Set in a rural hamlet in County Monaghan, Ireland, this world premiere is a story of secrets and atonement. More…
'The Naturalists' follows the story of Francis and Billy Sloane, whose isolated existence is shaken by the arrival of the mysterious Josie. It explores how we can be healed by the land, by each other and, maybe, by the perfect stranger.
"Much of the finesse of Jaki McCarrick’s script is in the loaded, telling silences her characters share. I would argue the first act is indulgently long, but I wouldn’t trim the silences...This is fresh and authentic theater. The direction is deft. The characters capture you quickly; you never doubt them. The script is a glimpse of a moment fraught with all the breakage engendered in the Troubles before, all the specific damage visited on these four people, and all the slim hopes of redemption." Full Review
"Act I of McCarrick’s play consists of arresting, occasionally cryptic, conversation that combines astute characterization and languorous exposition. The playwright’s accomplished dialogue affords glimpses of the three principals’ unconscious motivations and their degrees of emotional damage...This fledgling troupe...is giving McCarrick’s drama a superb world premiere. The cast—a near-perfect ensemble in the first act—works together like the strings and bow of a virtuoso’s violin." Full Review
McCarrick's world premiere play is bursting with love and light...and hilarious dark comedy...‘The Naturalists’ is about being open-minded and diligent in pursuit of love and redemption...It's also very funny...Rarely is nature's power to heal and draw people together so well-represented onstage, and with such humor—a real triumph for the cast, writer, and director. ‘The Naturalists’ is sure to remind you of something you'd forgotten about selfless love for folks around you, and the planet.” Full Review
"Fascinating play...Co-directed by Colleen Clinton and Lily Dorment, a lovely swing between former terrorist Francis’ poetic appreciation of the nature that surrounds them and Billy’s cruder cooking is immediately set up...The play is tender, gentle and appreciative of nature. The lilt of the Irish dialect captures the mood of the story and makes the dramatic evening both powerful and beautiful." Full Review
"A compelling look at how one’s 'secret' past can suddenly and unexpectedly encroach on the present and delay one’s progress into the future...The ensemble cast of 'The Naturalists' work brilliantly together to explore these dynamic characters whose engaging conflicts could not be more relevant...If directors Colleen Clinton and Lily Dorment could modify the convention of the scene changes, the action of the play would move more quickly without sacrificing any substance." Full Review
"The play is striking for its naturalism. Ms. McCarrick’s characters, especially as performed by this outstanding, all-Irish born leading trio, are painfully real and captivating to observe...You won’t find a better acted suite of scenes on any New York stage than the ones here...A tad long-winded and plagued by jarring scene-change music choices that are far too obvious and incongruous as a score, these faults fade in consideration of the fine performances throughout." Full Review
"The play is an earthy depiction of a small group of individuals living on the edge of society...Most of the first act is spent in chatting, not going anywhere special. The two-hour show could profit by a little judicious cutting. But later, another man enters the picture and livens up the doings...The performances are quite good...Lovers of Irish theater and down-to-earth naturalism should like this one." Full Review
“McCarrick's play builds ambience with every word. The characters are definitive and haunted. When they share secrets or observations, it's just enough to feel satisfying yet realistic. The plot gets slightly muddied in the middle, but...no moment feels out of place...The performers feed off of the rich text, bringing to life characters who are at once charming yet natural...‘The Naturalists’ is both quiet and loud, a lovely tale of making peace.” Full Review
"'The Naturalists' is a play that takes its time, in ways that are more and less successful. It’s also a play about time and about how change can happen very slowly and then very quickly...This is theater and we know this idyll can’t last. The anticipation of the crisis is agonizing...But the play and its desultory rhythms are a gift to its actors...The way each of them sustains the others is a thing as beautiful as any of Francis’s redwoods or violets." Full Review
"A well-crafted family drama...The potential for an explosively gripping show is present, with a strong script and compelling performances, but in this particular performance, the direction felt slack...The stakes that playwright Jaki McCarrick has built into the script are high and tangible, and though the acting by the strong ensemble is formidable, the production tends to lack a luster that seems to be bubbling just below the surface." Full Review
"The play before us is a slightly strange thing, suffering from a pronounced case of split personality. So opposed are the moods of its two acts that at times it's like seeing two separate -- and diametrically opposed -- dramatic works. Cognitive dissonance, rather than spellbinding, is the order of the day...If McCarrick could liven up the first act and tone down the second, 'The Naturalists' would be far more coherent. Still, it is striking enough." Full Review
"A tender character study of a spirited young woman becoming the housekeeper for two troubled middle-aged brothers devolves into a clumsy hostage drama...Staging has steadiness and simplicity which serves most of the play well, particularly in the outdoor sequences that convey an awe of nature. Julie Voshell’s choreography enlivens the occasional dances between the characters...With fine tuning of its writing and staging, it could very well more cohesively succeed." Full Review
"This new play set in contemporary Ireland offers some moments of beautifully written prose and a carefully calibrated central performance. However, the production suffers from too much muted naturalism in the direction at the expense of legibility...It’s an interesting setting, with a fascinating character at its core. But the understated execution of the production can leave us drifting far too frequently." Full Review
“The performances at least are sincere...Unfortunately, between the Irish accents and everyone’s efforts to speak naturally, at times it is difficult to comprehend what anybody is saying...The fatal error is choosing to produce McCarrick’s faulty play, which initially holds some charm but eventually implodes. In addition to its significant motivation issues for the characters, the plot is overloaded with excessive back-stories...The characters talk on and on and on." Full Review
See it if Irish play about relationships, family and politics. Each character's total different personality merges to show unity.
Don't see it if You have trouble with irish brogue. May have a slow start and over 2 hours long
See it if Partner's 90 % and my 85%. Nice theater space. Set fits the mood. New role for John Keating done to perfection. Sarah Street very good.
Don't see it if Chat with your Irish pals or do a week in the "old" country to better adjust to t the speech patterns. Study the weekend subway changes.
See it if Powerful story about relationships and shared history impeccably acted with great writing and beautiful craftsmanship.
Don't see it if you don't like interesting surprises, don't like accented performances, but otherwise this intense thought provoking drama was excellent.
See it if you like intelligent well made family dramas up close. Incredible performance by Tim Ruddy as the younger brother.
Don't see it if Irish accents pose a problem for you.Or you mind the inevitable cross-over into melodrama that Irish plays dealing with "the troubles" take.
See it if you want to see a well-written, well-acted show that presents many dilemmas. and like life, not everything is resolved.
Don't see it if you have difficulty with heavy irish accents. i liked this play very much, but missed some statements.
See it if you enjoy Irish plays, stories about struggling brothers, the continuing impact of "The Troubles," good acting esp. John Keating, new writer
Don't see it if Irish plays are not your thing, don't need to be reminded of the IRA, etc., not fan of slower character studies, onstage violence or accents
See it if You enjoy a beautifully presented, involving play that isn't afraid to take its time to develop character and lay groundwork.
Don't see it if You get impatient. You have particular trouble with Irish brogues.
See it if you like thought-provoking theater; you like accents, travelling, and exploring other cultures; you like plays
Don't see it if you don't like gun shot sounds; you don't like accents; you don't like slower moving plays that build with time
See it if You like a play that paints a beautiful picture of a landscape. You're interested in Ireland.
Don't see it if It's a wee bit slow, and while I wouldn't say it's cliche or anything, some of the paths are pretty well worn.
See it if You have an evening to kill, and are content with a largely quotidian view into a peculiar Irish life in the country. This is a good thing.
Don't see it if You need big stakes, powerful declaiming, and things that impact your life today. Small is the way we live and this reflects it.
See it if you enjoy excellent actors in ambitious plays. It doesn't totally succeed but there is a lot here to keep you engaged.
Don't see it if you can't sit for long plays that meander. The production lacks a focus and many of the important moments are not given room to play out.
See it if you want to actually CARE about a play's main characters, warts & all: a lovable grunt, a gentle former brute, a sweet caring strong maiden.
Don't see it if you're not int'd in the dynamics of rural familial relationships set in Ireland. Nothing wrong w/hearing strong accents, forcing U to focus.
See it if you want to see an absolutely astonishing performance by John Keating. All the case was excellent, but Keating was AMAZING. Just superb.
Don't see it if you're unwilling to listen to authentic Irish brogues.2 actors were difficult to understand at times. You don't "get" dark Irish humor.
See it if you like character driven pieces with good acting and interesting plot twists
Don't see it if You don't like actors speaking with accents or can't handle onstage violence
See it if you appreciate a character driven play without bells and whistles to distract from good acting and plot.
Don't see it if you expect action or prefer plays not focused exclusively on story telling.
See it if you like a story that finds the human & even the lovable in some very flawed, scared human beings who somehow manage to lift one another up.
Don't see it if you have never acquired a taste for Irish stories steeped in lots of local color.
See it if you want to see a story about two reclusive brothers who are confronted with the demons of their past when a young woman enters their lives.
Don't see it if you don't want to see a slow-burning relationship drama. The characters' secrets and motivations unravel over time.
See it if It's a good story, well drawn characters who I cared about. Irish writing interests me.
Don't see it if You might not like the overly realistic style. And I had trouble understanding them about 20% of the time. They were too casual in places.
See it if You want to dive deep into the human cost of political violence and can make sense of the thick Irish accents.
Don't see it if You're unwilling to pay the close attention required to understand the Irish accents.
See it if you enjoy good character development by good actors in a well-written play with a good twist in the second act.
Don't see it if you are apt to loose a lot of the dialogue due to accents and low voices, plus it could be tightened up a bit, thereby making it great.
See it if You like relationship stories Enjoy long conversations between characters Want understated action
Don't see it if You want a fast-paced show Like lots of flashy set changes Dislike characters with accents
See it if you would like a historical play based on real event involving the IRA in 1979. The play shows how a militant changed after 30 years
Don't see it if you have trouble understanding actors with Irish accents, and you like fast moving shows. First act was longer but well written & performed
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