…It’s a brave and bold premise for a play. And if ‘On the Exhale’ never quite fulfills its potential to unsettle, it’s because Mr. Zimmerman’s authorial hand is too much in evidence — meticulously setting up the back story and balancing patterns of imagery." Full Review
"As a moral construct, 'On the Exhale' has weight, but as a play, it falters. Zimmerman is skilled: he shows a cinematic attention to detail and has a clever way of using storytelling techniques to shift focus and keep us disoriented. But ultimately, the characterization rings false...Ireland's thrumming voice makes the short-story-cum-soliloquy slip through our defenses despite its unlikelihoods...It might not be till later that you realize how the text was so wide of its mark." Full Review
"Ireland is superb; she's a fastidiously intelligent actress, and that intelligence, so right for this professor, stands in captivating contrast to the visceral warmth that emerges when she takes life and death quite literally into her own hands...This fusion of acting, direction, and writing is 'On the Exhale' at its best, because it levels out a piece that is otherwise rocky...Well-meaning but well-worn pabulum." Full Review
"Zimmerman's decision to indulge in formal gimmickry keeps the play from ever hitting the bull's-eye...We don't get the sense that the stakes are life-or-death...We are always acutely aware that she is reciting poetry. This problem is compounded by Leigh Silverman's stripped-down production...There are moments of simmering intensity…Sadly, ‘On the Exhale’ always takes a breath and backs off the ledge. The result is a drama that feels safe and unmemorable." Full Review
See it if you like serious drama. Ireland is absolutely brilliant in this important piece of theatre. Now, more than ever, we need to hear this.
Don't see it if you only like big brassy musicals and hate anything that touches you and makes you think.
See it if you want to be moved by one of the best written/performed solo works I've ever seen! Astonishing all around.
Don't see it if you are looking for a big spectacle. It is extremely intimate and intense.
See it if You've never liked a one-performer show. This will be the one that wins you over - it did for me. If you're pro-guns - you'll be challenged.
Don't see it if You are going to the theatre for a fun, light hearted night out. This show has heavy content.
See it if You want your theatre to transport you and show you perspectives you've never known or felt, even if it hurts, disturbs and shocks you.
Don't see it if you want a comedy, prefer to escape from the news versus confront emotional and political lightning rods, or if you dislike one person shows
See it if if you want to see a well written one person play beautifully crafted
Don't see it if if you aren't a fan of one person plays and have issues with gun control and violence as subject of plays
See it if I wouldn't change a thing - this is monologue writing and perf at its very best. Writing is Pulitzer-worthy & Marin takes us on a wild ride
Don't see it if you're the quintessential NRA enthusiast.
See it if Do! This compelling solo piece lulls & plants you, powerfully, vividly into the arena of gun violence. Transformative, poignant experience.
Don't see it if grief for gun violence victims fresh. Who should not be exempt: members of Congress & all w/ means to work toward eradicating gun violence.
See it if you want a totally immersive and thought provoking hour of theatre. Marin Ireland does an incredible job and the writing is beautiful.
Don't see it if you don't think you can handle a show about gun violence
See it if you want to see an intense, powerful performance; you want to explore a difficult subject and its resulting emotions; you want to think.
Don't see it if the subject matter is triggering for you, or if you don't enjoy watching just one actor and no props; you want something light and happy.
See it if you like one-person shows and aren't afraid to explore heavy topics. The performance was amazing.
Don't see it if You are looking for something lighthearted and silly.
See it if you like intense, no-frills, raw theater that deals with current sensitive issues and you like great acting. Marin Ireland never disappoints
Don't see it if You hate one-person shows or are sensitive about issues of gun violence.
See it if You would like to be challenged emotionally and intellectually; if you are open to alternative theater forms (one-woman, one-hour monologue)
Don't see it if You are sensitive to topics of gun violence, death; you do not condone criticism of gun licensing laws
See it if You love one woman shows or if you're interested in the topic of gun violence
Don't see it if The idea of gun violence is triggering to you or if you want a more traditional theatre going experience
See it if a heartrending one-woman tour de force appeals to you. Marin Ireland is indescribably sublime in a performance that will stay with you.
Don't see it if you died that day. I can't think of another valid reason not to see this.
See it if you can enjoy a one woman monologue about the effects of gun violence in her life. This is a passionate and disturbing piece of theater.
Don't see it if you totally dislike one-actor shows; you strongly believe that all gun ownership is a Constitutional right, no matter what the consequences
See it if you like one person monologues. The story draws you in and spits you out. Marin Ireland is wonderful.
Don't see it if You probably should se this both for the actor's work and the story
Get alerts about your favorite artists and theater companies