"This is the kind of nervy, up-for-anything play that the [Royal] Court exists to do and has strangely shied away from in recent months in favour of one show or another that functioned as staged apologies of sorts."
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“Despite its flaws, Daniel Evans' crisp direction keeps the tone buoyant balancing the comedic elements with serious intrigue. Lee Wynter's central performance is endearingly charming, effortlessly whipping up poignant rapport with Rochenda Sandall's Syd”
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"‘Black Superhero’ is messy and over-ambitious, but it’s empathetic and perceptive. "
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“The play’s story meanders – deliberately it seems – and does not have enough of a trajectory, while the writing is also unruly, rendering the play quite disjointed as a whole...but there is enough intelligence and originality to make this a seductive debut.”
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"The first night audience may have cheered it on, but this debut play joins a long list of Court productions that seem more interested in striking a righteous pose...by the end, you leave feeling you have been eavesdropping on an overlong therapy session."
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"The entire cast are strong and convincing. Yet it remains a frustrating evening, full of potential, but lacking in superpower."
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“If Wynter’s play lacks dramatic muscle, it wears a thoughtful expression beneath its mask – and it’s spikily entertaining.”
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“While the tone of the show changes as it progresses, the one constant is the sheer quality of the production. Capturing your attention immediately and retaining it throughout, there is much to enjoy about this play which proves why stories like this deserve to always be in the spotlight, front and centre.”
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