Glass. Kill. Bluebeard.
Closed 2h 20m
Glass. Kill. Bluebeard.
79

Glass. Kill. Bluebeard. London Reviews and Tickets

79%
(1 Review)
Positive
100%
Mixed
0%
Negative
0%
Members say
Enchanting

About the Show

A four-part play about myths and stories by acclaimed British playwright, Caryl Churchill.

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Member Reviews (1)

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38 Reviews | 1 Follower
79
Enchanting

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Critic Reviews (9)

Time Out London
September 26th, 2019

[Churchill's] latest, ‘Glass. Kill. Bluebeard. Imp.’ is a virtuoso quartet of plays that will probably take years to digest fully, in which her almost supernatural powers of language remain entirely undimmed.'
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The Telegraph (UK)
September 26th, 2019

It has its funny-peculiar moments, the acting hooks you in, but it’s overlong. Overall, then, this passes the time well enough. Does it define the times, in an essential way? Not so much.'
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London Theatre
September 27th, 2019

Churchill has long been heralded for her challenging games around a theatrical form, and these plays are no exception...These are variously bracing playlets of intellectual teases and puzzles...'
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The Guardian (UK)
September 26th, 2019

Caryl Churchill's compelling quartet...The latest from the daring playwright is a fascinating four-part exploration into our appetite for blood-soaked myth.'
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The Stage (UK)
September 26th, 2019

In her captivating quartet of new works – the thrillingly theatrical equivalent of three short stories and a novella...[Churchill] casts an immediate spell over her audience...'
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WhatsOnStage
September 26th, 2019

All [of Churchill's] work is precision-engineered but her late plays feel like Picasso's late sketches. The line is so fine, the image ferociously truthful, pared to the bone yet rich in implication.'
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The Independent (UK)
September 26th, 2019

Caryl Churchill pushes boundaries. Your wits need to hurry to keep up with the audacious, haunting and often horribly funny games the veteran dramatist is playing in Glass. Kill. Bluebeard. Imp.'
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The Arts Desk
September 27th, 2019

...a typically imaginative quartet of short plays. Each of them is vividly distinct, being linguistically agile, theatrically pleasurable and emotionally dark...'
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