Who Mourns for Bob the Goon? NYC Reviews and Tickets
Member Reviews (8)
See it if a strange drama about group therapy in which the participants think they're insignificant comic book characters appeals to your inner nerd.
Don't see it if you wouldn't enjoy something as bizarre at that sounds.
See it if You love intricate puppet design or comic book properties. The sound & video design were top-notch. Alica Goranson & John Carhart stood out.
Don't see it if You hate puppets or anything nerdy. The acting drags at times & some actors had diction issues. The play was about 30 min too long - edit!
Critic Reviews (7)
“A not-always-cohesive blend of reality, fantasy, paranoia, and dark satire...The playwright has a lot to say about the difficulties faced by war vets...It is very difficult to stay on top of the varying threads...One element that does work well is the visualization of the fantasy figures...Director Lucia Bellini and the cast do their best with the knotty and sometimes dense writing that prevents the characters from coming fully to life."
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“The heart of the play is in the right place, but, though the concept is interesting, one wonders if such serious subject matter as PTSD and serious mental health issues is not handled somewhat irresponsibly here…As a dramatic thought piece, it is much fun, but as a comment on real-world problems, it is frustratingly detached and devoid of any true substance, which would be fine if it didn’t seem to strive so very hard towards the contrary.”
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“It is a compelling story set against a beautifully designed visual world, and containing moments of honest humor and poignancy. However, this production is a bit loose around the edges. One can sense moments of lagging action or lack of specificity that drive the audience to lose attention and focus...Additionally, the script itself runs long, and needs a trim...Perhaps with a bit more time, ‘Bob’ will find its way to victory as a captivating and enlightening theatrical experience.”
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"A fiercely contemporary play...Playwright Joshua Young deftly leads us through a multifaceted story–part puppet (which are gorgeous and terrifying,) part comic, all heart...It’s a tightly directed, quickly moving story that vacillates between dangerous and fantastical, but always deliciously theatrical. The ensemble is vibrant, compelling, and hilarious. Though the comic book world the characters believe they inhabit is two dimensional, this play is not."
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“Joshua Young’s play is set in a group therapy session among military vets...Each has a particular, occasionally harrowing, story to tell...The play posits an intriguing premise, aided by clever projections, to explore the mind’s fragility. Fans of the comic characters will appreciate their various manifestations. There is good stuff here, but in need of editing. The final two scenes are unnecessary and drain an otherwise interesting, ably performed work of its energy.”
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"This play is a brilliant and innovative look at the effects of war. Playwright Joshua Young skillfully masters the psyches of his characters so that we may look voyeuristically at the kind of everyday life that precedes war. Young manages to find light and humor and depth and reality. Beautifully directed by Lucia Bellini, this play is well worth seeing...This incredible ensemble brings this magnificent piece to life...Overall this is an incredible play and executed brilliantly."
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"This eccentric cast of eight very physical actors was filled with talent. Carhart took to the stage with ease and specificity...His presence and connection to the rest of the cast was powerful and compelling...Elise Hudson played the female character of Langly...Offering a different side to her character, Hudson carries truth and clarity to the stage while leaving the audience with much to reflect on."
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