Spill NYC Reviews and Tickets

"An impassioned and overloaded documentary drama...Zealously researched and intellectually rangy, it reckons with tragedies both human and environmental...At times 'Spill' is vital theater...But the subject of 'Spill' often seems too big for the stage...Its onslaught of detail and evidence swamps narrative control...Provocative ideas surface and dissolve...This factual assault can make you crave some other medium, like an article or a podcast, which could be absorbed at a less hectic pace."
Read more

"A timely piece of documentary theater...Considering how much information it must deliver, 'Spill' moves at a compelling pace, buoyed by versatile actors....Anecdotes, paired with macro-level musings on the romance of the oil industry and the ecological toll the spill took, combine to create a prismatic view of an all-too-real, man-made horror story. 'Spill' does what art does best in these politically fraught times: putting a human face on a complex issue, making it impossible to look away."
Read more

"While the effort to include a variety of perspectives is admirable, the result is a bit too much information...Although the descriptions are intermittently devastating and the explosion's reenactment is powerful, the overgenerous documentation weighs down the drama...Exacerbating the script's excess is the shortage of actors relative to the number of roles...Despite such shortcomings, 'Spill' still gets across a sense of the human lives upended by the Deepwater disaster."
Read more

“Too often, the script bogs down in details as characters step forward to deliver big dollops of data…‘Spill’ has its moments of power, but watching it, I couldn't help feeling that this terrible and important story would be better served as a documentary film, book, or long-form magazine article. There is much here that appalls, which should never be forgotten, but the artists involved haven't managed the alchemical trick of turning it into compelling theatre.”
Read more

"The first act is spent telling us about the 11 who died that day...This goes on and on and on. There is no tension, no pressure on stage as the talk continues about the pressure and tension on the rig...It is the second part of the evening, the aftermath of the explosion, where secrets are told and stories unfold that are new and touching...The ensemble is, simply put, wonderful. They cruise from character to character, moment to moment with clockwork precision."
Read more

"'Spill’s' outstanding cast, ill-boding sound and inventive staging upon a simple, scenic design succeed in cracking the artifice of theater by cramming the audience into the Deepwater Horizon...This documentary, verbatim-style play gets to the human core of a tragedy and the everyday struggles of people who have little option but to rely on the work opportunities that their habitat provides."
Read more

"It’s a deeply powerful ensemble piece, written and directed by Leigh Fondakowski with an exacting attention to scientific detail without losing one bit of humanity along the way...Fondakowski has a way of keeping us fully engaged emotionally at every moment of this well-tuned play as she dissects what happened that fateful day...I would be hard-pressed to single out anyone from this stellar cast as all give us fully formed, emotionally rich characters."
Read more

"A riveting, devastatingly real drama...Under Ms. Fondakowski’s brilliant direction...they all give layered heartfelt and moving performances. This is a true ensemble production...'Spill' is a must-see in this political climate. It speaks to what can happen again if we do not pay attention to Mother Earth...In leaving 'Spill' I was left bereft with a renewed sense that we need to revisit history before there is nothing left."
Read more

“The ensemble enacting these events in multiple roles are all equally excellent…Fondakowski’s script is a wealth of detail and technical knowledge, clearly conveyed to a neophyte audience...‘Spill’ is an urgent, accomplished piece of theatre. It is not a call to action or cri de coeur. It is much calmer and narratively stealthier than that. But if you leave feeling both desperately sad and outraged, then it has done its bleak, brilliant job.”
Read more

“The piece, which feels long and unwieldy, still struggles with the inherent lack of surprise…There is some visual poetry in the theater, but a political piece like this also needs more verbal poetry — more shaping of the disparate amounts of factual material that has been discovered. It all feels at the moment like the metaphoric key has yet to be found. There are some fine performers on the stage…But not everybody has the text down , lending the sense that the show still is in development."
Read more

“Fondakowski's play aims to accomplish what great theater should: the interweaving of the personal and political. The play shows the human side of a widely publicized issue that audiences may previously have held at a distance…‘Spill’ would benefit from drilling down even further on the humanity in this story and excising some of the more technical and expositional material that accompanies it. And, certainly, the play could stand to trim its overall run time, too."
Read more

“Fondakowski makes a pointed effort to humanize the event, constructing most of the first act from interviews with the families of those BP and Transocean employees killed in the rig’s destruction, as well as those workers who survived. After the intermission, ‘Spill’ traverses more familiar waters, hitting on relief efforts and after-the-fact blame-placing. But she still uncovers interesting, under-reported nuances…It’s that kind of uncontainable spillover that makes ‘Spill’ compelling.”
Read more

“A vital retelling of the fiasco…150 thrilling minutes of action, analysis and accusation…Fondakowski has assembled a devastating evening of heart-wrenching and mind-boggling witnessing…It paints a chilling cumulative portrait of technological hubris getting a vicious blowback from a violated environment…Nine actors spill their souls as they bring to life the deaths of 11 oil-industry workers on this Macondo rig from hell.”
Read more

“Fondakowski applies the rigorous methodology of ‘The Laramie Project’ to this complex play that seeks to define the true value of human life…Of all her notable gifts, Fondakowski’s skills as an editor and arranger are most present here…As a work of socially conscientious art, ‘Spill’ marks the delicate balance between making a living, being alive and life as we know it. A great tragedy, Fondakowski makes one thing painfully clear: this is more than a play. It is an ongoing reality."
Read more