"Both characters are wonderfully flawed creations, and it’s simultaneously moving and wryly funny watching them muddle their way through."
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"Diyan Zora’s stripped-back, well-acted production has the two circling each other on a turning revolve: but narratively, the play lopes off on all sorts of strange tangents."
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"The play’s power, ultimately, lies in its liminal spaces: between dream, psychosis and reality, between fiction and its creation, and between the tragedy of death and the capacity for healing found within it."
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"The big story here though is Kellyman, who has made a name for herself on screen as a supporting actor but could easily be a stage lead of substance if she chooses to go that way."
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"It’s a sensitive subject handled with finesse, acuity and surprising comedy"
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"...a surprising and quietly powerful study of grief and families"
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“If this is a wisp of a drama, these two actors give its gauzy translucency substance.”
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“Evening All Afternoon may be a gentle play, but its emotional resonance is unmistakable.”
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