See it if pure theatrical magic
Don't see it if Just see it!
See it if You are deeply looking for that kind of off-the-wall, yet totally accessible experience, that is the reason you moved to this city.
Don't see it if You get alarmed by sudden loud noises or NEED a coherent sense of plot. I usually prefer more plot clarity but still loved it.
See it if you like totally original theatre, integration of technology and performance, and thinking about something for days after you've seen it.
Don't see it if loud noises and/or bright lights scare you.
See it if you're intrigued by the space- & time-bending journey of a charming man driven to madness by his genius. Experimental theater at its best.
Don't see it if you prefer your fourth wall to stay firmly in place; you dislike multi-sensory, discombobulating experiences; you want your plot spelled out
See it if You're really into technical theater and the bleeding edge of stagecraft and performance.
Don't see it if You're not looking for an intense experience or are really put off by bro-philosophical takes on contemporary physics.
See it if You like performances that surprise you and mess with your perception of reality.
Don't see it if Strobe lights, loud noises bother you.
See it if you want an experience that stretches your thoughts and senses. Takes advantage of the marvelous advanced tech of the 3 Legged Dog Theater.
Don't see it if you startle easily, need to stay calm for health reasons or expect a plot.
See it if Amazing, indescribable experience of sensory overload, with impeccably choreographed technical, visual and aural effects. Will blow you away
Don't see it if you need a coherent plot or don't like flashing lights, high tech effects. It's an experience for the senses, not a traditional play.
"Visually gorgeous prediction of what will happen when the machines take over, Andrew Schneider's stunning 'Youarenowhere' is a tour de force—both of acting and design...Connoisseurs of process-oriented, short-form programming may have seen this work in snippets, but this is your first chance in a very long time to see a completed Schneider. Getting to see what his wicked, febrile mind has been up to is thrilling and happens but once a half-decade. It's like Brigadoon, people. Don't miss it."
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"I can't tell you what happens except to say that it is enormous, one of the biggest coups de théâtre I've seen in years, and it radically reorients one's perspective on everything that has come before. Beyond that, all I can tell you is that 'YOUARENOWHERE' is baffling, but not boring; that Andrew Schneider is a fearless and technically gifted performer; that the technical/design aspects of the production are executed with a rare precision; and the entire experience is not easily forgotten."
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"'YOUARENOWHERE' is artistically complicated and aesthetically striking...Technological cleverness aside, 'YOUARENOWHERE' contains moments of astounding and confusing beauty that come from the pace, timing, physicality, expression, and the presence of Schneider as well as other performers...It's an achievement that Schneider and his creative team are able to invent 'YOUARENOWHERE' not only as a theatre piece but as a place, a space, and an experience that is uncanny."
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"Using on-stage cues and technological manipulation unparalleled in American theater, the experimental performance piece 'YOUARENOWHERE' is back. This time with infinite more megawatts that take the already transcendent show to an-out-of-this-galaxy level. Unlike, the constant whispers of computer fans or lights, the show is anything but static...Schneider’s matter-of-fact style and absolutely sharpened physical poise guides us."
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"'YOUARENOWHERE' is reminiscent of the best of David Lynch….Impressions on the selectivity of love and the taking for granted of our perceptions on alternate and interior worlds manage to achieve mathematical and philosophical coherency as well as a sense of humor. Besides the sonic and visual accomplishments, Schneider's physical theater precision is mesmerizing. At the show's crescendo, he achieves a tour de force that is best experienced with no prior knowledge of it."
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"What Andrew Schneider achieves on stage leaves theatergoers as astonished as 19th century audiences must have felt watching Lumière’s 'Arrival of the Train'...The perception-altering surprise is so satisfying, I wouldn’t want to do anything to ruin it...Some theatergoers might not get past the show’s bells and whistles to grasp the meaning behind any of Schneider’s words, and that’s okay...His technical know-how is on full display in 'YOUARENOWHERE', with intentional sensory overload."
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"Since Schneider remains at a high compulsive level throughout the 60-minute-plus piece, what he’s actually intending to get across may be less important to him than the agitated state into which his message has plunged him...But if his observations are deliberately blurred, then it becomes incumbent on him to command consistent attention no matter where his digressions take him. Sorry to say, he runs out of steam a little too often...Let's just say, 'YOUARENOWHERE' is relatively engaging."
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"'YOUARENOWHERE' is a sensory overload that not only works, it is emotionally cumbersome...'YOUARENOWHERE' is not only magical, it's mystifying. To discuss what happens in Schneider's piece would be a complete disservice to any future audience. It would do nothing but spoil your experience. But what can be analyzed is Schneider's ability to craft something provocative...'YOUARENOWHERE' defies the impossible. This is not a show for the faint of heart."
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