"The piece is pure genius, unfurling with the the utmost grace, wit, and intelligence (I loved the show’s endless parade of visual and audio gags!). Indeed, the performance I attended exuded whimsical good humor and was a joy to partake in. Technically and aesthetically, the show is a marvel. The amount of detail that went into creating this out-of-the-box experience is nothing short of astonishing...I don’t think I’ve seen anything like it." Full Review
"The everyday becomes enthralling in 'Say Something Bunny!,' a surprising new show that discovers compelling mysteries where the most intrepid sleuths wouldn’t expect to find them...A highly entertaining performance that takes the audience on her journey. It provides the thrill of storytelling with all the excitement of a mystery...The audience slowly feels the emotional force of Kobayashi’s work and inevitably begins to care about the Newburges." Full Review
“A suburban family invites the neighbors to dinner...It sounds punishingly ordinary. It is. It is also an out-and-out thrill...Ms. Kobayashi’s tender obsession is as catching as the chickenpox, and if the piece is forthrightly funny and briefly pornographic, it is also sneakily moving...'Say Something Bunny!' is about more than the particulars. It’s a low-key ontological thriller about how we live and what we leave and how we account for ourselves when some kid comes at us with a microphone.” Full Review
“Captivating...It feels more like an experience than a performance. It is unique and very, very, very cool!...Projected videos and personal phone-sized digital screens enhance Alison's performance perfectly...'Say Something Bunny!' is funny and delightful. This is thanks, in part, to Alison's earnest and incredibly charming performance. This is the future of art. The kind of really-well-done avant garde theater that gets the attention of the nominating committees.” Full Review
"The captivating Kobayashi happens also to be a time traveler and shapeshifter, who literally plays the part of every person who touches the Newburge family’s narrative, however briefly...The experience is surreal and feels completely original...These typical, ordinary lives of the Newburge family feel extraordinarily real. Because it’s 1952 again and we are all piled inside in a cozy little house in Windmere, a place brightly lit and filled with love and warmth and music and cake." Full Review
"One of the oddest and most captivating entertainments of the new season...Kobayashi's warm, sympathetic presence draws the audience in...Working together, she and her team have conjured -- almost out of thin air -- a one-of-a-kind performance piece that speaks volumes about families, changing times, and middle-class life in America in its post-World War II heyday." Full Review
“I was particularly taken by ‘Say Something Bunny!’…Not only visually appealing, but it's also gentle, smart, and warm. It simultaneously paints a vivid portrait of a family and brilliantly reflects the artist's obsession with—even love for—said family, which she has partly and painstakingly documented, and partly invented…It is an impressive, extraordinarily well-researched and executed piece, that manages as well to be deeply touching and quite funny…An amazing accomplishment.” Full Review
"The personalization of the experience caused the line between performer and spectator to blur to such an extreme degree that I almost forgot where I was. I've never experienced a feeling quite like that before, and it's all thanks to Kobayashi's gentle demeanor and dedication to finding the truth...While you might not have seen theater like this before, once you start listening, you can't get enough of the story that unfolds." Full Review
"Kobayashi marshals an ethnographer’s appreciation for cultural and historical context, a genealogist’s relish for placing relations on a family tree, a private investigator’s instincts to follow any lead and connect all the dots, and a storyteller’s flair for filling in the empty spaces. But it also says something about her capacity for empathy. This isn’t just a project to her; it’s a family’s lives she is holding in her hands." Full Review
“The play unspools unhurriedly, leaving space for Kobayashi to make jokes, play short films and highlight points of historical interest. It takes a while for it to sink in that—of course—many of these vibrant people must be long dead. The experience of ‘Say Something Bunny!’ is light, sweet, funny and dear. But Kobayashi’s deep humanism has a way of moving you, even days later. She sifts through the details of strangers’ lives, a prospector who knows that the sand itself is precious.” Full Review
"'Say Something Bunny!' sits comfortably at the juncture of historical research, fiction, documentary, and performance art...Kobayashi’s success turns on both her extensive, iterative approach to her research as well as her charismatic ability to commit herself completely to reenactments of dozens of characters from the audio...Her performance infuses new life into what otherwise might be an easily overlooked piece of personal ephemera that gets thrown out in the trash." Full Review
for a previous production “A multigenerational yarn of Rothian heights…Throughout the installation, Kobayashi renders the facts that define the lives of these idiosyncratic cast of characters, who are deeply felt and most remarkably, close and real...Even without the content, the presentation alone would be compelling...She herself describes the project as being informed by 'amateur historical research.' But with those imperfections she brings humanity and life to her subjects." Full Review
for a previous production “‘Say Something Bunny!’ digs deep into the early 1950s through recordings of a Jewish family from Long Island that a friend unearthed at a New York City estate sale…The project is a work of profound empathy, lending meaning and drama to ordinary lives and inviting us to join the artist in inhabiting people from another time and culture.” Full Review
See it if you like performance art. I loved the real history Kobayashi uncovered from sleuthing. The depth of detail and presentation were very orig.
Don't see it if you like short, & no reading. In the 2nd act, we skipped some pages, I felt like a kid at a Seder being allowed to skip ahead! Needs a trim.
See it if you are up for a truly unique theatrical experience
Don't see it if you can't with non-traditional narrative structures; you don't really go in for non-narrative documentaries
See it if You are interested in a completely different intimate immersive theatre-like experience. No active participation required.
Don't see it if You do not have an open mind and are interested in only traditional theatre.
See it if you're willing to be patient; the impact of SSB! builds slowly; it made me think about family and personal history in a whole new way
Don't see it if you're unwilling to play along, try something new; this is not a play, it's more of a detective-documentary-workshop-thoughtstarter
See it if you're up for something completely different; you enjoy sleuthing; you like mysteries; you enjoy multimedia pieces.
Don't see it if you like traditional fare; you want to be in a real theater; the idea of reading along for the entire evening does not appeal to you.
See it if you like unique and original theatrical experiences. You enjoy learning about ordinary people's lives.
Don't see it if you prefer more traditional theater. You don't like intimate and immersive experiences (although there is no audience participation).
See it if you’re a fan of verité documentaries or experimental theatre, or love the idea that everyone has a story to tell. This will stay with me.
Don't see it if you can’t do experimental works or can’t read well (there’s a lot of reading involved).
See it if you like Americana, history, & storytelling. An intimate setting of 20 people being told a fascinating, personal story of an unknown family.
Don't see it if you like toe-tapping spectacle or big idea plays. This is a brief glimpse of a moment in time thru the lens of the woman who discovered it.
See it if multi-media story about people whose voices are on 1950's wire recordings, how their identities became known, their touching stories
Don't see it if uncomfortable with 4th wall broken - don't want multi-disciplinary performance art, want to sit in a standard theater and not around a table
See it if you can enjoy the minutia of lives lived and wonder at the actors ability to research in a way that you will probably never see again.
Don't see it if you need a structured story with multiple actors.
See it if you want a truly unique evening of theatrical entertainment that is sure to move you - I've never seen anything like it, long may it run!
Don't see it if you only want 'traditional' theatre, this is very different. Some hard hitting moments, but only because it is so real.
See it if you always wanted to be a PI. Every moment of the 2 1/2 hours is guided by the appealing, talented Kobayashi who makes the tapes come alive.
Don't see it if you want lots of insight. The tapes aren't extraordinary, but do seal-in-amber the '50s. AK's devotion to unlocking mysteries is infectious.
See it if Delving into two old recordings transports us to the past and celebrates the richness of life. Unique take on family, time and mortality.
Don't see it if You aren't interested in multimedia nonfiction performance art. You don't have the patience for a 2 1/2 hour experience.
See it if you're interested in documentary theatre; in the ways in which personal and cultural detritus both define and obscure our identities
Don't see it if you want a traditional play or even typical documentary theatre; this is a sui generis piece that owes more to performance art than theatre
See it if you’re into museum studies and how historians/researchers investigate historical accounts through primary sources; you like nonfiction
Don't see it if you aren’t interested in eavesdropping on 1950’s NY Jewish families; you don’t glean inferences from overheard conversations
See it if You delight in watching mysteries unfold right before your eyes. What a fascinating journey! Don't miss this - utterly original, delightful!
Don't see it if You want a traditional theater experience. Having said that, go see this show anyway! You'll be glad you did!
See it if you're open to a completely unique, painstakingly researched, funny and humanizing performance, up close and personal.
Don't see it if you're not interested in complicated New York-centric family histories.
See it if You want a completely original performance piece. Like being a part of a live unfolding documentary. So good. So original.
Don't see it if You are looking for a play or musical. This is not that. If you don't like performance shows.
See it if you want to have a unique experience in the theatre. Kobayashi investigates a Jewish family in the 1950's, and slowly reveals their history
Don't see it if you don't like intelligent or unusual theatre.
See it if the process of obsession evolving into theater allows you move beyond your comfort zone into this unique experience. A world made from sound
Don't see it if you are expecting a well made play on a proscenium stage.
See it if You are up for something very non-playlike. The creator has been fixated on peculiar evidence, spent years researching, and presented it.
Don't see it if You are not open to work out of the normal parameters. But, hey, loosen up. You may not love it, but it is fascinating in its own way.
See it if You are interested in families, nostalgia, history, genealogical research, detective work, etc.
Don't see it if You want big Broadway production values. This is an intimate show (only 24 people in the audience!).
See it if You like going into a show not knowing what to expect. Very unique, very absorbing, very winning show.
Don't see it if You are looking for something more run-of-the-mill--this is a really unique experience.
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