Sleep No More NYC Reviews and Tickets

“Sleep No More” is, in short, a voyeur’s delight, with all the creepy, shameful pleasures that entails. As conceived by Punchdrunk, this tale of regicide taps the same impulses that draw us to Agatha Christie mysteries and sensational tabloids, flavored with the snob appeal of biographies of self-destructive aristocrats."
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"A multitude of searing sights crowd the spectator's gaze at the bedazzling and uncanny theater installation Sleep No More...A true astonishment, turning six warehouse floors into a purgatorial maze that blends images from the Scottish play with ones derived from Hitchcock movies—all liberally doused in a distinctly Stanley Kubrick eau de dislocated menace."
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"What in Hecate’s name is Sleep No More? A dance-theater horror show? A wordless, nonlinear mash-up of Macbeth and the darker psychosexual corners of Hitchcock? A six-story Jazz Age haunted house for grown-ups and anyone who’s ever entertained sick cineast-y fantasies of living inside a Kubrick movie? ’Tis all these, and more besides. It was a lovely evening in hell, one I’ll be recovering from for some time."  
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"I felt that the primary impulse was to make theatre matter, to have an over-all emotional effect, in which décor and dance are equal to the dramaturgy, as in eighteenth-century operas...Does this mean that, if one forgets moments of the piece in this doomed party atmosphere, it’s superficial? Yes. Does this mean that the profound role the piece plays in altering one’s consciousness makes it a deep work, too? Yes."
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"This isn’t faddish hipster ephemera. Far from it. Chances are, you’ll walk away from “Sleep No More” obsessing over its myriad details, chewing over your peculiarly intoxicating trip in a way no traditional theatergoing can match. Punchdrunk stakes its art on an ancient, even primitive premise: There is no source of storytelling as powerful as the human body."
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"Ambition is the fatal flaw in "Macbeth," but it's the key to the success of "Sleep No More," a sensational interactive theater piece inspired by imagery from the Scottish play and Alfred Hitchcock thrillers."
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"Bring an open mind, a healthy curiosity, and perhaps a decent working knowledge of Shakespeare's Macbeth, and you will have a fascinating time at Sleep No More, the simply astonishing environmental theater piece now playing in Chelsea. Theatergoers will find themselves wanting to return to the McKittrick time and again to dive into this deliciously eerie experience."
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"There are two distinct parts of 'Sleep No More': the physical production, and the personal experience, and both are apt reasons to attend...'Sleep No More' is full of surprise revelation and poignant moments; what makes it unique for a theatrical piece is both the ability for these moments to come even when actors are nowhere to be seen, and the intense level of absorption that occurs during the experience."
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"It is an engaging if dizzying mix of design, dance and drama...The production depends on theatergoers’ prior knowledge of the Scottish play, generally a good bet, although the more recently someone has read it (or seen a straightforward production of it), the more the disparate images and chaotic moments of 'Sleep No More' will cohere."
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"The experience of this production is just like a nightmare: detailed, hard to convey in words, elusive, weirdly logical somehow. Even when you don’t enjoy it, you relish the experience...It all reminded me of the Tower of Terror at Disneyworld. I mean that as a compliment...When it works, it’s exhilarating. But, like a roller coaster, it has some duller patches, and it’s not for the physically weak...I’d get on line for this ride again. And there’s more to explore in this nightmare."
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"'Sleep No More' isn’t for everyone...But for years people have found the experience fun and exhilarating, and word of mouth has encouraged others to try out 'Sleep No More' for themselves. So if you’re up for a little adventure or your curiosity has been piqued, then put on your comfy shoes and check it out."
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"Rarely have I seen a more money-grabbing show, which has wowed New York's critics, but left me feeling short-changed...How on earth can a company charge such high prices for a show you cannot hope to appreciate fully in one, two or even three sittings? The numbers just don't add up. Except in the box office. And at the bar. Oh, and in that gift shop."
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"In "Sleep No More," Shakespeare's “Macbeth” is transformed into a 1940s noir nightmare. This is not a play you sit and watch. Spectators at "Sleep No More" are given white masks to cover their faces, instructed to keep silent, and then set loose into the maze for up to three hours. How long you stay, where you go, and what you see is entirely up to you."
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"My heart raced the entire time; I felt nervous and exhilarated...There's so much more to say about Sleep No More, but I don't know how to say it without clumsily stumbling over the experience for someone else. All I can say is that you should go, and if you do: be bold. And if someone makes eye contact with you, hold it."
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"Hidden in New York City is the best live performance show in town and that show is Sleep No More, which is way off Broadway and way, way out of the box.Sleep No More is a show that stays with you long after its over...If living theater is your cup of tea, then Sleep No More is good to the last drop."
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"It’s tough to feel any sense of reward, or accomplishment, or even emotional gratification from your actions. Maybe I’m just not smart enough for an experience like Sleep No More, but my time at the show was confusing and frustrating. I came craving a story and left with nothing but flashy fragments and uncomfortable moments."
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