Blood Wedding
Closed 1h 55m
Blood Wedding
50
Audience
Critics

Blood Wedding London Reviews and Tickets

50%
(1 Review)
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About the Show

Federíco Garcia Lorca’s tragedy which centers on one young woman who is desired by two men.

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Member Reviews (1)

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38 Reviews | 0 Followers
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Critic Reviews (9)

London Theatre
September 30th, 2019

...an emotionally precise production that is highly stylised and stately, yet full of rich and savage beauty...evocative use of language is matched by the extraordinarily visceral physical language and clarity...'
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The London Evening Standard
September 26th, 2019

Farber keeps the pressure turned up to 11, which can prove wearing once the amusement at how gloriously OTT it all is wears thin. But for all its excess, I kind of loved it.'
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The Guardian (UK)
September 26th, 2019

Bold and beautiful tale of doom...Yaël Farber’s visceral production, relocating the action to rural Ireland, retains all the potency of Lorca’s play about tribal vengeance.'
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The Times (UK)
September 26th, 2019

Yes, it loses some narrative grip near the end as the blood flows and the symbolism rises, but mostly Farber’s daring sustains an evening of magical realism that is beautiful but brutal.'
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The Stage (UK)
September 25th, 2019

The marriage of Yaël Farber with Marina Carr should be a transcendent thing – and, mostly, it is. But, like the eponymous wedding in Federico García Lorca’s tragic play, it also falls apart towards the end.'
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What's On Stage (UK)
September 26th, 2019

The best moments are fleet and wondrous...But they're small rays of invention peppered in a near-two-hour production that yearns for more.'
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Time Out London
September 26th, 2019

There are electric moments, particularly whenever Thalissa Teixeria’s white-suited Moon takes to the stage...But ‘Blood Wedding’ is often so bluntly miserable as to become numbing: an oppressive pile-up of tragedy.'
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The Arts Desk
September 26th, 2019

Inventive, poetic if over-stretched revival of Lorca's rural tragedy... The strong ensemble relish Carr's language, a satisfying mixture of the darkly comic and the metaphorically foreboding...'
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