“It’s not just the confused protagonist Adrienne who can’t make up her mind. The play itself, after nearly three years of development, extensive reworking, and rewrites, suffers from the same plight of indecision…The show works best in its fast-paced funny opening scenes…Block’s theme becomes redundant and the style of the piece increasingly inconsistent. At present, ‘Sub-Basement’ is still in need of some revision and a clear decision as to what it wants to be.” Full Review
"Great for anyone looking for something a little less linear and a lot more offbeat than the more common fare. Tom Block engages with some lofty themes and mind-bending questions in this comedic epic...The play pulls no punches in its overt theatricality...The cast is immensely talented...All of the aspects of director Bird’s production come together nicely...'Sub-Basement' is a play that will not only make you think, but give you something beautiful to see as you do." Full Review
“In a great, cozy, even intimate setting at IRT Theater, the cast of Tom Block’s ‘Sub-Basement’ dazzled the audience with his superb writing and Hunter Bird’s direction. The story of ‘Adrienne,’ her career, romances and psyche as she interacted with three male characters, is performed in beautiful fashion by Veronique Ory…The men also deliver excellent performances. ‘Sub-Basement’ is another great production of Athena Theatre.” Full Review
"Although the play is set in the present day, it had a very post-modern, Brechtian tone...I understood Adrienne's motivation for her journey, but the play lacked the explanation as to why the two homeless characters, Gustav and Arnaud, were helping her...All four actors brought impressive commitment through some rocky plot points. Luckily, I left the theatre pondering the overarching themes rather than finding fault in plot holes." Full Review
See it if you're interested in experimental theatre and want to contemplate.the sacrifices we make when we choose between individuality or fitting in.
Don't see it if you prefer a more traditional approach to theatre and are not interested in the avant-garfe or Samuel Beckett style productions
See it if If you enjoy pathos, absurdity and humor all at the same time, enjoy seeing ambitious works
Don't see it if If you enjoy big stage productions or prefer your entertainment to be more realistic
See it if You want to watch it 5 times before it makes sense. If you like dramas that try so hard to be esoteric, they lose their point in the process
Don't see it if Wasting your time will infuriate you and your friends so much you can't piece together what happened in the play.
See it if The first half was filled with off beat comedy and interesting character interactions that left me smiling.
Don't see it if The second part was confused and unclear and left me wondering how Much longer it could go on for.
See it if you're still under the impression that absurdism is/can be contemporary.
Don't see it if you're frustrated by contemporary adaptations of outdated forms (absurdism) that add nothing new to the conversation.
See it if you like very experimental, disjointed plays. It's a very non-linear play and it needs a lot of work.
Don't see it if you like good theatre. The direction is awful and I found the acting to be forced. Several times the actors seemed not to know their lines.
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